settima

1970s

Touha zvaná Anada [Desire Called Anad / Adrift] (Elmar Klos + Ján Kadár, 1968/1971)

May

20

Touha zvaná Anada (1968/1971)

Zuzka (Milena Dravić) holds a mirror to Anada's (Paula Pritchett) face. Zuzka's husband Jánoš (Rade Marković) looks on. DP: Vladimír Novotný.

L'uomo più velenoso del cobra [The Man More Venomous Than the Cobra / Human Cobras] (Bitto Albertini, 1971)

May

19

L'uomo più velenoso del cobra (1971)

Leslie (Erika Blanc) and Tony Garden (George Ardisson). DP: Emilio Foriscot.

“For a handful of coins!”

Den vita väggen [The White Wall] (Stig Björkman, 1975)

May

17

från Sverige

Den vita väggen (1975)

Monika (Harriet Andersson) (via). DP: Petter Davidson.

An actor, director, or character from Sweden for OP Bramble Jim's Swedish grandma's birthday (happy birthday, Grandma!).

 

Monika – in spirit the Monika from Bergman's Sommaren med Monika (1953) – is middle-aged, unemployed, and in limbo. We follow her life for a single day.

The Trial of the Catonsville Nine (Gordon Davidson, 1972)

May

17

1968

The Trial of the Catonsville Nine (1972)

Director Gordon Davidson and the defense attorney (David Spielberg) on set. DP: Haskell Wexler.

Le 15 mai (Claire Denis, 1971)

May

15

Thu

Le 15 mai (1971)

Claudia Morin in her silver dress showing up in Philippe Rouleau's office. The perpetual calendar behind her – Enzo Mari's Formosa from 1963 – tells us it is May 15. DP: Dominique Le Rigoleur.

“Of course, it's the 15th of May.”

En kärlekshistoria [A Swedish Love Story] (Roy Andersson, 1970)

May

7

National Hug Holiday Week

En kärlekshistoria (1970)

Pär (Rolf Sohlman) and Annika (Ann-Sofie Kylin) hug on a deserted barren soccer pitch. DP: Jörgen Persson.

A hug, romantic or platonic, on the first day of National Hug Holiday Week (USA)

 

Two teenagers in love become increasingly oblivious of the grey world around them.

दुविधा [Duvidha / The Dilemma] (Mani Kaul, 1973)

May

3

National Paranormal Day

दुविधा (1973)

Lachhi, the bride (Raisa Padamsee). DP: Navroze Contractor.

A supernatural theme for National Paranormal Day (USA). May 3 (coincidentally?) is also the day Charles Fort passed on to a different realm.

 

A ghost falls in love with a bride whose husband, a merchant, is away from home. He takes on the man's form, and lives with her.

غزل [Ghazal] (Masud Kimiai, 1975)

May

2

Brothers and Sisters Day

Ghazal (1975)

The two brothers in their forest. DP: Nemat Haghighi.

Sibling love or strife on Brothers and Sisters Day (USA)

 

Brothers Hojjat and Zeini live in peace in the forest. When strangers cut down the trees, a city woman joins the couple. Despite the comfort she brings with structure, food, and a warm body, the men come to realise that she's a disturbance of their peace.

Todo modo [One Way or Another] (Elio Petri, 1976)

May

1

National Day of Prayer

Todo modo (1976)

M. (Gian Maria Volontè) speaks to the gathered elite while a gypsum Christ multiplies bread and fishes. DP: Luigi Kuveiller.

A spiritual theme for the National Day of Prayer (USA)

“Have you ever tried to dress as a priest? Try it, at least once. It's a bit like being a woman. In summer the breeze enters under the genitals. You can go without briefs. Priests are half men and half women.”

– Don Gaetano

Inspired by the Spiritual Exercises of Ignatius of Loyola, Italy's political leaders, industrialists, bankers, and business leaders gather for a retreat as an atonement for their past crimes of corruption and unethical practices, and to reinforce their power.

鬼の詩 [Oni no uta / Song of the Devil] (Tetsutaro Murano, 1975)

Apr

29

Jerry Seinfeld – 1954

鬼の詩 (1975)

Keima Kyo entertaining his audience by hanging numerous clay pipes from his face. DP: Yasuhiro Yoshioka.

A comedian, or set in Brooklyn or NYC, for Jerry Seinfeld's birthday (1954).

 

Rakugo (落語, litt. “story with a fall”), is a style of Japanese comedy performed while seated. Armed with a few props, the rakugoka recites a comical monologue using pitch and gestures.

 

A dramatic retelling of the life of rakugoka Katsura Beikyo II. Keima Kyo, a talented rakugoka, is offered apprenticeship from an older successful performer, but refuses. Young and arrogant, he decides to take over the other man's act instead.