settima

1970s

Viskningar och rop [Cries and Whispers] (Ingmar Bergman, 1972)

Aug

1

red

Viskningar och rop (1972)

The three sisters in the red room (via). DP: Sven Nykvist.

Red: a building or structure*

“It's just a dream, Agnes.”

– Anna

Red as an expression of inner and outer worlds. Even the scene transitions are red.

 

The Tempest (Derek Jarman, 1979)

Jul

28

The Tempest (1979)

Sailors dancing in a room wildly decorated with guirlandes and flowers (via). DP: Peter Middleton.

Local nightlife: people dancing or at a show*

“Don't know why There's no sun up in the sky Stormy weather Since my man and I ain't together Keeps raining all of the time

Oh, yeah Life is bad Gloom and misery everywhere Stormy weather, stormy weather And I just can get my poor self together Oh, I'm weary all of the time The time, so weary all of the time

When he went away The blues walked in and met me Oh, yeah if he stays away Old rocking chair's gonna get me All I do is pray The Lord will let me Walk in the sun once more

Oh, I can't go on, can't go on, can't go on Everything I have is gone Stormy weather, stormy weather Since my man and I, me and my daddy ain't together Keeps raining all of the time Oh, oh, keeps raining all of the time Oh, yeah, yeah, yeah raining all of the time Stormy stormy Stormy weather Yeah”

– Elisabeth Welch, Stormy Weather (Harold Arlen & Ted Koehler, 1933)

A radiant Goddess (Elisabeth Welch) performs the torch song Stormy Weather. Enchanted sailors dance.

 

Silent Running (Douglas Trumbull, 1972)

Jul

24

cantaloupe

Silent Running (1972)

Bruce Dern as peace-loving Freeman Lowell aggressively eating a cantaloupe in space. DP: Charles F. Wheeler.

“It calls back a time when there were flowers all over the Earth… and there were valleys. And there were plains of tall green grass that you could lie down in – you could go to sleep in. And there were blue skies, and there was fresh air… and there were things growing all over the place, not just in some domed enclosures blasted some millions of miles out in to space.”

– Freeman Lowell

La grande bouffe (Marco Ferreri, 1973)

Jul

21

La grande bouffe (1973)

Andréa Ferréol in a promotional photo. Food styling by actor/food writer Giuseppe Maffioli, DP: Mario Vulpiani.

A character pigging out*

“The most revolting film I have ever seen”

– Mary Whitehouse, via

Four hedonistic gourmands throw a party of the flesh, of meat, of lust, and death.

 

Götter der Pest [Gods of the Plague] (Rainer Werner Fassbinder, 1970)

Jul

16

Götter der Pest (1970)

The Gorilla (Günther Kaufmann) and Franz (Harry Baer) reflected in the window of a deserted supermarket at night (via). DP: Dietrich Lohmann.

Someone complains about costs or prices*

– We'll go to an island and live from fishing and hunting. And the sun will shine and it will never rain. And we'll eat lobster and drink wine. – … – Why not? – Because it's too expensive. – Why too expensive? – It's just too expensive.

 

Bildnis einer Trinkerin – Aller jamais retour [Portrait of a Female Drunkard. Ticket of No Return] (Ulrike Ottinger, 1979)

Jul

15

Bildnis einer Trinkerin( (1979)

Sie, German for “she/her”, hungover in her fabulous yellow nappa leather outfit (via). DP: Ulrike Ottinger.

Someone is hungover*

“Ein Psychogramm zweier ungewöhnlicher, aber auch extrem unterschiedlicher Frauen. Die eine, reich, exzentrisch, ihre Gefühle maskenhaft verbergend, trinkt sich bewusst zu Tode. Sie ist der Fall, der in der Statistik nicht erscheint, weil entweder zu Hause unter Valium gehalten oder unter Verschluss in einer Privatklinik. Die andere ist arm und trinkt sich unbewusst zu Tode. Sie erscheint in der normalen Statistik als Typ der haltlosen Trinkerin”

– U.O., via

An eccentric woman simply named Sie (Tabea Blumenschein), takes a one-way trip to West Berlin. Accompanied by her alter ego, a homeless alcoholic, and commented on by a Greek choir consisting of Soziale Frage (Social Question), Exakte Statistik (Exact Statistics), and Gesunder Menschenverstand (Common Sense), she drinks herself to death.

 

La Soufrière – Warten auf eine unausweichliche Katastrophe [La Soufrière: Waiting for an Inevitable Catastrophe] (Werner Herzog, 1977)

Jul

13

La Soufrière - Warten auf eine unausweichliche Katastrophe (1977)

Herzog and crew make their way up the volcano (via). DPs: Edward Lachman & Jörg Schmidt-Reitwein.

Someone at a theme park or national park*

“Telephones were still working, we are told, and the air-conditioning and refrigerators in many houses were still on.”

– narrator

The highest peak in the Parc national de la Guadeloupe is called La Grande Soufrière. The volcano had erupted before and was bound to do soon again. Hastily, the 76,000 islanders were evacuated with one farmer staying put. For Herzog reason to halt the editing of Herz aus Glas and make his way to the island.

 

L'ingorgo [Traffic Jam] (Luigi Comencini, 1979)

Jul

12

L'ingorgo (1979)

Two middle-aged men in a car, each very much enjoying a small meal. We see them through the windshield with behind them numerous other cars stuck in traffic. DP: Ennio Guarnieri.

 

Басейнът [Baseynat / The Swimming Pool] (Binka Zhelyazkova, 1977)

Jul

9

Басейнът (1977)

Bella (Yanina Kasheva) at the pool, holding a passport. DP: Ivaylo Trenchev.

A passport or ID*

 

Die glücklichen Minuten des Georg Hauser [The Happy Minutes of Georg Hauser] (Mansur Madavi, 1974)

Jun

25

National Day of Joy

Die glücklichen Minuten des Georg Hauser (1974)

In a moment of total bliss, Georg Hauser (Walter Bannert) wrecks a car (via). DP: Mansur Madavi.

A character who is happy on the National Day of Joy (USA)

“Grünes Licht für ehrgeizige, strebsame und arbeitswillige junge Menschen.”

Georg Hauser's life is a drag. He gets up to drive his car to the same office to do the same thing surrounded by the same people everyday, just to make money to do the same thing all over again. Then, his glasses break and the new pair makes him see things a bit differently.