March &mdash; settima https://write.underworld.fr/settima/tag:March @settima@zirk.us Mon, 20 Apr 2026 11:15:19 +0200 野獣死すべし [Yajū shisubeshi / The Beast Shall Die] (Eizō Sugawa, 1959) https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-zpfs <![CDATA[section class="boxinfo" markdown="1" div class="title" 野獣死すべし [Yajū shisubeshi / The Beast Shall Die] (Eizō Sugawa, 1959)/div div class="month" Mar/div div class="dont-fill" /div div class="daynr" 30/div div class="occasion" 7 p.m./div div class="img" 野獣死すべし (1959)/div div class="caption" Kunihiko Date (Tatsuya Nakadai) driving along at night. DP: Fukuzō Koizumi./div div class="txt" "He’s not a beast. No, he’s a robot. A machine created by a modern, twisted society." ### /div div class="tags" ##### #FilmDuJour #March #EizōSugawa #HaruhikoŌyabu #TatsuyaNakadai #HiroshiKoizumi #ReikoDan #YumiShirakawa #MakotoSatō #EikoMiyoshi #ToshirōMayuzumi #FukuzōKoizumi #crime #FilmNoir #Bookadaptation #Japan #1950s ★★★★☆/div /section ]]>

野獣死すべし [Yajū shisubeshi / The Beast Shall Die] (Eizō Sugawa, 1959)

Mar

30

7 p.m.

野獣死すべし (1959)

Kunihiko Date (Tatsuya Nakadai) driving along at night. DP: Fukuzō Koizumi.

“He’s not a beast. No, he’s a robot. A machine created by a modern, twisted society.”

#FilmDuJour #March #EizōSugawa #HaruhikoŌyabu #TatsuyaNakadai #HiroshiKoizumi #ReikoDan #YumiShirakawa #MakotoSatō #EikoMiyoshi #ToshirōMayuzumi #FukuzōKoizumi #crime #FilmNoir #Bookadaptation #Japan #1950s ★★★★☆

]]> https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-zpfs Mon, 30 Mar 2026 10:00:00 +0200 Supermarkt [Die Stadt, Jane Love / Supermarket] (Roland Klick, 1974) https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-w8ys <![CDATA[section class="boxinfo" markdown="1" div class="title" Supermarkt [Die Stadt, Jane Love / Supermarket] (Roland Klick, 1974)/div div class="month" Mar/div div class="dont-fill" /div div class="daynr" 30/div div class="X" /div div class="img" Supermarkt (1974)/div div class="caption" Willi Hansen (Charly Wierzejewski) in a phone booth. Filmed from the outside in, his face is partially obscured by neon lights. DP: Jost Vacano./div div class="txt" /div div class="tags" ##### #FilmDuJour #March #RolandKlick #CharlyWierzejewski #EvaMattes #WalterKohut #PeterHesslein #JostVacano #crime #heist #drama #StPauli #Hamburg #WestGermany #1970s ★★★★½/div /section ]]>

Supermarkt [Die Stadt, Jane Love / Supermarket] (Roland Klick, 1974)

Mar

30

Supermarkt (1974)

Willi Hansen (Charly Wierzejewski) in a phone booth. Filmed from the outside in, his face is partially obscured by neon lights. DP: Jost Vacano.

#FilmDuJour #March #RolandKlick #CharlyWierzejewski #EvaMattes #WalterKohut #PeterHesslein #JostVacano #crime #heist #drama #StPauli #Hamburg #WestGermany #1970s ★★★★½

]]> https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-w8ys Mon, 30 Mar 2026 09:00:00 +0200 The Gruesome Twosome (Herschell Gordon Lewis, 1967) https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-2cjp <![CDATA[section class="boxinfo" markdown="1" div class="title" The Gruesome Twosome (Herschell Gordon Lewis, 1967)/div div class="month" Mar/div div class="dont-fill" /div div class="daynr" 27/div div class="occasion" 1967/div div class="img" The Gruesome Twosome (1967)/div div class="caption" The March 27, 1967 newspaper headlining CAMPUS PUZZLED! and GIRLS VANISH and FATE STILL A MYSTERY. It's Monday. DP: Roy Collodi./div div class="txt" /div div class="tags" ##### #FilmDuJour #March #HerschellGordonLewis #ElizabethDavis #GretchenWells #ChrisMartell #LarryWellington #RoyCollodi #horror #comedy #mystery #gore #USA #1960s ★★½/div /section ]]>

