settima

thriller

Lonesome (Pál Fejős, 1928)

Nov

20

A Beautiful Day

Lonesome (1928)

Our lovebirds holding out on the Human Roulette, one of the many dizzying Steeplechase attractions of Coney Island. DP: Gilbert Warrenton.

Two hopelessly lonely hearts meet each other at Coney Island, spending the most wonderful day in each other's company. Pál Fejős' joyful Lonesome was made just when motion pictures became talkies, and new and more modern novelties were expected by the audience. Fejős delivers, with sound and musical inserts, and the occasional – almost shocking – burst of colour.

– Nice day, isn't it? – Yes, isn't it! – It's swell. It's perfect.

With light touches of Murnau's groundbreaking Sunrise: A Song of Two Humans (1927) and Jean Vigo's more experimental À propos de Nice (1930), Lonesome depicts the exuberance of youth with an optimism soon to be lost to the vices of history.

みな殺しの霊歌 [Minagoroshi no reika / I, the Executioner] (Tai Katō, 1968)

Oct

26

みな殺しの霊歌 (1968)

A claustrophobically framed black-and-white shot of a man (Makoto Satō) handling chopsticks close to his face. DP: Keiji Maruyama.

Orlacs Hände [Die unheimlichen Hände des Doktor Orlac / The Hands of Orlac] (Robert Wiene, 1924)

Sep

25

Orlacs Hände (1924)

Paul Orlac (Conrad Veidt) stretched out on a wooden bench in a tavern. A strange man sits on a second bench on the other side of the table. DPs: Hans Androschin & Günther Krampf.

La caza [The Hunt] (Carlos Saura, 1966)

Sep

23

International Rabbit Day

La caza (1966)

One of the hunters, seen from the back, aims for a wild rabbit. When you look closely you can see the animal leap just out of frame. DP: Luis Cuadrado.

Nóz w wodzie [Knife in the Water] (Roman Polanski, 1962)

Sep

16

Mayflower Day

Nóz w wodzie (1962)

The young man (Zygmunt Malanowicz) outstretched on the boat's bow. DP: Jerzy Lipman.

“Hitching at this hour.”

The Birds (Alfred Hitchcock, 1963)

Sep

10

chicken

The Birds (1963)

Alfred Hitchcock and Tippi Hedren in a promotional photo by Philippe Halsman. Hedren, as her character Melanie Daniels, is attacked by a large crow while Hitchcock calmly enjoys a fried chicken and a glass of wine. DP: Robert Burks.

Feeling rather peckish.

“Are the birds gonna eat us, Mommy?”

M​ [M – Eine Stadt sucht einen Mörder] (Fritz Lang, 1931)

Sep

5

Jury Rights Day

M - Eine Stadt sucht einen Mörder (1931)

Schränker (Gustaf Gründgens) and his kangaroo court. Under his clenched fist a photograph of one of the murdered girls. DP: Fritz Arno Wagner.

“Just you wait, it won't be long, The man in black will soon be here, With his cleaver's blade so true, He'll make mincemeat out of you!”

– children singing

Dial 1119 [The Violent Hour] (Gerald Mayer, 1950)

Aug

28

Sherry Flips

Dial 1119 (1950)

Dr. John Faron (Sam Levene) and barfly Freddy (Virginia Field) drinking at the counter. Freddy is enjoying her sherry flip with what appear to be olives instead of cherries. Two more glasses are waiting for her. DP: Paul Vogel.

“And now for the benefit of the folks who tuned in late, I should like to say that this is the most traumatic spectacle I have ever had the GOOD fortune to witness.”

– TV announcer

Maléfices [Where the Truth Lies] (Henri Decoin, 1962)

Aug

16

milk

Maléfices (1962)

Ronga (Maîthé Mansoura accompanied by cheetah Nyète), sits on a straw-covered floor while holding a bowl with milk. There are potted plants and gardening equipment is placed against the wall. DP: Marcel Grignon.

L'œil du malin [The Eye of Evil / The Third Lover] (Claude Chabrol, 1962)

Aug

8

L'œil du malin (1962)

A table covered with a neatly ironed table cloth and on it, several stacks of flat and soup plates, plus silverware and nesting aluminium pans. DP: Jean Rabier.