settima

Bookadaptation

Gli intoccabili [Machine Gun McCain] (Giuliano Montaldo, 1969)

Jul

30

1968

Gli intoccabili (1969)

Man's hands hold up the July 30, 1968 San Francisco Chronicle. The headline reads GANGLAND FEUD EXPLODES: TWO CUT DOWN BY MACHINE GUN. It's a Tuesday. DP: Erico Menczer.

“It's a lot of work, ya know, just staying alive.”

– Rosemary Scott

Sommaren med Monika [Summer with Monika] (Ingmar Bergman, 1953)

Jul

27

Sommaren med Monika (1953)

Monika (Harriet Andersson) and Harry (Lars Ekborg) rest in each other's arms. DP: Gunnar Fischer, still photography by Louis Huch.

Someone naps or sleeps*

“I guess we like each other a lot, huh?”

– Monika Eriksson

簪​ [Kanzashi / Ornamental Hairpin] (Hiroshi Shimizu, 1941)

Jul

24

relaxation

簪 (1941)

Men relaxing at a roten-buro, an outdoor onsen. DP: Suketarō Inokai.

Someone goes to a spa, beach, or retreat*

“There’s something almost poetic about finding a hairpin in the bath. It’s like the sole of my foot has been pierced by poetry.”

– Nanmura, via

Relaxing at an onsen, a soldier steps on the titular kanzashi. Now injured with too much time on his hands, he and his fellow nosy patrons go out looking for its owner.

 

The Killers (Robert Siodmak, 1946)

Jul

20

1940

spoiler warning: click to toggle image The Killers (1946)

The July 21 headline. DP: Elwood Bredell.

“Don't ask a dying man to lie his soul into Hell.”

– Lt. Sam Lubinsky

Figures in a Landscape (Joseph Losey, 1970)

Jul

17

Figures in a Landscape (1970)

MacConnachie (Robert Shaw, standing and peering upwards) and Ansell (Malcolm McDowell, squatting and facing away) in a barren landscape. Both have their hands tied behind their back. DPs: Henri Alekan, Peter Suschitzky & Guy Tabary.

“I'll tell you what though, Mac. There'll be no more games from now on.”

– Ansell

妻は告白する [Tsuma wa kokuhaku suru / A Wife Confesses] (Yasuzō Masumura, 1961)

Jul

15

1961

妻は告白する (1961)

An expert called into the court case studies an enlarged photograph of the supposed crime scene. DP: Setsuo Kobayashi.

La dame dans l'auto avec des lunettes et un fusil [The Lady in the Car with Glasses and a Gun] (Anatole Litvak, 1970)

Jul

10

Vendredi

La dame dans l'auto avec des lunettes et un fusil (1970)

A man with a lot of swagger and rolled up blueprints is about to enter a room with a prominent Coca-Cola machine and a jazzy leather swivel chair on display. An electronic flip clock tells the time and date. It's 17:52. DP: Claude Renoir.

Burnt Offerings (Dan Curtis, 1976)

Jul

1

Burnt Offerings (1976)

The chauffeur (Anthony James). DP: Jacques R. Marquette.

“The house takes care of itself.”

– Roz Allardyce

Popiół i diament [Ashes and Diamonds] (Andrzej Wajda, 1958)

Jun

27

National Sunglasses Day

Popiół i diament (1958)

Maciek Chelmicki (Zbigniew Cybulski) wearing his sunglasses in a dark, almost German Expressionist space, embellished with meandros. DP: Jerzy Wójcik.

[The best] sunglasses in film for National Sunglasses Day (USA)

– Why do you always wear those dark glasses?

– A souvenir of unrequited love for my homeland.

According to IMDb, the sale of sunglasses in Poland went through the roof after this film was released and Cybulski became his country's very own James Dean.

The Lottery (Larry Yust, 1969)

Jun

27

The Lottery (1969)

Drawing lots from a box. DP: Isidore Mankofsky.

This, or any other adaptation of Shirley Jackson's story.

“Although the villagers had forgotten the ritual and lost the original black box, they still remembered to use stones.”

– Shirley Jackson, The Lottery (1948)