settima

1970s

L'udienza [The Audience] (Marco Ferreri, 1972)

Nov

14

L'udienza (1972)

Amedeo (Enzo Jannacci), a young man with heavy rimmed glasses wrapped in heavy, flowery drapes as if it's a toga, eating late at night. There's an opened can on one of his plates. A sad looking stuffed toy dog hangs out. DP: Mario Vulpiani.

L'enfant sauvage [The Wild Child] (François Truffaut, 1970)

Nov

14

Young Readers Day

L'enfant sauvage (1970)

Victor, the Wild Boy of Aveyron (Jean-Pierre Cargol), reads letters from a board under supervision of Dr. Jean Itard (Truffaut). DP: Néstor Almendros.

One of the most elaborately recorded “feral child” cases is that of the Wild Boy of Aveyron. In the year 1800, after few fruitless attempts to bound him to civilisation, a young boy left the forests of Saint-Sernin-sur-Rance and settled in. The child's primal appearance and lack of speech labeled him an idiot. However, in the era of Enlightenment, the question of nurture versus nature was a pressing one. Studies on Victor began.

“I'm glad that you came home. Do you understand? This is your home. You're no longer a wild boy, even if you're not yet a man.”

– Dr. Itard

Truffaut explores L'enfant sauvage right when the idea of the noble savage seemed to lock on with counterculture. With #Truffaut as Victor's tutor Itard in front of the camera, directly guiding amateur child actor (and “gipsy”) Cargol, the film not only reimagines Victor's fate, but reenacts Western presumed enlightenment over The Other.

Mahler (Ken Russell, 1974)

Nov

12

World Pneumonia Day

Mahler (1974)

Gustav (Robert Powell) and Alma (Georgina Hale), both in a three piece suit with top hats. She's in a shadows, wearing a tight, black veil that completely conceals her features. DP: Dick Bush.

A sickly #GustavMahler (Robert Powell) and his wife Alma (Georgina Hale) dwell on their shared lives while travelling to Vienna by train. Storylines – circular like a journey, rondo like #Mahler's compositions – drift from the ordinary to the grotesque.

“I don't want to imitate nature. I want to capture its very essence. As if all the birds and the beasts die tomorrow and the world became a desert, when people heard my music – they would still know, feel, what nature was.”

– Gustav Mahler

This would be the composer's final tour. A train took him to a Vienna sanatorium where not much later he'd succumb to #pneumonia.

儀式 [Gishiki / The Ceremony] (Nagisa Ōshima, 1971)

Nov

11

World Origami Day

儀式 (1971)

A man kneeled in front of a Shintō altar. Ceremonial origami, known as origata or girei origami can be seen hanging from the altar. This is 幣帛 [heihaku], an offering made of cloth or paper. DP: Tōichirō Narushima.

Jaanipäev [St. John's Day] (Andres Sööt, 1978)

Nov

5

Bonfire Night

Jaanipäev (1978)

The neatly stacked pyre on jaanipäev with Tallinn's dreary socialist Plattenbau on the horizon. DP: Andres Sööt.

As long as they can remember, jaaniõhtu is when Estonians gather to celebrate midsummer. It started, they'll tell you, 4000 years ago when Kaali appeared. Ever since, come rain or shine, come socialism or capitalism, the people gather and light bonfires in its remembrance. Some sing the songs of the elders, memory willing. Others see this as their moment to shine. As a great musician perhaps. A faithful worker. Or a lover, for jaanipäev; #midsummer night.

“Come, this party is for hard-working people!”

Matinée (Jaime Humberto Hermosillo, 1977)

Nov

4

National Easy Bake Oven Day

Matinée (1977)

Friends Aarón (Rodolfo Chávez Martínez) and Jorge (Armando Martín) having a grownup discussion about the situation. DP: Jorge Stahl Jr..

Two boys skip class to catch a movie – Alexander Mackendrick's thematically similar A High Wind in Jamaica (1965) – and end up as members of a violent gang instead. While Matinée has elements of a typical 70s #ComingOfAge movie, the more fascinating element is the role reversal of the two children and the robbers. As the kids are forced to grow up, fast, the criminals live out their childhood fantasy of never having to listen to anyone ever again. And bicker over comics.

 

Robert Rodriguez stated that the fearsome criminals in his El Mariachi (1992) never outgrew their childhood nicknames. I start to suspect that once upon a time, a little boy named Robertiño skipped class and went to the matinee.

Fall 2 (Bas Jan Ader, 1970)

Nov

2

Look for Circles Day

Fall 2 (1970)

Ader plunging into an Amsterdam canal. A bridge and its reflection in the water form an imperfect circle (source).

“All is falling”

– Bas Jan Ader

Beatriz (Gonzalo Suárez, 1976)

Oct

5

soup

Beatriz (1976)

Basilisa (Nadiuska) holds up a terrine for Juan (Óscar Martín), who scoops the soup into his bowl. The bowl is the top of three the small boy has towering in front of him. DP: Carlos Suárez.

The Animal (Walter Ungerer, 1976)

Sep

30

National Ghost Hunting Day

The Animal (1976)

Jo (Jo Moore) in the couple's cabin. She's seen reflected in a mirror, together with what appears to be an older woman in an old photograph. DP: Walter Ungerer.

鉄輪 [Kanawa / The Iron Crown] (Kaneto Shindō, 1972)

Sep

20

fried eggs

鉄輪 (1972)

Meg Flower as the young woman eats a fried egg straight from a spatula. She's naked. DP: Kiyomi Kuroda.