settima

Bookadaptation

ビリィ★ザ★キッドの新しい夜明け [Birī za kiddo no atarashii yoake / The New Morning of Billy the Kid] (Naoto Yamakawa, 1986)

May

31

National Utah Day

Birī za kiddo no atarashii yoake (1986)

Director Naoto Yamakawa directing Billy the Kid (Hiroshi Mikami) on site in Utah (via) DP: Kenji Takama.

An actor, director or character from Utah – National Utah Day (USA)

 

Billy the Kid steps out of a huge poster of Monument Valley right into a Tokyo bar and becomes its bar keeper. Together with a samurai, a WW2 G.I, Marx-Engels (not a typo), the Japanese weather service number 177 and others, he keeps the tavern safe from various thugs roaming the streets.

吾輩は猫である [Wagahai wa neko de aru / I Am a Cat] (Kon Ichikawa, 1975)

May

30

Hug Your Cat Day

吾輩は猫である (1975)

The cat and his master, teacher Sneaze. DP: Kōzō Okazaki.

A pet for National Hug Your Cat Day (USA) *

“Had I the time to keep a diary, I’d use that time to better effect; sleeping on the veranda”

– The cat

A school teacher's house cat observes and comments his household's going-ons as a microcosm of Japan's paradoxical Meiji period. The second adaptation of Sōseki Natsume's 1900s satirical novel.

 

* The event falls on June 4

Jonathan (Hans W. Geissendörfer, 1970)

May

26

World Dracula Day

Jonathan (1970)

Siring the mortals. DP: Robby Müller.

A vampire for World Dracula Day

 

This deeply political, unpleasant interpretation of Stoker's Dracula can not not be seen against the backdrop of political movements like the #RAF and West-Germany's youth revolting against the failed #Denazification that the country underwent under supervision of the Allied occupying forces.

 

Note the usage of colour and grouping of people; Klaus Mann's Mephisto (1981) borrowed quite a few visuals from Jonathan.

Touha zvaná Anada [Desire Called Anad / Adrift] (Elmar Klos + Ján Kadár, 1968/1971)

May

20

Touha zvaná Anada (1968/1971)

Zuzka (Milena Dravić) holds a mirror to Anada's (Paula Pritchett) face. Zuzka's husband Jánoš (Rade Marković) looks on. DP: Vladimír Novotný.

Compulsion (Richard Fleischer, 1959)

May

16

Compulsion (1959)

Straus (Bradford Dillman) with Steiner (Dean Stockwell) behind the wheel. They're beaming. DP: William C. Mellor.

“Murder's nothing. It's just a simple experience. Murder and rape? Do you know what beauty there is in evil?”

Le 15 mai (Claire Denis, 1971)

May

15

Thu

Le 15 mai (1971)

Claudia Morin in her silver dress showing up in Philippe Rouleau's office. The perpetual calendar behind her – Enzo Mari's Formosa from 1963 – tells us it is May 15. DP: Dominique Le Rigoleur.

“Of course, it's the 15th of May.”

Anayurt Oteli [Motherland Hotel] (Ömer Kavur, 1987)

May

14

Receptionist Day

Anayurt Oteli (1987)

Receptionist Zebercet. DP: Orhan Oğuz.

A receptionist or secretary for Receptionist Day

 

The proprietor and receptionist of a small hotel welcomes a new guest. The woman, her name she doesn't tell, stays for only one night with the promise to return the following week. The receptionist waits.

Les félins [Joy House / The Love Cage] (René Clément, 1964)

May

14

Les félins (1964)

Barbara Hill (Lola Albright) going through Marc Borel's (Alain Delon) passport, which states Marc's date of birth as May 14. On Barbara's desk several curiosities, including a shrunken head in a glass case. DP: Henri Decaë.

Yngsjömordet [Woman of Darkness] (Arne Mattsson, 1966)

May

11

Mother's Day

spoiler warning: click to toggle image Yngsjömordet (1966)

Anna Månsdotter (Gunnel Lindblom). DP: Lasse Björne.

A good or bad mother for Mother's Day

 

Arranged by his widowed mother, Per Nilsson marries the wealthy judge's daughter Hanna. The wedlock remains unfulfilled as son and mother find satisfaction in each other. Hanna suspects something.  
Based on the Yngsjö murder case, which at the time was considered more noteworthy for the mother/son relationship than the resulting tragedy.

পথের পাঁচালী [Pather Panchali / Apu 1: Song of the Little Road] (Satyajit Ray, 1955)

May

10

Stamp Out Hunger

পথের পাঁচালী (1955)

Hands exchange food through a worn-out window. DP: Subrata Mitra.

A film about poverty for the Letter Carriers’ Stamp Out Hunger Food Drive (USA)

“Those who came before have passed on. And I'm left behind. A penniless beggar. Not a cowrie to my name. Look, my purse is empty… Lord, the day is done and evening falls. Ferry me across to the other shore…”

– Indir Thakrun, singing