settima

BookAdaptation

Cabiria (Giovanni Pastrone, 1914)

Dec

5

Cabiria (1914)

The gigantic entrance to the Temple of Moloch in Carthage. Like the entrance to Luna Park Sydney, it's appearance is based on a hellmouth. DPs: Augusto Battagliotti, Eugenio Bava, Natale Chiusano, Segundo de Chomón, Carlo Franzeri & Giovanni Tomatis.

A temple*

“Now consummate the sacrifice in your throat of flame, o father and mother, o god and goddess, o father and mother, o father and son, o god and goddess! Voracious creator! Roaring ardent hunger…”

 

* the Bales 2025 Film Challenge for December has a few dateless themes. This is one of them.

Noir et blanc (Claire Devers, 1986)

Dec

1

World AIDS Day

Noir et blanc (1986)

Dominique (Jacques Martial) and Antoine (Francis Frappat) in the treatment room (via). DPs: Daniel Desbois, Christopher Doyle, Alain Lasfargues & Jean-Paul Rosa da Costa.

World AIDS Day: conquering fear.

“J’ai mal, mais la douleur me rassure. Son souvenir me donne du plaisir.”

Women in Love (Ken Russell, 1969)

Nov

18

Women in Love (1969)

Bates and Reed in post-jostle bliss, bathing in the fireplace's glow (via). DP: Billy Williams.

A memorable fire or fireplace scene*

“Oh, my God, Gerald! Shall I die?”

– Gudrun Brangwen

Oddly, one barely remembers the fireplace.

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.

Le pacha [Pasha / Showdown] (Georges Lautner, 1968)

Nov

14

Le pacha (1968)

Dany Carrel and Jean Gabin gloomily share a small dinner table. DP: Maurice Fellous.

“The day they put jerks into orbit, you won't stop rotating soon!”

– Comissaire Joss, le Pacha

Bröllopsbesvär [Wedding: Swedish Style] (Åke Falck, 1964)

Nov

11

Bröllopsbesvär (1964)

Bride and groom, and resentfulness at front. DP: Rune Ericson.

A dysfunctional family*

 

On a wedding day, and night, a family's dirty secrets are laid bare.

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.

Panique [Panic] (Julien Duvivier, 1946)

Nov

7

Panique (1946)

A child probes her dinner with a fork larger than her head while another one is all neat and proper. In the midst of them, as serious table settings require, a large man. His napkin tucked in at the neck, he leans over the first child with something to say. DP: Nicolas Hayer.

“Dead meat always attracts flies.”

– Monsieur Hire

有りがたうさん [Arigatō-san / Mr. Thank You] (Hiroshi Shimizu, 1936)

Nov

6

Arigatō-san (1936)

Arigatō-san (Ken Uehara) courteously thanks someone who shares the road for giving way. DP: Isamu Aoki.

A movie that makes you want to travel*

“Arigatō! [Thank you!]”

– Mr Thank You to everyone – poultry included – he passes on his bus

Friendly and helpful, Arigatō-san (Ken Uehara) is there for his passengers and non-bus travellers alike. A sweet roadmovie from a Japan now lost to time.

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.

Jules et Jim (François Truffaut, 1962)

Nov

4

sweaters

Jules et Jim (1962)

A movie with gorgeous sweater fashion*

“She's a strange breed.”

– Jim

Throwing in a little Movember for good measure.

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.

拳銃は俺のパスポート [Koruto wa ore no pasupōto / A Colt Is My Passport] (Takashi Nomura, 1967)

Nov

3

拳銃は俺のパスポート (1967)

A blurry shot of a man with a moustache in a space with chairs and a round table. DP: Shigeyoshi Mine.

 

المخدوعون [Al-makhdu'un / The Dupes] (Tawfiq Saleh, 1972)

Nov

2

النَّكْبَة

Al-makhdu'un (1972)

The three men on top of the water truck (via). DP: Bahgat Heidar.

Starting over*

“A man with no country, will have no grave in the Earth, I forbid you to leave.”

– opening quote (via)

A few years after the start of the Nakba, three generations hope to make a new life for themselves. In the steel belly of a water truck, the men travel Palestine into Iraq, then crossing the desert towards the promised land, Kuwait.

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.