At a bacchanalia, Rock Hudson's Antiochus Wilson finally strips down his hesitancy and realises he has a second chance at life, as a member of the new generation. To the Queen of wine! To Bacchus! To Pan!

“Bacchus gives us his blood so we may be born again.”

Director of photography James Wong Howe's very controlled framing of the (initially censored) pre-Woodstock #Bacchana​lian scene beautifully frames this pinnacle moment and proved almost too much for American censors.

Within the boundaries of Sharon Lockhart's static camera, girls from Goshogaoka junior high school practice #basketball. In six uninterrupted 10 minute scenes, we see them warm up and train several typical moves, shots, and blocks. With the camera set in one position, some of the action happens off-screen, resulting in unrehearsed synchronised choreography.

As long as they can remember, jaaniõhtu is when Estonians gather to celebrate midsummer. It started, they'll tell you, 4000 years ago when Kaali appeared. Ever since, come rain or shine, come socialism or capitalism, the people gather and light bonfires in its remembrance. Some sing the songs of the elders, memory willing. Others see this as their moment to shine. As a great musician perhaps. A faithful worker. Or a lover, for jaanipäev; #midsummer night.

“Come, this party is for hard-working people!”

Two boys skip class to catch a movie – Alexander Mackendrick's thematically similar A High Wind in Jamaica (1965) – and end up as members of a violent gang instead. While Matinée has elements of a typical 70s #ComingOfAge movie, the more fascinating element is the role reversal of the two children and the robbers. As the kids are forced to grow up, fast, the criminals live out their childhood fantasy of never having to listen to anyone ever again. And bicker over comics.

 

Robert Rodriguez stated that the fearsome criminals in his El Mariachi (1992) never outgrew their childhood nicknames. I start to suspect that once upon a time, a little boy named Robertiño skipped class and went to the matinee.

In Věra Chytilová's O něčem jiném, parallel storylines, one filmed as a documentary the other as a fictional drama, of two women are shown.

“So where do we go from here?”

– Eva

Olympic gymnast Eva (Eva Bosáková) undergoes a gruelling training regime. Housewife Věra (Věra Uzelacová) feels neglected by her husband. Both ruminate on a different life.

“All is falling”

– Bas Jan Ader

Opens with Nature Boy and #garlic propagandist Gypsy Boots.

– What's that? – Tea.