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Lonesome (Pál Fejős, 1928)
Nov
20
A Beautiful Day
Two hopelessly lonely hearts meet each other at Coney Island, spending the most wonderful day in each other's company. Pál Fejős' joyful Lonesome was made just when motion pictures became talkies, and new and more modern novelties were expected by the audience. Fejős delivers, with sound and musical inserts, and the occasional – almost shocking – burst of colour.
– Nice day, isn't it?
– Yes, isn't it!
– It's swell. It's perfect.
With light touches of Murnau's groundbreaking Sunrise: A Song of Two Humans (1927) and Jean Vigo's more experimental À propos de Nice (1930), Lonesome depicts the exuberance of youth with an optimism soon to be lost to the vices of history.
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みな殺しの霊歌 [Minagoroshi no reika / I, the Executioner] (Tai Katō, 1968)
Oct
26
A claustrophobically framed black-and-white shot of a man (Makoto Satō) handling chopsticks close to his face. DP: Keiji Maruyama.
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Orlacs Hände [Die unheimlichen Hände des Doktor Orlac / The Hands of Orlac] (Robert Wiene, 1924)
Sep
25
Paul Orlac (Conrad Veidt) stretched out on a wooden bench in a tavern. A strange man sits on a second bench on the other side of the table. DPs: Hans Androschin & Günther Krampf.
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La caza [The Hunt] (Carlos Saura, 1966)
Sep
23
International Rabbit Day
One of the hunters, seen from the back, aims for a wild rabbit. When you look closely you can see the animal leap just out of frame. DP: Luis Cuadrado.
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Nóz w wodzie [Knife in the Water] (Roman Polanski, 1962)
Sep
16
Mayflower Day
The young man (Zygmunt Malanowicz) outstretched on the boat's bow. DP: Jerzy Lipman.
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The Birds (Alfred Hitchcock, 1963)
Sep
10
chicken
Feeling rather peckish.
“Are the birds gonna eat us, Mommy?”
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M [M – Eine Stadt sucht einen Mörder] (Fritz Lang, 1931)
Sep
5
Jury Rights Day
Schränker (Gustaf Gründgens) and his kangaroo court. Under his clenched fist a photograph of one of the murdered girls. DP: Fritz Arno Wagner.
“Just you wait, it won't be long,
The man in black will soon be here,
With his cleaver's blade so true,
He'll make mincemeat out of you!”
– children singing
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Dial 1119 [The Violent Hour] (Gerald Mayer, 1950)
Aug
28
Sherry Flips
“And now for the benefit of the folks who tuned in late, I should like to say that this is the most traumatic spectacle I have ever had the GOOD fortune to witness.”
– TV announcer
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Maléfices [Where the Truth Lies] (Henri Decoin, 1962)
Aug
16
milk
Ronga (Maîthé Mansoura accompanied by cheetah Nyète), sits on a straw-covered floor while holding a bowl with milk. There are potted plants and gardening equipment is placed against the wall. DP: Marcel Grignon.
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L'œil du malin [The Eye of Evil / The Third Lover] (Claude Chabrol, 1962)
Aug
8
A table covered with a neatly ironed table cloth and on it, several stacks of flat and soup plates, plus silverware and nesting aluminium pans. DP: Jean Rabier.