“Sie können sich einen anderen Beruf aussuchen. Sie sind ein toter Mann.”Nasser Asphalt [Wet Asphalt] (Frank Wisbar, 1958)
Dec
20
National Greg Day
Greg Bachmann (Horst Buchholz) walking the rainy streets of Berlin. The scene is a direct reference to Dennis Stock's 1955 portrait of James Dean. DP: Helmuth Ashley.
Someone named Greg for National Greg Day, USA.
“Only a child can kill the monster.”Si muero antes de despertar [If I Should Die Before I Wake] (Carlos Hugo Christensen, 1952)
Dec
19
National Hard Candy Day
Lucio (Néstor Zavarce) and his new friend sharing one of her fancy 10¢ lollipops. DP: Pablo Tabernero.
Eating hard candy on National Hard Candy Day.
Lucio is the class clown, a ne'er-do-well relying on his police-dad's rank and classmates' homework. One of these classmates, a smart little girl, promises him fancy lollipops in exchange for protection. And she has a secret for him too, about the origin of the candy, and the nice man giving her those and other nice things. Under oath, she tells Lucio everything and then promptly disappears. With his friend gone, killed as he later finds out, and an oath weighing on his heart, what can Lucio do when another girl goes missing?
– narrator
Cornell Woolrich's haunting tales of childhood lost leaped from Ireland to Argentina. With some similarities with Fritz Lang's M (1931), this fairy-tale feels more oppressive; due to the helplessness of a boy's power in an adult world and his understanding of grown-up responsibilities. A restored version in wider circulation is long overdue.
“I don't use a pen. I write with a goose quill dipped in venom.”Laura (Otto Preminger + Rouben Mamoulian, 1944)
Dec
11
Laura Hunt (Gene Tierney) interrupts arsine newspaper columnist Waldo Lydecker (a delicious Clifton Webb) with her designs during his lunch. DPs: Joseph LaShelle & Lucien Ballard.
– Waldo Lydecker
“You know Mum, I don't have to write to Santa anymore. There's an easier way, through Minitel.”3615 code Père Noël [Deadly Games / Dial Code Santa Claus] (René Manzor, 1989)
Dec
4
Santa's List Day
A letter to Santa on Santa's List Day (USA). A man in a grey overcoat and yellow scarf at a public Minitel terminal. On the display the code 3615 and an 8-bit illustration of Santa Claus carrying his bag with presents. The sack holds a smaller Minitel device with the text PERE NOEL. DP: Michel Gaffier.
Aah France… Land of old wine, old cheese, old art, and Internet access in the early 80s. Prestige project of Président Giscard, France was determined to take a technological leap. Any French man, woman and child could borrow a Minitel – a PC-like videotex device – from the national telecommunications services. For those who didn't have landline there were numerous public terminals throughout the land. The machine gave the people access to a phonebook (convenient!), the news (smart!), same-day delivery shopping(!) and sexting (ooh la la!). All these services were accessible via a code starting with 3615 followed by a string of letters. Dial 3615 ULLA to text with a sexy lady – some telecom employee pretending to be one – and 3615 PERE NOEL for Santa Claus. The real one, of course.
9 year old whizkid Thomas (Alain Lalanne aka Alain Musy) is dead set on proving that Santa is real and not some weirdo looking for a gullible kid to play with. A trap is set, and the boy waits.
– Thomas
3615 code Père Noël is definitely not your cutesy little Christmas romp. The violence is not cartoonish, the bandit is more Manson than moist. The boy's disillusionment in the adults around him is a perfect mirror of “Santa's” lonely attempts to communicate and be accepted. However, Thomas' mom didn't lie about one thing; that seeing Santa on Christmas Eve turns you into an ogre. Or an adult, as the grownups call it.
Si muero antes de despertar [If I Should Die Before I Wake] (Carlos Hugo Christensen, 1952)
Nov
28
soup
Lucio (Néstor Zavarce) having dinner with his mother (Blanca del Prado) and strict father. DP: Pablo Tabernero.
– Nice day, isn't it?
– Yes, isn't it!
– It's swell. It's perfect.Lonesome (Pál Fejős, 1928)
Nov
20
A Beautiful Day
Our lovebirds holding out on the Human Roulette, one of the many dizzying Steeplechase attractions of Coney Island. DP: Gilbert Warrenton.
Two hopelessly lonely hearts meet each other at Coney Island, spending the most wonderful day in each other's company. Pál Fejős' joyful Lonesome was made just when motion pictures became talkies, and new and more modern novelties were expected by the audience. Fejős delivers, with sound and musical inserts, and the occasional – almost shocking – burst of colour.
With light touches of Murnau's groundbreaking Sunrise: A Song of Two Humans (1927) and Jean Vigo's more experimental À propos de Nice (1930), Lonesome depicts the exuberance of youth with an optimism soon to be lost to the vices of history.
みな殺しの霊歌 [Minagoroshi no reika / I, the Executioner] (Tai Katō, 1968)
Oct
26
A claustrophobically framed black-and-white shot of a man (Makoto Satō) handling chopsticks close to his face. DP: Keiji Maruyama.
Orlacs Hände [Die unheimlichen Hände des Doktor Orlac / The Hands of Orlac] (Robert Wiene, 1924)
Sep
25
Paul Orlac (Conrad Veidt) stretched out on a wooden bench in a tavern. A strange man sits on a second bench on the other side of the table. DPs: Hans Androschin & Günther Krampf.
La caza [The Hunt] (Carlos Saura, 1966)
Sep
23
International Rabbit Day
One of the hunters, seen from the back, aims for a wild rabbit. When you look closely you can see the animal leap just out of frame. DP: Luis Cuadrado.