settima

1980s

Der Riese [The Giant] (Michael Klier, 1983/1984)

Feb

15

freebie: a movie from 1984

Der Riese (1983/1984)

A woman, we only see her hands, waits at a counter while clutching her purse. Her handbag is next to her. The camera focusses on the small space reserved to count out money. DP: n/a.

January 21 redux: a film from 1984 on the date Orwell died (1950).

“The film is about observing, about glances that see without being seen, a dubious art of light and visibility.”

– Michael Klier, via

According to Harun Farocki, Der Riese was the first narrative film completely compiled out of surveillance footage.

Superstar: The Karen Carpenter Story (Todd Haynes, 1987)

Feb

4

Superstar: The Karen Carpenter Story (1987)

A brunette Barbie doll representing Karen Carpenter makes a statement in front of the White House. DP: Barry Ellsworth.

“Mother, didn't you know there are children starving in Africa?”

– “Karen Carpenter”

War Machine (Duvet Brothers, 1984)

Jan

21

the passing of Orwell

War Machine (1984)

A repurposed TV still of a battle ship billowing thick black smoke with the text WAR MACHINE superimposed over it.

A scratch video from 1984 on the date George Orwell died (1950). Date of production is either 84 or 85.

Blue Velvet (David Lynch, 1986)

Jan

19

lights

Blue Velvet (1986)

Ben (Dean Stockwell) miming Roy Orbison's In Dreams with a work light for a microphone. DP: Frederick Elmes.

Lights on the date in 1883 that #ThomasEdison first switched on overhead electric lighting.

“A candy-colored clown they call the sandman Tiptoes to my room every night Just to sprinkle stardust and to whisper 'Go to sleep, everything is alright'”

– Roy Orbison, In Dreams (1963)

David Lynch at his finest Anger, and Stockwell at his peak. The work light was improvised when Lynch noticed Stockwell handling it between shoots.

Times Square (Allan Moyle, 1980)

Jan

10

1967

Times Square (1980)

A bus on Times Square with a large (expensive) ad asking people to be on the lookout for a Pamela Pearl, born January 10, 1967. DP: James A. Contner.

“Yes, it's story time on WJAD in the heart of Times Square, New York, New York. The city so nice, they named it twice.”

– Johnny LaGuardia, on the air

Mauvais sang [Bad Blood / The Night Is Young] (Leos Carax, 1986)

Jan

8

David Bowie's birthday

Mauvais sang (1986)

(Alex) Denis Lavant in a scene set to David Bowie's Modern Love. DP: Jean-Yves Escoffier.

A [favourite] scene featuring a Bowie song for David Bowie's birthday (1947).

“They pulled in just behind the fridge He lays her down, he frowns “Gee, my life's a funny thing Am I still too young?” He kissed her then and there She took his ring, took his babies It took him minutes, took her nowhere Heaven knows, she'd have taken anything”

– David Bowie, Modern Love (from Let's Dance, 1983)

Altered States (Ken Russell, 1980)

Jan

7

Wed

Altered States (1980)

Eddie Jessup (William Hurt) in his tank. Around him visions of clouds, fishes, the ocean. DP: Jordan Cronenweth.

“I'm a man in search of his true self. How archetypically American can you get?”

– Eddie Jessup

Wojna Światów – Następne Stulecie [The War of the Worlds: Next Century] (Piotr Szulkin, 1981)

Dec

18

1999

Wojna Światów - Następne Stulecie (1981)

Reporter Iron Idem (Roman Wilhelmi) bringing the news. DP: Zygmunt Samosiuk.

Kisapmata [Sa bawat kisapmata / In the Wink of an Eye] (Mike De Leon, 1981)

Dec

8

Tue

Kisapmata (1981)

Noel (Jay Ilagan) enters Milagros' (Charo Santos-Concio) room. On a sparse green wall a calendar with an image of the Virgin Mary. The 8th, the Feast of the Immaculate Conception, is marked red as a holiday. DP: Rody Lacap.

Polyester (John Waters, 1981)

Nov

10

Polyester (1981)

Todd Tomorrow (Tab Hunter) and Francine Fishpaw (Divine) in wild ecstasy. The scene appears to evoke a moment of passion between Chris Flanders (Richard Burton) and Flora Goforth (Elizabeth Taylor) in Boom! (Joseph Losey, 1968). DP: Dave Insley.

“Purr Francine! Purr, purr Francine!”

– Cuddles Kovinsky