Filmmaker Jean Epstein and his cameraman Paul Guichard made their way to the Etna on June 22, 1923. This was merely five days after the eruption started.

“Sicily! The night had a thousand eyes. All sorts of smells shrieked at once. An unfurled coil of wire brought our car, swathed in moonlight as if surrounded by mosquito netting, to a halt. It was hot. Impatient, the drivers broke off singing the most beautiful love song, striking the car with a monkey wrench and insulting Christ and his mother with a blind faith in their efficacy. In front of us: Etna, the great actor who bursts onto the stage two or three times each century, whose tragic extravagances I had arrived to film. An entire side of the mountain was a blazing spectacle. The conflagration reached up to the reddened corners of the sky. From a distance of twenty kilometers, the rumbling at times seemed to be a triumphal reception heard from afar, as if a thousand hands were applauding in an immense ovation.”

– Jean Epstein, Le Cinématographe vu de l’Etna (1926) (via)

“It's spooky! It sounds… unholy!”

– Echo

and May 4.

 

Covers February 26–28, 1936.

”'I know how you feel,' Reiko says quietly. 'And I will follow you wherever you go.'”

– intertitles

The Moon (any moon) to commemorate the end of the final man-manned moon landing.

“Laugh, my friends. Laugh with me, laugh for me, because I dream for you.”

– Georges Méliès, 1937

In true Méliès style, a wild menagerie of showgirls and scientists meet on the Moon in this groundbreaking sci-fi spectacle.

A planet with rings for Saturnalia

 

Two lovely newlyweds and their robot chauffeur take a trip to Saturn for their honeymoon, followed by a jolly ride under the sea. A remake of Booth's own The '?' Motorist from 1906.

A temple*

“Now consummate the sacrifice in your throat of flame, o father and mother, o god and goddess, o father and mother, o father and son, o god and goddess! Voracious creator! Roaring ardent hunger…”

The world's first epic film and the debut of – the later hugely popular – strongman Maciste.

 

* the Bales 2025 Film Challenge for December has a few dateless themes. This is one of them.

A journey or road trip*

 

Four weeks in four minutes, spanning decades in its disruptive form.

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.