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The Killers (Robert Siodmak, 1946)
Jul
20
1940
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The July 21 headline. DP: Elwood Bredell.
“Don't ask a dying man to lie his soul into Hell.”
– Lt. Sam Lubinsky
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D.O.A. [Dead on Arrival] (Rudolph Maté, 1949)
Jul
18
A man's hand signs a car rental contract dated July 18. DP: Ernest Laszlo.
“You knew who I was when I came here today. But you were surprised to see me alive, weren't you? But I'm not alive, Mrs. Philips. Sure, I can stand here and talk to you. I can breathe and I can move. But I'm not alive. Because I did take that poison, and nothing can save me.”
– Frank Bigelow
The Life Magazine displayed at the San Francisco newspaper stand where Frank Bigelow stops is the issue of September 12, 1949, with Yugoslavia's leader Marshal Josip Broz Tito on the cover.
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Götter der Pest [Gods of the Plague] (Rainer Werner Fassbinder, 1970)
Jul
16
Someone complains about costs or prices*
– We'll go to an island and live from fishing and hunting. And the sun will shine and it will never rain. And we'll eat lobster and drink wine.
– …
– Why not?
– Because it's too expensive.
– Why too expensive?
– It's just too expensive.
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點指兵兵 [Dian zhi bing bing / Cops and Robbers] (Kwok-Ming Cheung, 1979)
Jul
15
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妻は告白する [Tsuma wa kokuhaku suru / A Wife Confesses] (Yasuzō Masumura, 1961)
Jul
15
1961
An expert called into the court case studies an enlarged photograph of the supposed crime scene. DP: Setsuo Kobayashi.
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野良犬 [Nora inu / Stray Dog] (Akira Kurosawa, 1949)
Jul
14
Someone enjoys a drink or beverage*
“On the bus, the air was so thick, he felt woozy. A wailing infant shook with tears and the woman beside him reeked with the stink of cheap perfume.”
– narrator
On a sweltering summer day, Detective's Murakami's Colt gets stolen on a crowded bus. He must delve deep into the sticky sweaty seedy underbelly of Tokyo to retrieve it.
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La mort d'un bûcheron [The Death of a Lumberjack] (Gilles Carle, 1973)
Jul
12
1920
Blanche Bellefeuille (Denise Filiatrault) in front of a wall covered in catholic knickknacks. Through a door, nightclub entrepreneur Armand St. Amour (Willie Lamothe) can be seen asleep, his beloved cowboy boots carefully placed next to his improvised bed. DP: René Verzier.
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Horoskop [Horoscope] (Boro Drašković, 1969)
Jul
11
The impromptu café awaiting tourists, for now occupied by lounging men. DP: Ognjen Miličević.
Someone at a coffee shop or café*
There's not much next to the railroad tracks. A group of young men spend their summer days there, waiting for the train bringing tourists to the Adriatic coast. Suddenly, the place comes to life with waiters frantically unfolding parasols. And there's a pretty blonde, she stays, and brings her newspaper stand along. The men place a bet…
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La dame dans l'auto avec des lunettes et un fusil [The Lady in the Car with Glasses and a Gun] (Anatole Litvak, 1970)
Jul
10
Vendredi
A man with a lot of swagger and rolled up blueprints is about to enter a room with a prominent Coca-Cola machine and a jazzy leather swivel chair on display. An electronic flip clock tells the time and date. It's 17:52. DP: Claude Renoir.
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باب الحديد [Bab el-Hadid / Cairo Station / The Iron Gate] (Youssef Chahine, 1958)
Jul
8
Abu-Sri (Farid Shawqi) with Hannumah (Hind Rostom) perched on top of a large wooden crate. DP: Alevise Orfanelli.
Luggage, a trunk, or a suitcase*
“My job allows me to read about strange incidents, but what I see here is often even stranger. And the strangest thing of all happened one day after midday prayer.”
– Madbouli, newspaper salesman
Among the hustle and bustle of Cairo's travellers, there are those making a living. The pitiful Qenawi (Youssef Chahine) peddles newspapers, unioniser Abu-Sri moves said travellers' luggage, and Hannumah (Hind Rostom), all hips and bosom and Abu-Sri's, sells cold drinks. Qenawi wants her.
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