The Gruesome Twosome (Herschell Gordon Lewis, 1967)

Mar

27

1967

The Gruesome Twosome (1967)

The March 27, 1967 newspaper headlining CAMPUS PUZZLED! and GIRLS VANISH and FATE STILL A MYSTERY. It's Monday. DP: Roy Collodi.

#FilmDuJour #March #HerschellGordonLewis #ElizabethDavis #GretchenWells #ChrisMartell #LarryWellington #RoyCollodi #horror #comedy #mystery #gore #USA #1960s ★★½

]]> https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-2cjp Fri, 27 Mar 2026 10:00:00 +0100 Sisters [Blood Sisters] (Brian De Palma, 1972) https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-0vyy <![CDATA[section class="boxinfo" markdown="1" div class="title" Sisters [Blood Sisters] (Brian De Palma, 1972)/div div class="month" Mar/div div class="dont-fill" /div div class="daynr" 27/div div class="X" /div div class="img" Sisters (1972)/div div class="caption" Danielle and Dominique Blanchion (Margot Kidder) – one beaming one gloomy – wearing bathing suits. In the background, Emil Breton (William Finley) in a therapy pool – fully clothed – with a woman and small child. DP: Gregory Sandor./div div class="txt" "Did you know that the germs can come through the wires? I never call and I never answer. It's a good way to get sick. Very, very sick… That's how I got so sick! SOMEONE CALLED ME ON THE TELEPHONE!" ### /div div class="tags" ##### #FilmDuJour #March #BrianDePalma #MargotKidder #JenniferSalt #WilliamFinley #BernardHerrmann #GregorySandor #horror #mystery #crime #USA #1970s ★★½/div /section ]]>

Sisters [Blood Sisters] (Brian De Palma, 1972)

Mar

27

Sisters (1972)

Danielle and Dominique Blanchion (Margot Kidder) – one beaming one gloomy – wearing bathing suits. In the background, Emil Breton (William Finley) in a therapy pool – fully clothed – with a woman and small child. DP: Gregory Sandor.

“Did you know that the germs can come through the wires? I never call and I never answer. It's a good way to get sick. Very, very sick… That's how I got so sick! SOMEONE CALLED ME ON THE TELEPHONE!”

#FilmDuJour #March #BrianDePalma #MargotKidder #JenniferSalt #WilliamFinley #BernardHerrmann #GregorySandor #horror #mystery #crime #USA #1970s ★★½

]]> https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-0vyy Fri, 27 Mar 2026 09:00:00 +0100 200 Motels (Tony Palmer + Frank Zappa, 1971) https://write.underworld.fr/settima/200-motels-1971 <![CDATA[section class="boxinfo" markdown="1" div class="title" 200 Motels (Tony Palmer + Frank Zappa, 1971)/div div class="month" Mar/div div class="dont-fill" /div div class="daynr" 23/div div class="X" /div div class="img" 200 Motels (1971)/div div class="caption" Ringo Starr dressed up like Frank Zappa, with Frank Zappa dressed up like Frank Zappa in the background. Both wear identical blue jeans and turtleneck sweaters and sport the same shoulder-length hairstyle and moustache/goatee combination. DP: Tony Palmer./div div class="txt" I'm sure the people at home would be interested to know why such a large force as you is all dressed up like Frank Zappa. Tell us Larry, whats the deal? ### – Rance Muhammitz speaking to Larry The Dwarf /div div class="tags" ##### #FilmDuJour #March #TonyPalmer #FrankZappa #MothersOfInvention #TheodoreBikel #RingoStarr #KeithMoon #music #musical #opera #absurdism #1970s #USA ★★★★☆/div /section ]]>

200 Motels (Tony Palmer + Frank Zappa, 1971)

Mar

23

200 Motels (1971)

Ringo Starr dressed up like Frank Zappa, with Frank Zappa dressed up like Frank Zappa in the background. Both wear identical blue jeans and turtleneck sweaters and sport the same shoulder-length hairstyle and moustache/goatee combination. DP: Tony Palmer.

I'm sure the people at home would be interested to know why such a large force as you is all dressed up like Frank Zappa. Tell us Larry, whats the deal?

– Rance Muhammitz speaking to Larry The Dwarf

#FilmDuJour #March #TonyPalmer #FrankZappa #MothersOfInvention #TheodoreBikel #RingoStarr #KeithMoon #music #musical #opera #absurdism #1970s #USA ★★★★☆

]]> https://write.underworld.fr/settima/200-motels-1971 Mon, 23 Mar 2026 09:00:00 +0100 The Chase (Arthur Ripley, 1946) https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-746p <![CDATA[section class="boxinfo" markdown="1" div class="title" The Chase (Arthur Ripley, 1946)/div div class="month" Mar/div div class="dont-fill" /div div class="daynr" 21/div div class="X" /div div class="img" The Chase (1946).png)/div div class="caption" A man's hand holds up two first class tickets for March 21, destination Cuba. DP: Franz Planer./div div class="txt" "Have you ever been afraid? Really afraid?" ### – Lorna Roman /div div class="tags" ##### #FilmDuJour #March #ArthurRipley #CornellWoolrich #RobertCummings #MichèleMorgan #SteveCochran #LloydCorrigan #JackHolt #DonWilson #PeterLorre #MichelMichelet #FranzPlaner #mystery #drama #crime #romance #FilmNoir #BookAdaptation #USA #1940s ★★★★☆/div /section ]]>

The Chase (Arthur Ripley, 1946)

Mar

21

The Chase (1946)

A man's hand holds up two first class tickets for March 21, destination Cuba. DP: Franz Planer.

“Have you ever been afraid? Really afraid?”

– Lorna Roman

#FilmDuJour #March #ArthurRipley #CornellWoolrich #RobertCummings #MichèleMorgan #SteveCochran #LloydCorrigan #JackHolt #DonWilson #PeterLorre #MichelMichelet #FranzPlaner #mystery #drama #crime #romance #FilmNoir #BookAdaptation #USA #1940s ★★★★☆

]]> https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-746p Sat, 21 Mar 2026 10:00:00 +0100 Grauzone [Zones] (Fredi M. Murer, 1979) https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-mm94 <![CDATA[section class="boxinfo" markdown="1" div class="title" Grauzone [Zones] (Fredi M. Murer, 1979)/div div class="month" Mar/div div class="dont-fill" /div div class="daynr" 21/div div class="occasion" 1976/div div class="img" Grauzone (1979)/div div class="caption" The anonymous, urgent newspaper announcement referencing the oath of secrecy considering a mysterious epidemic, starting March 21, 1976. It lists all the symptoms. DP: Hans Liechti./div div class="txt" Eine mysteriöse EPIDEMIE ist ausgebrochen. ### /div div class="tags" ##### #FilmDuJour #March #FrediMMurer #GiovanniFrüh #OlgaPiazza #MarioBeretta #BeoOertli #HansLiechti #SciFi #Ballardian #drama #mystery #outbreak #Switzerland #WestGermany #1970s ★★★★½/div /section ]]>

Grauzone [Zones] (Fredi M. Murer, 1979)

Mar

21

1976

Grauzone (1979)

The anonymous, urgent newspaper announcement referencing the oath of secrecy considering a mysterious epidemic, starting March 21, 1976. It lists all the symptoms. DP: Hans Liechti.

Eine mysteriöse EPIDEMIE ist ausgebrochen.

