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Die Konsequenz [The Consequence] (Wolfgang Petersen, 1977)
Jun
17
prison grub
Thomas (Ernst Hannawald), the warden's son, and convicted homosexual Martin (Jürgen Prochnow) sharing a mug, a meal, a cell. DP: Jörg-Michael Baldenius.
“I think it's really rotten of them to lock you up like this for making love to a boy.”
– Thomas Manzoni
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鴎よ、きらめく海を見たか めぐり逢い [Kamome-yo, kirameku umi o mitaka/meguri ai / Oh Seagull, Have You Seen the Sparkling Ocean? An Encounter] (Kenji Yoshida, 1975)
May
30
Pokkī
A young woman in a red-and-white striped sweater (Yōko Takahashi) leafs through fashion magazines strewn out before her on a grass-green carpeted floor while chewing a Pokkī. On a small stove close to her a fire truck red coffee pot. DP: Kōshirō Ōtsu.
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Françoise Durocher, Waitress (André Brassard, 1972)
May
21
lunch break
Waitress Françoise Durocher, this may be Luce Guilbeault, on her lunch break. DP: Thomas Vámos.
“One grilled cheese, two slices of toast, two coffees. One pepper steak no chili and a plate of spaghetti and meatballs. Two glasses of milk. One plate of spare ribs. A chicken in a basket with three cups of honey. One lean smoked meat sandwich with pickles and mustard. One two-cream coffee and two club sandwiches. Two clubs.”
– Françoise Durocher
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The Shout (Jerzy Skolimowski, 1978)
May
1
mutton
Charles Crossley (Alan Bates) in Anthony Fielding's (John Hurt) kitchen. Despite being the outsider here, Crossley's presence takes central stage. DP: Mike Molloy.
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Strategia del ragno The Spider's Stratagem] (Bernardo Bertolucci, 1970)
Apr
19
melon
Athos Magnani (Giulio Brogi) and Draifa (Alida Valli) sharing a meal. There's a carafe with water, a small vase with two flowers, wine glasses, and half a melon. Athos looks up, past us, towards something. DPs: Franco Di Giacomo & Vittorio Storaro.
“There's phrase that… 'A man is made of all men. He is equal to all and all are equal to him'.”
– Athos Magnani
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Série noire (Alain Corneau, 1979)
Apr
9
canned pilchards
Franck Poupart (Patrick Dewaere) about to dig into a can of pilchards. A pile of French women's magazine “marie claire” is next to him on an otherwise bare coffee table. DP: Pierre-William Glenn.
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Max et les ferrailleurs [Max and the Junkmen] (Claude Sautet, 1971)
Mar
16
Lily (Schneider) and Max (Piccoli) at a small table decked with good food, good wine, and quite a few wads of cash. DP: René Mathelin.
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Herz aus Glas [Heart of Glass] (Werner Herzog, 1976)
Mar
13
tea
“I look into the distance to the end of the world. Before the day is over, the end will come. First, time will tumble, and then the earth. The clouds will begin to race… the earth boils over; this is the sign. This is the beginning of the end. The world's edge begins to crumble… everything starts to collapse… tumbles, fall, crumbles and collapses. I look into the cataract. I feel an undertow, it draws me, it sucks me down. I began to fal, a vertigo seizes upon me.”
– Hias
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Talpuk alatt fütyül a szél [The Wind Blows Under Your Feet] (György Szomjas, 1976)
Mar
11
wine
German lobby card. Two rough-looking Hungarian cowboys drink from wooden beakers at a small, wooden table. The man who has the carafe, also has the knife. DP: Elemér Ragályi.
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Avere vent'anni [To Be Twenty] (Fernando Di Leo, 1978)
Mar
9
sandwiches
Lia (Gloria Guida), one of the young, hot and pissed off 20-somethings, enjoys a sandwich with her espadrilles resting on a small restaurant table. Just visible in the background are multiple men on their lunchbreak. DP: Roberto Gerardi.
“I'm young, hot and pissed off!”
– Tina
