Les yeux cernés [Marked Eyes] (Robert Hossein, 1964)
Apr
2
1964

A typed request on official stationary dated April 2, requesting to show up at the police precinct on April 4, 1964. DP: Jean Boffety.
Les yeux cernés [Marked Eyes] (Robert Hossein, 1964)
Apr
2
1964

A typed request on official stationary dated April 2, requesting to show up at the police precinct on April 4, 1964. DP: Jean Boffety.
“He’s not a beast. No, he’s a robot. A machine created by a modern, twisted society.”野獣死すべし [Yajū shisubeshi / The Beast Shall Die] (Eizō Sugawa, 1959)
Mar
30
7 p.m.

Kunihiko Date (Tatsuya Nakadai) driving along at night. DP: Fukuzō Koizumi.
“Have you ever been afraid? Really afraid?”The Chase (Arthur Ripley, 1946)
Mar
21
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A man's hand holds up two first class tickets for March 21, destination Cuba. DP: Franz Planer.
– Lorna Roman
“Three days ago, at exactly 0600 – because that is really not the time – on February 5 – because that is really not the date – this freighter, which shall be nameless, sailed from a certain Far Eastern port. Its destination: The Port of Los Angeles, Wilmington, California. This is fact.”Hell Bound (William J. Hole Jr., 1957)
Mar
12
Sat

A man writes a name in the 9:30 a.m. time slot of the calendar page for Saturday March 21. DP: Carl E. Guthrie.
– narrator
“We're not here to play dominoes.”Canon City (Crane Wilbur, 1948)
Dec
30
1947

A calendar page. It's December 30, 1947. DP: John Alton.
“Sloane! Be lucky!”Nowhere to Go (Seth Holt + Basil Dearden, 1958)
Dec
22
Tue
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A man checks into a hotel. A wall calendar reads December 22, a Tuesday. DP: Paul Beeson .
– Paul Gregory
Accidente 703 [Los culpables] (José María Forqué, 1962)
Dec
21

A darkened room. People take care of a man slumped on a coach. A wall calendar tells us it's the 21st. DP: Juan Mariné.
Panic in the Streets (Elia Kazan, 1950)
Dec
13
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A bunch of tough-looking guys at a table with what may be a sandwich. Even the sandwich is up to no good.. DP: Joseph MacDonald.
“I'm trying to run an impersonal business. Killing is very personal. Once it gets started, it's hard to stop.”The Big Combo (Joseph H. Lewis, 1955)
Nov
15
1946

A man's hand holds up a photo negative of a black-and-white picture, showing two men and a woman, and the date 11-15-46 underneath. DP: John Alton.
– Mr. Brown