settima

USA

Harvey (Henry Koster, 1950)

Apr

9

freebie: Easter Sunday

Harvey (1950)

Promotional photo. James Stewart as Elwood P. Dowd, holding a stuffed anthropomorphic rabbit. Both man and bunny wear black hats and smile at the camera. DP: William H. Daniels.

James Stewart is Elwood P. Dowd. An ordinary man with an extraordinary claim: his best friend is an invisible, six feet three and a half inches-tall #pooka – a mythological Celtic, shapeshifting creature – who in Mr Dowd's case resembles a rabbit called Harvey. Elwood's sister and niece, who also occasionally see the furry goblin, have their relative send to a sanatorium where the doctors and us viewers learn more about this curious case.

“Harvey and I sit in the bars… have a drink or two… play the juke box. And soon the faces of all the other people they turn toward mine and they smile. And they're saying, 'We don't know your name, mister, but you're a very nice fella'.”

– Elwood P. Dowd

Harvey, based on Mary Chase's #PulitzerPrize​Play with the same name, is guaranteed to bring a smile on your face, this humbug's scout's honour! Have a nice #Easter, CineMastodons!

Mickey One (Arthur Penn, 1965)

Apr

8

Step Into The Spotlight Day

Mickey One (1965)

Mickey (Warren Beatty) bent over, holding a microphone with a bright spotlight aimed at him. DP: Ghislain Cloquet.

Warren Beatty plays Mickey, a #StandUpComedian who has it all, then gambles it all away. Well, that's the first 5 minutes of Arthur Penn's Mickey One. Beatty is out of his element, and the movie's still too indebted to the cheery 60s to carry that New American Cinema grit.

“I'm the king of the silent pictures. I'm hiding out till talkies blow over.”

– Mickey One

Having said that, there are several great small surreal moments that are carried by uncredited character actors alone. And then there's a sole spotlight, stealing it all away.

Fail Safe (Sidney Lumet, 1964)

Apr

5

National Nebraska Day

Fail Safe (1964)

General Black (Dan O'Herlihy) being briefed. DP: Gerald Hirschfeld.

The one that got bombed by Strangelove.

“You're talking about a different kind of war.”

– General Stark

Both Lumet's Fail Safe and #Kubrick's #ColdWar comedy came out in 1964, right after the #CubaCrisis. The world was awash with the realisation that the bomb, The Bomb, wasn't merely proverbial flexing. And when crisis happens, there are two options. One is to laugh, the other is to grasp. Sadly for Lumet, and the world, his Fail Safe was released while everyone was still too busy chuckling.

Red & Rosy (Frank Grow, 1989)

Apr

1

National Handmade Day

Red & Rosy (1989)

Big Red (Rico Martinez) high on adrenaline. DPs: Frank Grow, Ralph Hawkins & Rico Martinez.

All you need for a movie is a gun and a girl. Or a girl with a glue gun. Or skip the girl, get yourself a piece of cardboard, some foam latex, and a six pack of beer. Frank Grow's Red & Rosy is the embodiment of a special staple of #DIY culture that appears to be long-lost. Really kids, you don't need much of a budget. Or tomorrows latest equipment. The hottest Hollywood hotshot? Forget about it, ask your drunk uncle to yell at the camera for 10 minutes. You want authenticity? Tape some random medical footage straight from your teevee. Need a shot of adrenal juice?

 

Well, just watch this.

Multiple SIDosis (Sid Laverents, 1970)

Mar

27

National Acoustic Soul Day

Multiple SIDosis (1970)

Clockwise: Sid playing a ukulele, Sid whistling, Sid playing improvised chimes (metal pipes and one cymbal hanging from an overhead microphone stand), Sid blowing a tune on champagne bottles, one metronome. DP: Sid Laverents.

There's a handful of notable amateur films in the National Film Registry. One of them is the Zapruder film, another Sid Laverents' Multiple SIDosis.

“In terms of sheer entertainment value, I think that it demonstrated that one eccentric genius alone in his garage can rival the best of the Hollywood studios””

– Ross Lipman, UCLA Film & Television Archive restorationist

 

Catch it here.

Inauguration of the Pleasure Dome (Kenneth Anger, 1954) & The Wormwood Star (Curtis Harrington, 1956)

Mar

26

Purple Day

Inauguration of the Pleasure Dome (1954)
The Wormwood Star (1956)

1: The Scarlet Woman (Marjorie Cameron) wearing a fantastic peacock-like robe and crown. DP: Kenneth Anger.
2: Cameron as herself. Here too she wears references to the peacock Aiwass, who dictated The Book of the Law to Crowley.

Someone wears purple on Purple Day (International Epilepsy Day).

