settima

Italy

Il sorpasso [The Easy Life] (Dino Risi, 1962)

Jul

26

a boys' night out

Il sorpasso (1962)

Bruno (Gassman) and Roberto (Trintignant) driving along Italy in their sports car (via). DP: Alfio Contini.

A boys' night out: men having fun on their own*

“Bruno, I've spent the best two days of my life with you… I mean it!”

– Roberto Mariani

Serious law student Roberto (Jean-Louis Trintignant) goes on an accidental road trip with bon vivant Bruno (Vittorio Gassman).

 

La vérité [The Truth] (Henri-Georges Clouzot, 1960)

Jul

25

La vérité (1960)

Bardot and two men in a café. She has her head on Sami Frey's shoulder while the other man kisses her arm. The table in front of them holds a full ashtray and small coffee cups. DP: Armand Thirard.

 

La grande bouffe (Marco Ferreri, 1973)

Jul

21

La grande bouffe (1973)

Andréa Ferréol in a promotional photo. Food styling by actor/food writer Giuseppe Maffioli, DP: Mario Vulpiani.

A character pigging out*

“The most revolting film I have ever seen”

– Mary Whitehouse, via

Four hedonistic gourmands throw a party of the flesh, of meat, of lust, and death.

 

La piscine [The Swimming Pool] (Jacques Deray, 1969)

Jul

20

La piscine (1969)

Marianne (Romy Schneider) and Harry (Maurice Ronet) shopping. Note the plethora of atypical-for-France ingredients, and how the packaging hasn't changed up to today. DP: Jean-Jacques Tarbès.

Shopping for food*

“I thought you'd be hungry, maybe.”

Schneider and Ronet's characters go get their groceries in a tiny, surprisingly well-stocked-with-Asian-food-items French corner shop, ánd manage to find all the ingredients needed. One rookie mistake: Uncle Ben's. Of all the rice in the world…

 

Estate violenta [Violent Summer] (Valerio Zurlini, 1959)

Jul

19

Estate violenta (1959)

Roberta (Eleonora Rossi Drago) and Carlo (Jean-Louis Trintignant). DP: Tino Santoni.

Characters go on a date, or fall in love*

“It would be thrilling if you were willing, and if it can never be, pity me, for you were born to be kissed, I can’t resist, you are temptation, and I am yours!”

– Nacio Herb Brown & Arthur Freed, Temptation (1933)

On a beautiful summer day in Rimini, Carlo, the handsome son from a bourgeois home, saves a little girl and becomes infatuated with the girl's mother, a young widow years his senior. Set in July 1943, the events in the outer world (poss. spoilers) and the fate of the two uneven lovers slowly come to their logical conclusion.

 

Il boom [The Boom] (Vittorio De Sica, 1963)

Jul

13

espresso

Il boom (1963)

A glum looking man holds a teeny espresso cup-and-saucer. DP: Armando Nannuzzi.

 

L'ingorgo [Traffic Jam] (Luigi Comencini, 1979)

Jul

12

L'ingorgo (1979)

Two middle-aged men in a car, each very much enjoying a small meal. We see them through the windshield with behind them numerous other cars stuck in traffic. DP: Ennio Guarnieri.

 

Il mare [The Sea] (Giuseppe Patroni Griffi, 1962)

Jul

1

Il mare (1962)

The actor (Umberto Orsini) looking out over the island. The claustrophobic framing of the hotel windows contrasts sharply with the openness of the sea. DP: Ennio Guarnieri.

My ideal vacation spot, country, city, town, or resort*

 

An island, in this case Capri (granted I've never been there), off-season, in a space and time lost in the mists. It'll occasionally rain and it's cold enough to dress up.

 

Il vangelo secondo Matteo [The Gospel According to Matthew] (Pier Paolo Pasolini, 1964)

Jun

22

National Kissing Day

Il vangelo secondo Matteo (1964)

Judas (Otello Sestili) kisses Jesus (Enrique Irazoqui) in intimate closeup. DP: Tonino Delli Colli.

A [favourite] movie kiss for National Kissing Day (USA*), not to be confused with International Kissing Day aka World Kiss Day which falls on July 6.

“I don’t have the inhibitions that a practicing Catholic would in that I’m not paralysed by the sacredness of the text, nor do I have the inhibitions of a lapsed Catholic who would view approaching the story of Jesus as compromising his Marxist beliefs, of sinking back into conformity.”

– PPP, via

An neorealist, straightforward adaptation of the Gospel of Matthew, populated by non-actors (“Jesus” is a 19-year Catalan trade unionist picked for his resemblance to El Greco's Christ), intellectuals, and anachronistic characters based on biblical art through the ages.

 

According to said Gospel, apostle Judas kissed prophet Jesus to signal to the police who of the 13 men present was the one to arrest.

 

Interestingly, the word Matthew chose to describe the kiss is καταφιλέω, the same word used by philosopher Plutarch to describe the kiss between Alexander the Great and his eunuch Bagoas

 

* no one wants to kiss you anymore, America

Morte a Venezia [Death in Venice] (Luchino Visconti, 1971)

Jun

11

Say HI Day

Morte a Venezia (1971)

Von Aschenbach (Dirk Bogarde) and Tadzio (Björn Andrésen). DP: Pasqualino De Santis.

Characters say or wave hello on Say HI Day

 

A sickly composer meets and becomes infatuated with a boy during his stay in Venice.