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More (Barbet Schroeder, 1969)
Sep
7
Estelle (Mimsy Farmer) and Stefan (Klaus Grünberg) tripping in Ibiza. DP: Néstor Almendros.
“I had imagined this journey as a quest. I finished my studies in math. I wanted to live. I wanted to burn all the bridges, all the formulas, and if I got burned, that was okay, too. I wanted to be warm. I wanted the sun and I went after it.”
– Stefan
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Mélodie en sous-sol [Any Number Can Win] (Henri Verneuil, 1963)
Sep
6
Tue
Mario (Henri Virlojeux), bathhouse proprietor. A nearby wall calendar reads mardi, septembre 6. DP: Louis Page.
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Pickpocket (Robert Bresson, 1959)
Sep
6
Sun
The newspaper of Sunday, September 6, announcing a derby. DP: Léonce-Henri Burel.
“The pickings were poor and not worth the risk.”
– Michel
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Homicidal (William Castle, 1961)
Sep
6
Man's hands hold a picture of Emily (Joan Marshall). DP: Burnett Guffey.
“We've been to Haunted Hills, and through Tinglers, and even Ghosts... but now we're going to meet a group of people who just happen to be… Homicidal.”
– William Castle, introduction
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Nuits rouges [L'homme sans visage / Shadowman] (Georges Franju, 1974)
Sep
6
A faceless man in black wearing a red balaclava (Jacques Champreux) holds his right wrist, which is bleeding profusely. DP: Guido Bertoni.
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Le vampire de Düsseldorf [The Vampire of Dusseldorf] (Robert Hossein, 1965)
Sep
5
Robert Hossein as Peter Kuerten [sic]. DP: Alain Levent.
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Flic Story [Cop Story] (Jacques Deray, 1975)
Sep
3
1947
A close-up of a man's feet hastily walking along a corridor. Superimposed it reads 3 SEPTEMBRE 1974. DP: Jean-Jacques Tarbès.
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Red [The Red Half-Breed / Red the Half Breed] (Gilles Carle, 1970)
Sep
2
A counter at a Québécois branch of the Banque de Montréal – oddly enough using its English-language name. A wall calender reads September 2. DP: Bernard Chentrier.
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Happy End (Oldřich Lipský, 1967)
Sep
1
1889
Butcher Bedřich Frydrych (Oldřich Lipský), born September 1, 1889 in Trumberk. DP: Vladimír Novotný.
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Shock Corridor (Samuel Fuller, 1963)
Aug
30
1954
Inpatient Stuart (James Best) in one of the many scenes that appear to bear some of the seeds of Mark Frost & David Lynch's Twin Peaks (1990–1991). DPs: Stanley Cortez & Samuel Fuller.
“Life is a messy weapon.”
– Pagliacci
