И дойде денят [I doyde denyat / And the Day Came] (Georgi Djulgerov, 1973)
Sep
9
1944

Mustafa (Plamen Maslarov) running. DP: Radoslav Spassov.
И дойде денят [I doyde denyat / And the Day Came] (Georgi Djulgerov, 1973)
Sep
9
1944

Mustafa (Plamen Maslarov) running. DP: Radoslav Spassov.
Nuits rouges [L'homme sans visage / Shadowman] (Georges Franju, 1974)
Sep
6

A faceless man in black wearing a red balaclava (Jacques Champreux) holds his right wrist, which is bleeding profusely. DP: Guido Bertoni.
“Denn auf den Bergen, ja da ist die Freiheit,
denn auf den Bergen ist es doch so schön,
dort wo auf grauenhafte Weise
der Jennerwein zugrund mußt gehn.”Jaider, der einsame Jäger [Jaider, the Lonely Hunter] (Volker Vogeler, 1971)
Sep
5
Mother Teresa

Gottfried John as Jaider (via). DP: Gérard Vandenberg.
Mother Teresa's death day: someone assists the poor. A Heimatfilm in reverse and Italowestern in disguise.
Jennerwein-Lied, 19th c.
Jaider, just returned home from the Franco-Prussian War and incapable to find work, turns to poaching to feed himself and his impoverished town. Soon he leads a gang of poachers, who in their turn are hunted by Bavarian soldiers and state-sanctioned hunters. Loosely based on legendary “Jaider” (“hunter”) and poacher Georg Jennerwein.
Flic Story [Cop Story] (Jacques Deray, 1975)
Sep
3
1947

A close-up of a man's feet hastily walking along a corridor. Superimposed it reads 3 SEPTEMBRE 1974. DP: Jean-Jacques Tarbès.
Red [The Red Half-Breed / Red the Half Breed] (Gilles Carle, 1970)
Sep
2

A counter at a Québécois branch of the Banque de Montréal – oddly enough using its English-language name. A wall calender reads September 2. DP: Bernard Chentrier.
Endişe [Anxiety] (Yılmaz Güney + Şerif Gören, 1974)
Sep
1
Labor Day

A Kurdish worker in the cotton fields. She looks straight into the camera while two others continue their work. DP: Kenan Ormanlar.
The Industrial Revolution, or unions, for Labor Day (USA)
Kurdish seasonal cotton pickers fear losing their job when mechanisation is preferred by their overseers. While unionising, Cevher, one of the workers – tries to stay out of the hands of his enemies, who want him because of a blood feud.
Månen är en grön ost [The Moon Is a Green Cheese] (Mai Zetterling, 1977)
Aug
21
violet

A woman in a violet dress and sunhat, plays a harp in the middle of a lake (via). DP: John Bulmer.
Violet in food or fashion. If in doubt, pick a title with ALL the colours of the rainbow!*
During their stay in the family summer house, two sisters imagine themselves as adults, once for every colour of the rainbow.
* the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow.
Him: It’s a film?
Her: It would have been a film.
Le camion [The Lorry] (Marguerite Duras, 1977)
Aug
16
indigo

Indigo: a building or structure*
A truck, both the narrative structure and his (Depardieu's character) material representation. She – the director – and he – the lead actor – do a read-though while discussing her script. A communist truck driver picks up a female hitchhiker. They discuss the landscape, the cosmos, pointlessness, communism of course. All the while, the indigo truck plods on.
* the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow.
“Eh, i sogni a volte insegnano male, Dùnya, perché la verità intera non è mai in un solo sogno, la verità intera è in molti sogni.” Il fiore delle mille e una notte [Arabian Nights] (Pier Paolo Pasolini, 1974)
Aug
13
cerulean

The entrance of the Shah Mosque as seen in the film. The seven colours of the tile work are reflected in the extras' costumes. DP: Giuseppe Ruzzolini.
Cerulean, or blue: a building or structure*
One of the many exotic locations is the مسجد شاه, [Masjed-e Shah, or Shah Mosque] in Iran with its otherworldly blue and blue-adjacent tiles.
* the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow.
“Tell me the truth!” Ovoce stromů rajských jíme [We Eat the Fruit of the Trees of Paradise] (Věra Chytilová, 1970)
Aug
6
orange

Eva (Jitka Novákova) devouring oranges under a black umbrella (via). DP: Jaroslav Kučera.
Orange, food or fashion*
– choir
An allegorical, psychedelic retelling of Genesis 3 and the Fall of Man
* the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow.