@settima@zirk.us
Die große Ekstase des Bildschnitzers Steiner [The Great Ecstasy of Woodcarver Steiner] (Werner Herzog, 1974)
Mar
13
Walter Steiner, flying. DP: Jörg Schmidt-Reitwein.
“You're a foreigner and you're lost.”
L'immortelle (Alain Robbe-Grillet, 1963)
Mar
12
National Hitchcock Day
A woman in silhouette (Françoise Brion) enters a building. The setup is perfectly symmetrical except a beam of light passing through the opened doors that highlight's the woman's presence, adding a sense of wrong to the scene. DP: Maurice Barry.
A favourite non-Hitchcock mystery for National Hitchcock Day (USA)
“Three days ago, at exactly 0600 – because that is really not the time – on February 5 – because that is really not the date – this freighter, which shall be nameless, sailed from a certain Far Eastern port. Its destination: The Port of Los Angeles, Wilmington, California. This is fact.”
Hell Bound (William J. Hole Jr., 1957)
Mar
12
Saturday
A man writes a name in the 9:30 a.m. time slot of the calendar page for Saturday March 21. DP: Carl E. Guthrie.
– narrator
“I sit in the subway sometimes, on buses, or the movies, and I look at the people next to me and I think… 'What would you say if I told you I was a witch?'”
Bell Book and Candle (Richard Quine, 1958)
Mar
12
Gillian Holroyd (Kim Novak) and her Siamese, Pyewacket. DP: James Wong Howe.
– Queenie
L'homme à la valise [The Man with the Suitcase] (Chantal Akerman, 1983)
Mar
11
close quarters
Henri (Jeffrey Kime) and the woman (Chantal Akerman) at a claustrophobically small table, each eating their breakfast. The woman has a baguette, a bowl of coffee, and a cigarette. Henri takes up most of the table with a serving tray holding a whole box of Pelletier toast, a plastic milk bottle, and a coffee pot. He's also manspreading. DP: Maurice Perrimond.
Close quarters: US premiere of 10 Cloverfield Lane (2016).
A filmmaker (Akerman) reluctantly hosts a guest (the always imposing Jeffrey Kime) in her already cramped quarters. His increasingly expanding presence in volume, sight and sound are insufferable for the quiet cineast.
Le Songe Des Chevaux Sauvages [Dream of the Wild Horses] (Denys Colomb de Daunant, 1960)
Mar
10
ithrah69's birthday
Camargue horses galloping through a haze of water and dreams. DPs: Denys Colomb de Daunant & André Costey.
A film ithrah69 may like for their birthday.
Filmmaker and photographer Colomb de Daunant's spiritual sequel to Crin blanc : le cheval sauvage [White Mane] (1953) and Glamador (1958) follows the same wild Camargue horses in their dreams.
The accompanying music is performed on a Cristal Baschet, a glass instrument key to several avant-garde films. I refer to John Coulthart's writeup about Le Songe, which links through to an article about the Cristal Baschet.
Invasión [Invasion] (Hugo Santiago, 1969)
Mar
9
Bobby Fischer – 1943
Don Porfirio (Juan Carlos Paz) in front of a map of Aquileia. DP: Ricardo Aronovich.
Strategy for Bobby Fischer's birthday (1943).
People meticulously plan, move, and countermove in response to an invasion.
Fata/Morgana [Left-Handed Fate / Panik 75] (Vicente Aranda, 1966)
Mar
9
Gim (Teresa Gimpera) modelling in a photo studio. The photographer, another woman in silhouette, has an identical hairstyle and outfit. DP: Aurelio G. Larraya.
Nattlek [Night Games] (Mai Zetterling, 1966)
Mar
8
International Women's Day
Jan (Jörgen Lindström) and his mother (Ingrid Thulin) share a bed while she reads him a bedtime story. DP: Rune Ericson.
A mother for International Women's Day
When returning home to the castle he grew up in, Jan attempts to free himself from the suffocating clutches of his neurotic mother.
This film was the final straw for Shirley Temple; she resigned from the board of the San Francisco Film Festival calling Zetterling's film “pornography for profit”.
Waiting for Fidel (Michael Rubbo, 1974)
Mar
8
International Women's Day
A group of six girls and two boys sing in celebration of International Women's Day. DP: Douglas Kiefer.
Time flies while waiting for Fidel, and before you know it, it's March 8.
Film du Jour posts does not list holidays on their respective date, unless a film or scene happens to take place on one.