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St. Louis Blues (Dudley Murphy, 1929)
Dec
20
Walter “Wolfman” Washington's birthday
Bessie “the Empress of Blues” Smith, singing her blues away. DP: Walter Strenge .
Featuring rhythm and blues, funk or blues, for Walter “Wolfman” Washington's birthday (1943)
“I hate to see the evening' sun go down
I hate to see the evening' sun go down
It makes me think I'm on my last go 'round
Feeling' tomorrow like I feel today
Feeling' tomorrow like I feel today
I'll pack my grip and make my getaway”
Saint Louis woman with her diamond rings
Pulls that man around by her apron strings
Wasn't for powder and the store-bought hair
The man I love wouldn't go nowhere, nowhere
I got them Saint Louis Blues; just as blue as I can be
He's got a heart like a rock cast in the sea
Or else he wouldn't have gone so far from me”
– Bessie Smith, St. Louis Blues (W. C. Handy)
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Santa and the Ice Cream Bunny (Richard Winer + Barry Mahon, 1972)
Dec
20
A bunch of screaming children on top of a red firetruck stand right behind the driver, a stoic person in a pink bunny costume. DPs: William Tobin & Richard Winer.
“What is that? What is that I hear? Where's it coming from? I hear a siren, but I don't see any fire, I don't see any smoke. Whenever there's a siren, it means there's a fire, but I don't see any smoke. That siren. Where is it coming from? Where's that sound coming from?”
– Santa Claus
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Lolita (Stanley Kubrick, 1962)
Dec
18
Daniel LaRusso's birthday
Lolita (Sue Lyon) twirling her hoola hoop in the yard in front of Prof. Humbert Humbert (James Mason). He pretends to read but is mostly ogling her.. DP: Oswald Morris .
A backyard, deck or fences for Daniel LaRusso's (the Karate Kid kid who, as part of his martial arts training, endlessly paints fences) birthday.
“What drives me insane is the twofold nature of this nymphet, of every nymphet perhaps, this mixture in my Lolita of tender, dreamy childishness and a kind of eerie vulgarity. I know it is madness to keep this journal, but it gives me a strange thrill to do so. And only a loving wife could decipher my microscopic script.”
– Prof. Humbert Humbert
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Lonely Are the Brave (David Miller, 1962)
Dec
15
bread
Jerry Bondi (Gena Rowlands) kneads dough. DP: Philip H. Lathrop.
“I don't need a card to figure out who I am. I already know.”
– Jack Burns
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The Monkey Talks (Raoul Walsh, 1927)
Dec
14
Monkey Day
Jocko (Jacques Lerner) in embrace with his Olivette (Olive Borden). Amazingly, Lerner does not wear a mask; it's all the work of makeup craftsman Jack Pierce. DP: L. William O'Connell.
A monkey for (unofficial) Monkey Day.
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Psycho (Alfred Hitchcock, 1960)
Dec
11
Norman Bates (Anthony Perkins) in front of the family motel. DP: John L. Russell.
“The mattress is soft and there're hangers in the closet and stationary with “Bates' Motel” printed on it in case you want to make your friends back home envious.”
– Norman Bates
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Speedy (Ted Wilde, 1928)
Dec
7
National Cotton Candy Day
Harold 'Speedy' Swift (Harold Lloyd ) and his gal Jane (Ann Christy) enjoy big bags of cotton candy at the fair. DP: Walter Lundin .
Cotton candy for (National) Cotton Candy Day. Gifs via Little Horror Shop on Tumblr.
“When a boy loses his job, buys a new suit and takes a girl to Coney Island, he's either insane or in love – – and there's not much difference.”
– title card
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December 7th (John Ford + Gregg Toland, 1943)
Dec
7
1941
A Japanese person paints over the Japanese characters on their store's sign. AZUMA PHONE and SUS[HI obscured] can stay. DP: Gregg Toland.
“If that's Americanism, it's very hyphenated.”
– narrator
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Careful, Soft Shoulders [Lady in a Quandry] (Oliver H.P. Garrett, 1942)
Dec
7
1941
Thomas Aldrich (James Ellison) and Connie Mathers (Virginia Bruce). DP: Charles G. Clarke.
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Sioux Ghost Dance (William K.L. Dickson + William Heise 1894)
Dec
1
Hornbill Festival