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Harvey (Henry Koster, 1950)
Apr
9
freebie: Easter Sunday
James Stewart is Elwood P. Dowd. An ordinary man with an extraordinary claim: his best friend is an invisible, six feet three and a half inches-tall #pooka – a mythological Celtic, shapeshifting creature – who in Mr Dowd's case resembles a rabbit called Harvey. Elwood's sister and niece, who also occasionally see the furry goblin, have their relative send to a sanatorium where the doctors and us viewers learn more about this curious case.
“Harvey and I sit in the bars… have a drink or two… play the juke box. And soon the faces of all the other people they turn toward mine and they smile. And they're saying, 'We don't know your name, mister, but you're a very nice fella'.”
– Elwood P. Dowd
Harvey, based on Mary Chase's #PulitzerPrizePlay with the same name, is guaranteed to bring a smile on your face, this humbug's scout's honour! Have a nice #Easter, CineMastodons!
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Mickey One (Arthur Penn, 1965)
Apr
8
Step Into The Spotlight Day
Mickey (Warren Beatty) bent over, holding a microphone with a bright spotlight aimed at him. DP: Ghislain Cloquet.
“I'm the king of the silent pictures. I'm hiding out till talkies blow over.”
– Mickey One
Having said that, there are several great small surreal moments that are carried by uncredited character actors alone. And then there's a sole spotlight, stealing it all away.
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Fail Safe (Sidney Lumet, 1964)
Apr
5
National Nebraska Day
General Black (Dan O'Herlihy) being briefed. DP: Gerald Hirschfeld.
The one that got bombed by Strangelove.
“You're talking about a different kind of war.”
– General Stark
Both Lumet's Fail Safe and #Kubrick's #ColdWar comedy came out in 1964, right after the #CubaCrisis. The world was awash with the realisation that the bomb, The Bomb, wasn't merely proverbial flexing. And when crisis happens, there are two options. One is to laugh, the other is to grasp. Sadly for Lumet, and the world, his Fail Safe was released while everyone was still too busy chuckling.
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Red & Rosy (Frank Grow, 1989)
Apr
1
National Handmade Day
Big Red (Rico Martinez) high on adrenaline. DPs: Frank Grow, Ralph Hawkins & Rico Martinez.
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Multiple SIDosis (Sid Laverents, 1970)
Mar
27
National Acoustic Soul Day
There's a handful of notable amateur films in the National Film Registry. One of them is the Zapruder film, another Sid Laverents' Multiple SIDosis.
“In terms of sheer entertainment value, I think that it demonstrated that one eccentric genius alone in his garage can rival the best of the Hollywood studios””
– Ross Lipman, UCLA Film & Television Archive restorationist
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Inauguration of the Pleasure Dome (Kenneth Anger, 1954) & The Wormwood Star (Curtis Harrington, 1956)
Mar
26
Purple Day
1: The Scarlet Woman (Marjorie Cameron) wearing a fantastic peacock-like robe and crown. DP: Kenneth Anger.
2: Cameron as herself. Here too she wears references to the peacock Aiwass, who dictated The Book of the Law to Crowley.
Someone wears purple on Purple Day (International Epilepsy Day).
Both in The Wormwood Star (Curtis Harrington, 1956) and Inauguration of the Pleasure Dome (Kenneth Anger, 1954), Marjorie Cameron wears shades of purple. Professionally known as Cameron, she was a follower of #Thelema, the philosophical movement founded by occultist Aleister Crowley.
“Purple beyond purple: it is the light higher than eyesight”
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Last Summer (Frank Perry, 1969)
Mar
25
Walk In The Sand Day
One of the boys striking a threatening pose with a stick aimed at Sandy (Barbara Hershey aka Barbara Seagull). In the foreground a brooding Rhoda (the fantastic Catherine Burns). DPs: Enrique Bravo & Gerald Hirschfeld.
During a #summer #vacation on #FireIsland, two young men come across Sandy, an attractive young woman with an injured #seagull. While nursing the bird back to life, the relationship between the three deepens. A second girl, the much younger Rhoda (the breathtaking Catherine Burns) is taken in by the trio.
“What are you going to do with the rest of your life? Sit on the shore and watch?”
– Sandy
Set almost entirely on a sunny #beach, Frank Perry's Last Summer may be one of the most claustrophobic films you'll ever watch.
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Steamboat Bill, Jr. (Charles Reisner + Buster Keaton, 1928)
Mar
23
National Near Miss Day
A production photo showing the moment the façade crashing down towards Keaton. The photographer is standing to the right of Keaton at a very safe distance. The thickness of the wall is clearly, frightfully, visible. Even with the open window moving towards him, this blink-and-you-miss-it shot cannot guarantee a happy ending for Keaton or his movie persona William Canfield Jr. DPs: Bert Haines & Devereaux Jennings.
“I'm trying to teach you to run it – not wreck it!”
– William 'Steamboat Bill' Canfield
Both the man and the stunt lived on, probably most famously in Keaton aficionado #JackieChan's Project A Part II (HK, 1987).
Despite all the well-meant tributes, none of the later stunts are as nail biting as the pre-OSHA original.
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On the Marriage Broker Joke as Cited by Sigmund Freud in “WIT AND ITS RELATION TO THE UNCONSCIOUS” or Can the Avant-Garde Artist Be Wholed (Owen Land, 1977)
Mar
16
National Panda Day
Two fake pandas in a black-and-white room, seated on zebra-striped chairs. The floor has black-and-white square tiles and the walls black-and-white polkadots. Framed behind them, two black squares with white passe-partouts.
Owen Land explores meaning, wit, and #WordPlay, and manages to unite the #marketing of #umeboshi #plums in a wide variety of vessels, the brokering of #brides, and pandas discussing #Freud in all of the above contexts.
“My film is going to be introduced by a fake panda and it’s going to be about Japanese salted plums among other things.”
– FIRST PANDA