#FilmDuJour #March #FrediMMurer #GiovanniFrüh #OlgaPiazza #MarioBeretta #BeoOertli #HansLiechti #SciFi #Ballardian #drama #mystery #outbreak #Switzerland #WestGermany #1970s ★★★★½

]]> https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-mm94 Sat, 21 Mar 2026 09:00:00 +0100 The Man Who Knew Too Much (Alfred Hitchcock, 1934) https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-rrvw <![CDATA[section class="boxinfo" markdown="1" div class="title" The Man Who Knew Too Much (Alfred Hitchcock, 1934)/div div class="month" Mar/div div class="dont-fill" /div div class="daynr" 21/div div class="X" /div div class="img" The Man Who Knew Too Much (1934)/div div class="caption" Abbott (Peter Lorre). DP: Curt Courant./div div class="txt" "Stand by, there's trouble coming soon." ### – Bob Lawrence\ /div div class="tags" ##### #FilmDuJour #March #AlfredHitchcock #Hitchcock #PeterLorre #LeslieBanks #ArthurBenjamin #CurtCourant #crime #thriller #UK #1930s ★★★★☆/div /section ]]>

The Man Who Knew Too Much (Alfred Hitchcock, 1934)

Mar

21

The Man Who Knew Too Much (1934)

Abbott (Peter Lorre). DP: Curt Courant.

“Stand by, there's trouble coming soon.”

– Bob Lawrence

#FilmDuJour #March #AlfredHitchcock #Hitchcock #PeterLorre #LeslieBanks #ArthurBenjamin #CurtCourant #crime #thriller #UK #1930s ★★★★☆

]]> https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-rrvw Sat, 21 Mar 2026 09:00:00 +0100 La Chambre verte [The Green Room / The Vanishing Fiancée] (François Truffaut,... https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-07bp <![CDATA[section class="boxinfo" markdown="1" div class="title" La Chambre verte [The Green Room / The Vanishing Fiancée] (François Truffaut, 1978)/div div class="month" Mar/div div class="dont-fill" /div div class="daynr" 17/div div class="X" /div div class="img" La Chambre verte (1978)-2.webp)/div div class="caption" A woman cries. Captions read "on March 17th,". DP: Néstor Almendros./div div class="txt" "Our past doesn't belong to us." ### /div div class="tags" ##### #FilmDuJour #March #FrançoisTruffaut #HenryJames #NathalieBaye #MauriceJaubert #NéstorAlmendros #RogerCorman #drama #romance #BookAdaptation #France #1970s ★★☆☆☆/div /section ]]>

La Chambre verte [The Green Room / The Vanishing Fiancée] (François Truffaut, 1978)

Mar

17

La Chambre verte (1978)

A woman cries. Captions read “on March 17th,”. DP: Néstor Almendros.

“Our past doesn't belong to us.”

#FilmDuJour #March #FrançoisTruffaut #HenryJames #NathalieBaye #MauriceJaubert #NéstorAlmendros #RogerCorman #drama #romance #BookAdaptation #France #1970s ★★☆☆☆

]]> https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-07bp Tue, 17 Mar 2026 09:00:00 +0100 Cockfighter (Monte Hellman, 1974) https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-gxpg <![CDATA[section class="boxinfo" markdown="1" div class="title" Cockfighter (Monte Hellman, 1974)/div div class="month" Mar/div div class="dont-fill" /div div class="daynr" 15/div div class="X" /div div class="img" Cockfighter (1974)/div div class="caption" Frank Mansfield (Warren Oates) holding up a reluctant, wildly flapping white rooster. DP: Néstor Almendros./div div class="txt" /div div class="tags" ##### #FilmDuJour #March #MonteHellman #CharlesWilleford #WarrenOates #HarryDeanStanton #MichaelFranks #NéstorAlmendros #BookAdaptation #drama #romance #animals #USA #1970s ★★★½/div /section ]]>

Cockfighter (Monte Hellman, 1974)

Mar

15

Cockfighter (1974)

Frank Mansfield (Warren Oates) holding up a reluctant, wildly flapping white rooster. DP: Néstor Almendros.

#FilmDuJour #March #MonteHellman #CharlesWilleford #WarrenOates #HarryDeanStanton #MichaelFranks #NéstorAlmendros #BookAdaptation #drama #romance #animals #USA #1970s ★★★½

]]> https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-gxpg Sun, 15 Mar 2026 09:00:00 +0100