settima

1970s

Santa and the Ice Cream Bunny (Richard Winer + Barry Mahon, 1972)

Dec

20

Santa and the Ice Cream Bunny (1972)

A bunch of screaming children on top of a red firetruck stand right behind the driver, a stoic person in a pink bunny costume. DPs: William Tobin & Richard Winer.

“What is that? What is that I hear? Where's it coming from? I hear a siren, but I don't see any fire, I don't see any smoke. Whenever there's a siren, it means there's a fire, but I don't see any smoke. That siren. Where is it coming from? Where's that sound coming from?”

– Santa Claus

കുമ്മാട്ടി [Kummatty / Bogeyman] (Govindan Aravindan, 1979)

Dec

14

Perumthitta Tharavad

Kummatty (1979)

Perumthitta Tharavad: based on a folk tale.

“I regard [Govindan] Aravindan as one of the most poetic filmmakers in the world. He is a poet who writes in the language of cinema and silence. Watching his films is like a meditative experience.”

– Shivendra Singh Dungarpur, Film Heritage Foundation (source)

Set during the Hindu rice harvest festival Onam, Kummatty tells the story of the seasons through the eyes of a mischievous boy. After teasing the temple guard – possibly Thamma – she warns the boy and his friends about the arrival of Kummatti (here unfortunately translated as the bogeyman but actually the name of a performer of a mask dance called Kummatti Kali). As faith wants it, Kummatti does arrive and accompanies the children in song and dance while the seasons change, rice is ready for harvest, and characters shift. To a certain extent, there's an interesting parallel with Frank Perry's Ladybug Ladybug (1963).

Gina [Stone Cold Revenge] (Denys Arcand, 1975)

Dec

11

1952

Gina (1975)

Gina (Céline Lomez) stripping in front of a silver tinsel curtain. The silhouette of a woman is visible in the foreground. DP: Alain Dostie.

Soleil Ô [Oh, Sun] (Med Hondo, 1970)

Dec

10

Human Rights Day

Soleil Ô (1970)

An optimistic Robert Liensol in the city of lights (via). DPs: François Catonné & Jean-Claude Rahaga.

Celebrating human rights on Human Rights Day: the right to work

“Everyone has the right to work, to free choice of employment, to just and favourable conditions of work and to protection against unemployment.”

– Universal Declaration of Human Rights, United Nations General Assembly

A Mauritanian immigrant (Robert Liensol) too starts anew in Paris. But first, he'll need a job.

The Lickerish Quartet (Radley Metzger, 1970)

Dec

5

The Lickerish Quartet (1970)

A 70s couple in a grainy black-and-white still. The frame looks damaged, suggesting a stag reel. The seemingly nude blonde pours a drink for her dark-haired man. She holds the cork between her teeth, seducingly. DP: Hans Jura.

– I've never seen a film like this before.

– Oh, it's different, alright.

L'ange et la femme [The Angel and the Woman] (Gilles Carle, 1977)

Dec

3

L'ange et la femme (1977)

Gabriel (Lewis Furey) and the woman he named Fabienne (Carole Laure). DP: François Protat.

A caregiver*

 

A woman is brutally murdered and taken home by a young man. This man – this angel – takes away her wounds, returns her to life, and nurses her. They fall in love.

 

* the Bales 2025 Film Challenge for December has a few dateless themes. This is one of them.

Surma hinda küsi surnutelt [Ask the Dead About the Price of Death] (Kaljo Kiisk, 1977)

Dec

1

1924

Surma hinda küsi surnutelt (1977)

A woman wearing a crochet skull cap and an ominous look on her face. DP: Jüri Sillart.

 

Hexen bis aufs Blut gequält [Mark of the Devil] (Michael Armstrong + Adrian Hoven, 1970)

Nov

28

cheese

Hexen bis aufs Blut gequält (1970)

A very young, very pretty Udo Kier seated at a dinner table. There are various fruits on a platter and Udo's eating cheese. His outfit suggests the 18th century. DP: Ernst W. Kalinke.

“I accuse you of having trampled on the cross, of having ridden to the Sabbath, of throwing the Holy Cross of our Saviour into manure so that the skies grew dark, and the rain fell upon the earth!”

– Albino

Wir Bergler in den Bergen sind eigentlich nicht schuld, daß wir da sind [We Who Dwell in the Mountains Cannot Be Blamed for Being There] (Fredi M. Murer, 1974)

Nov

17

Wir Bergler in den Bergen sind eigentlich nicht schuld, daß wir da sind (1974)

A mountain man smokes his pipe, accompanied by a sow and a toddler in a wooden playpen. The Alps are all around them (via). DP: Iwan P. Schumacher.

A movie set in the woods or mountains*

“Anderntags hat man sofort getauft, weil jede Mutter lieber ein «Gotteskindli» auf die Arme nahm.”

– Gisler-Arnold Babette, midwife (via)

Murer describes the people from Switzerland's gorges in three movements, along the lines of a symphony

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.

Requiem for a Village (David Gladwell, 1975)

Nov

14

Requiem for a Village (1975)

The wedding party revellers sing. DP: Bruce Parsons.

A movie about community*

“Early one morning, just as the sun was rising, I heard a maid sing in the valley below; ‘O don’t deceive me, O never leave me! How could you use a poor maiden so?”

– Early one morning, via

A sort of Wicker Man visits Mon oncle, this painting of an old England is. Painter filmmaker David Gladwell's impressionist work takes us to a small Suffolk community that, like all other communities, is both frozen in time and unable to escape its progression. The churchyard's caretaker, amongst the living and the dead, watches, works, and knows.

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.