settima

@settima@zirk.us

Kick That Habit (Peter Liechti, 1989)

Nov

16

National Andy Day

Kick That Habit (1989)

Andy Guhl of experimental Swiss music/art group Voice Crack playing metal wire strung along a room. DP: Peter Liechti.

Everything is noise. Everything is light. Everything is dark. Everything is motion. Everything is static. Everything is energy. Everything is lethargy. Everything is rhythm. Everything is chaos. Everything is silent

L'udienza [The Audience] (Marco Ferreri, 1972)

Nov

14

L'udienza (1972)

Amedeo (Enzo Jannacci), a young man with heavy rimmed glasses wrapped in heavy, flowery drapes as if it's a toga, eating late at night. There's an opened can on one of his plates. A sad looking stuffed toy dog hangs out. DP: Mario Vulpiani.

L'enfant sauvage [The Wild Child] (François Truffaut, 1970)

Nov

14

Young Readers Day

L'enfant sauvage (1970)

Victor, the Wild Boy of Aveyron (Jean-Pierre Cargol), reads letters from a board under supervision of Dr. Jean Itard (Truffaut). DP: Néstor Almendros.

One of the most elaborately recorded “feral child” cases is that of the Wild Boy of Aveyron. In the year 1800, after few fruitless attempts to bound him to civilisation, a young boy left the forests of Saint-Sernin-sur-Rance and settled in. The child's primal appearance and lack of speech labeled him an idiot. However, in the era of Enlightenment, the question of nurture versus nature was a pressing one. Studies on Victor began.

“I'm glad that you came home. Do you understand? This is your home. You're no longer a wild boy, even if you're not yet a man.”

– Dr. Itard

Truffaut explores L'enfant sauvage right when the idea of the noble savage seemed to lock on with counterculture. With #Truffaut as Victor's tutor Itard in front of the camera, directly guiding amateur child actor (and “gipsy”) Cargol, the film not only reimagines Victor's fate, but reenacts Western presumed enlightenment over The Other.

Les enfants terribles [The Terrible Children] (Jean-Pierre Melville, 1950)

Nov

13

World Orphans Day

Les enfants terribles (1950)

The siblings – children on the cusp of adulthood, played by adults – sharing a bed. Elisabeth (Nicole Stéphane) points up towards the ceiling with one arm wrapped around her brother Paul's (Edouard Dermithe) neck. Both wear dressing gowns. DP: Henri Decaë.

With their mother bedridden, Elisabeth (Nicole Stéphane) nurtures her snowball-fight-injured brother Paul (Edouard Dermithe) back to health.

“Their heritage of instability, extravagant caprice, and natural elegance was their paternal portion.”

– Jean Cocteau, Les enfants terribles (1929)

Withdrawn in their family home, they form a strong manipulative bond, drawing others into their games.

Mahler (Ken Russell, 1974)

Nov

12

World Pneumonia Day

Mahler (1974)

Gustav (Robert Powell) and Alma (Georgina Hale), both in a three piece suit with top hats. She's in a shadows, wearing a tight, black veil that completely conceals her features. DP: Dick Bush.

A sickly #GustavMahler (Robert Powell) and his wife Alma (Georgina Hale) dwell on their shared lives while travelling to Vienna by train. Storylines – circular like a journey, rondo like #Mahler's compositions – drift from the ordinary to the grotesque.

“I don't want to imitate nature. I want to capture its very essence. As if all the birds and the beasts die tomorrow and the world became a desert, when people heard my music – they would still know, feel, what nature was.”

– Gustav Mahler

This would be the composer's final tour. A train took him to a Vienna sanatorium where not much later he'd succumb to #pneumonia.

儀式 [Gishiki / The Ceremony] (Nagisa Ōshima, 1971)

Nov

11

World Origami Day

儀式 (1971)

A man kneeled in front of a Shintō altar. Ceremonial origami, known as girei origami or origata can be seen hanging from the altar. This is 幣帛 [heihaku], an offering made of cloth or paper. DP: Tōichirō Narushima.

Something's Got to Give (George Cukor, 1962)

Nov

10

Forget-Me-Not Day

Something's Got to Give (1962)

Marilyn on set during the infamous pool scene, four days days after singing Happy Birthday at JFK's birthday gala. DPs: Franz Planer & Leo Tover.

Everyone assumed that Ellen Arden, swept away during a yacht race, was gone. But there she is, years later, and very much alive.

“Fame will go by, and so long, I've had you, fame.”

– Marilyn Monroe, 1962

The story ends on August 4, 1962, almost two months after she was fired from the shoot. Marilyn Monroe was found dead in her home. She was 36 years old.

Matka Joanna od Aniolów [Mother Joan of the Angels] (Jerzy Kawalerowicz, 1961)

Nov

9

Chaos Never Dies Day

Matka Joanna od Aniolów (1961)

A possessed nun in white spinning on her axis among her sisters. Black clad priests in the background observe the scene. DP: Jerzy Wójcik.

Four years after the tragic events at Loudun. Mother superior, the titular Mother Joan, is still possessed by the Devil and has slowly pulled in the other sisters. A priest, the fourth one, is send to the convent to exorcise the demons who at this point have possessed all but one sister. Chaos ensues.

“If one can't be saint, it's better to be damned.”

– Mother Joan of the Angels

کلوزآپ ، نمای نزدیک [Klūzāp, nemā-ye nazdīk / Close-Up] (Abbas Kiarostami, 1990)

Nov

8

Klūzāp, nemā-ye nazdīk (1990)

Hossain Sabzian as himself. He sits behind a low table holding various refreshments, presented by his host. DP: Ali Reza Zarrindast.

Werner Herzog Eats His Shoe (Les Blank, 1980)

Nov

8

Cook Something Bold Day

Werner Herzog Eats His Shoe (1980)

Herzog prepares his left suede Clarks in Alice Waters' restaurant kitchen. DP: Les Blank.

After boiling for five hours in a concoction of #garlic, herbs, and stock, the shoe was ready to eat and #Herzog could keep his promise to fellow director Errol Morris.

“More shoes, more boots, more garlic.”

– Werner Herzog