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Nostos: Il ritorno [Nostos: The Return] (Franco Piavoli, 1989)
Sep
6
Magellan expedition – 1522
A seafaring explorer in commemoration of Ferdinand Magellan's (almost) completed circumnavigation in 1522. The Portuguese Magellan was enlisted by Spain to gain access to the Moluccas' spices and other trading goods by sailing west instead of east, thus avoiding the heavily armed Portuguese and Dutch traders who were plundering Southeast Asia, its peoples and cultures.
“Calypso the lustrous goddess tried to hold me back,
deep in her arching caverns, craving me for a husband.
So did Circe, holding me just as warmly in her halls,
the bewitching queen of Aeaea keen to have me too.
But they never won the heart inside me, never.
So nothing is as sweet as a man's own country.”
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Mon oncle (Jacques Tati, 1958)
Aug
29
Mr Hulot and three women enjoy an outdoor lunch in Villa Arpel's concrete backyard. A woman in furs laughs heartily, head thrown back, with Hulot looking into her open mouth, halting a woman reaching for a carafe mid-movement. The third woman, in an avant-garde Eastmancolor-red poncho, calmly smokes through her cigarette holder. DP: Jean Bourgoin.
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Mon oncle (Jacques Tati, 1958) / Koolhaas Houselife (Ila Bêka + Louise Lemoine, 2008)
Aug
29
grey
A delivery man in front of the gates of Villa Arpel (via), and custodian Guadalupe Acedo working the lift in Maison à Bordeaux. DP of Mon Oncle: Jean Bourgoin.
[A favourite] colour: grey*
Approaching the 60s, Mr Hulot finally switches from black-and-white to colour. Suddenly, we see that his suit is a beigeish grey and so is the Arpels' house, that modernist masterpiece designed by Tati. The beloved luddite struggles with hypermodern people and their hypermodern constructs, much alike the future Hulot from Playtime (1967).
– A house like yours must be such a job!
– Oh, a leaf! Ah, yes it's a chore.
– Admit it, you love it.
In similar absurd fashion, Guadalupe Acedo, cleaning lady, works her way through Rem Koolhaas' Maison à Bordeaux (1998) in Bêka and Lemoine's Koolhaas Houselife (2008). Too steep are the stairs, too leaky everything else. Levelheaded, she does her thing; a small beacon of romantic practicality in a world of absurd efficiency.
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Il fiore delle mille e una notte [Arabian Nights] (Pier Paolo Pasolini, 1974)
Aug
13
cerulean
Cerulean, or blue: a building or structure*
“Eh, i sogni a volte insegnano male, Dùnya, perché la verità intera non è mai in un solo sogno, la verità intera è in molti sogni.”
One of the many exotic locations is the مسجد شاه, [Masjed-e Shah, or Shah Mosque] in Iran with its otherworldly blue and blue-adjacent tiles.
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Il deserto rosso [Red Desert] (Michelangelo Antonioni, 1964)
Aug
12
green
Valerio (Valerio Bartoleschi) and his mother Giuliana (Monica Vitti) in an arid industrial landscape. Giuliana wears a brilliant green coat, its shade between pea and moss, depending on the drabness of her surroundings. DP: Carlo Di Palma.
Green, in food or fashion*
“She'd discovered a small beach far from town, with crystal-clear water and pink sand. She loved that spot. The colors of nature were so beautiful, and there was no noise. She'd leave only when the sun did too.”
– Giuliana
Antonioni's first film in colour beautifully utilises Vitti's brilliance – of her auburn hair, her porcelain teint, her vivid costumes (by Paola Carloni) – against the drab landscape.
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Il sorpasso [The Easy Life] (Dino Risi, 1962)
Jul
26
a boys' night out
Bruno (Gassman) and Roberto (Trintignant) driving along Italy in their sports car (via). DP: Alfio Contini.
A boys' night out: men having fun on their own*
“Bruno, I've spent the best two days of my life with you… I mean it!”
– Roberto Mariani
Serious law student Roberto (Jean-Louis Trintignant) goes on an accidental road trip with bon vivant Bruno (Vittorio Gassman).
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La vérité [The Truth] (Henri-Georges Clouzot, 1960)
Jul
25
Bardot and two men in a café. She has her head on Sami Frey's shoulder while the other man kisses her arm. The table in front of them holds a full ashtray and small coffee cups. DP: Armand Thirard.
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La grande bouffe (Marco Ferreri, 1973)
Jul
21
A character pigging out*
“The most revolting film I have ever seen”
Four hedonistic gourmands throw a party of the flesh, of meat, of lust, and death.
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La piscine [The Swimming Pool] (Jacques Deray, 1969)
Jul
20
“I thought you'd be hungry, maybe.”
Schneider and Ronet's characters go get their groceries in a tiny, surprisingly well-stocked-with-Asian-food-items French corner shop, ánd manage to find all the ingredients needed. One rookie mistake: Uncle Ben's. Of all the rice in the world…
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Estate violenta [Violent Summer] (Valerio Zurlini, 1959)
Jul
19
Roberta (Eleonora Rossi Drago) and Carlo (Jean-Louis Trintignant). DP: Tino Santoni.
Characters go on a date, or fall in love*
“It would be thrilling if you were willing,
and if it can never be, pity me,
for you were born to be kissed,
I can’t resist, you are temptation,
and I am yours!”
– Nacio Herb Brown & Arthur Freed, Temptation (1933)
On a beautiful summer day in Rimini, Carlo, the handsome son from a bourgeois home, saves a little girl and becomes infatuated with the girl's mother, a young widow years his senior. Set in July 1943, the events in the outer world (poss. spoilers) and the fate of the two uneven lovers slowly come to their logical conclusion.