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Plein soleil [Purple Noon] (René Clément, 1960)
Jun
15
croissants
Tom Ripley (Alain Delon) going though his passport over breakfast. Multiple passport photos, a fountain pen, and a magnifying glass take precedence over his fresh croissants. DP: Henri Decaë.
“Why bother having money when you can spend other people's?”
– Philippe Greenleaf
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Domenica d'agosto [Sunday in August] (Luciano Emmer, 1950)
Apr
29
spaghetti di mamma
Marcella (Anna Baldini) enjoying mamma's spaghetti on the beach of Ostia. DPs: Leonida Barboni, Ubaldo Marelli & Domenico Scala.
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L'amore (Roberto Rossellini, 1948)
Apr
22
alms
Nannina (Anna Magnani) in “Il miracolo”, ascending a staircase while eating her alms. DP of this segment: Aldo Tonti; DPs “Una voce umana”: Robert Juillard & Otello Martelli.
“The madwoman has received your grace.”
– Nannina
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Strategia del ragno The Spider's Stratagem] (Bernardo Bertolucci, 1970)
Apr
19
melon
Athos Magnani (Giulio Brogi) and Draifa (Alida Valli) sharing a meal. There's a carafe with water, a small vase with two flowers, wine glasses, and half a melon. Athos looks up, past us, towards something. DPs: Franco Di Giacomo & Vittorio Storaro.
“There's phrase that… 'A man is made of all men. He is equal to all and all are equal to him'.”
– Athos Magnani
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Io la conoscevo bene [I Knew Her Well] (Antonio Pietrangeli, 1965)
Apr
2
cocktails
A lone Roberto (Enrico Maria Salerno) at a lively cocktail party in Rome's hypermodern EUR district. DP: Armando Nannuzzi.
“Trouble is, she likes everything. She's always happy. She desires nothing, envies no one, is curious about nothing. You can't surprise her. She doesn't notice the humiliations, though they happen to her every day. It all rolls off her back like some waterproof material. Zero ambition. No moral code. Not even a whore's love of money.”
– the writer
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Max et les ferrailleurs [Max and the Junkmen] (Claude Sautet, 1971)
Mar
16
Lily (Schneider) and Max (Piccoli) at a small table decked with good food, good wine, and quite a few wads of cash. DP: René Mathelin.
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Avere vent'anni [To Be Twenty] (Fernando Di Leo, 1978)
Mar
9
sandwiches
Lia (Gloria Guida), one of the young, hot and pissed off 20-somethings, enjoys a sandwich with her espadrilles resting on a small restaurant table. Just visible in the background are multiple men on their lunchbreak. DP: Roberto Gerardi.
“I'm young, hot and pissed off!”
– Tina
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I fidanzati [The Fiancés] (Ermanno Olmi, 1963)
Feb
29
leftovers
Giovanni (Carlo Cabrini) in a restaurant. It's near closing time. Cooks scape the pans. DP: Lamberto Caimi.
“If an old man can't even have a glass of wine, what's left to live for?”
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El verdugo [The Executioner] (Luis García Berlanga, 1963)
Jan
31
stale bread
A closeup of man's hands crumbling bread over a small bowl placed next to a newspaper with keys on top of it. The man has a wool blanket over his shoulders. DP: Tonino Delli Colli.
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Les yeux cernés [Marked Eyes] (Robert Hossein, 1964)
Jan
11
baguette
A young woman with big eyes and a dark bob (Marie-France Pisier) picks crumbs out of a fresh baguette. She's somewhere in a dreary small town. The snow's almost gone. DP: Jean Boffety.
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