 

Both in The Wormwood Star (Curtis Harrington, 1956) and Inauguration of the Pleasure Dome (Kenneth Anger, 1954), Marjorie Cameron wears shades of purple. Professionally known as Cameron, she was a follower of #Thelema, the philosophical movement founded by occultist Aleister Crowley.

“Purple beyond purple: it is the light higher than eyesight”

– Aleister Crowley, Liber AL vel Legis sub figura CCXX (1904)

Last Summer (Frank Perry, 1969)

Mar

25

Walk In The Sand Day

Last Summer (1969)

One of the boys striking a threatening pose with a stick aimed at Sandy (Barbara Hershey aka Barbara Seagull). In the foreground a brooding Rhoda (the fantastic Catherine Burns). DPs: Enrique Bravo & Gerald Hirschfeld.

During a #summer #vacation on #FireIsland, two young men come across Sandy, an attractive young woman with an injured #seagull. While nursing the bird back to life, the relationship between the three deepens. A second girl, the much younger Rhoda (the breathtaking Catherine Burns) is taken in by the trio.

“What are you going to do with the rest of your life? Sit on the shore and watch?”

– Sandy

Set almost entirely on a sunny #beach, Frank Perry's Last Summer may be one of the most claustrophobic films you'll ever watch.

Steamboat Bill, Jr. (Charles Reisner + Buster Keaton, 1928)

Mar

23

National Near Miss Day

Steamboat Bill, Jr. (1928)

In Steamboat Bill, Jr., former vaudevillian Keaton narrowly escapes the façade of a house crashing down around him.

“I'm trying to teach you to run it – not wreck it!”

– William 'Steamboat Bill' Canfield

Both the man and the stunt lived on, probably most famously in Keaton aficionado #JackieChan's Project A Part II (HK, 1987).

 

Despite all the well-meant tributes, none of the later stunts are as nail biting as the pre-OSHA original.

Peace, little girl (1964)

Peace, little girl (1964)

March 21: #countdown to #NationalCountdownDay

Peace, little girl [Daisy aka Daisy Girl] (Sidney Myers, 1964)

One… two… three… four… five… seven… six… six… eight… nine… nine…

It was the #PoliticalAd campaign to end all political ad campaigns. Peace, little girl opens innocently enough with a little blonde girl, picking the petals of an ox-eye #daisy while counting. When the final petal's gone, the tone changes completely.

This deceptively simple propaganda film was made in support of Lyndon B. Johnson's 1964 presidential campaign by ad agency #DBB and media consultant Tony Schwartz. It was so effective and bleak in is insinuations that the Johnson campaign was forced to pull it after only one screening.

What fascinates me is the similarity with one particular scene from James Whale's #Frankenstein (1931). The Monster (#Karloff) meets a little girl who sits on the shore of a lake, picking daisies. He approaches her, and the girl, knowing the creature is a good man at heart, invites him to play a game with her involving them tossing the daisies into the lake.

The Monster (Boris Karloff) and little Maria (Marilyn Harris) playing with daisies on a beautiful day at the lake. DPs: Arthur Edeson & Paul Ivano.

Frankenstein (1931)

Spoiler warning When they run out of daisies, the Monster picks up the girl who to him is as pretty and innocent as a flower, and tosses her into the water.

This scene was cut and considered lost until the 1980s. Could Tony Schwartz have been aware of that scene? He was at the right age to have seen the pre-code, pre-cut version.

#Bales2023FilmChallenge #SidneyMyers #LyndonBJohnson #ChrisSchenkel #MoniqueCorzilius #MoniqueCozy #RobertDryden #DrummondDrury #ShortFilm #war #peace #scaresploitation #flowers #propaganda #ColdWar #election #politics #USA #1960s ★★★★☆

#todo

On the Marriage Broker Joke as Cited by Sigmund Freud in “WIT AND ITS RELATION TO THE UNCONSCIOUS” or Can the Avant-Garde Artist Be Wholed (Owen Land, 1977)

Mar

16

National Panda Day

ON THE MARRIAGE BROKER JOKE AS CITED BY SIGMUND FREUD IN “WIT AND ITS RELATION TO THE UNCONSCIOUS” OR CAN THE AVANT-GARDE ARTIST BE WHOLED? (1977)

Two fake pandas in a black-and-white room, seated on zebra-striped chairs. The floor has black-and-white square tiles and the walls black-and-white polkadots. Framed behind them, two black squares with white passe-partouts.

Owen Land explores meaning, wit, and #WordPlay, and manages to unite the #marketing of #umeboshi #plums in a wide variety of vessels, the brokering of #brides, and pandas discussing #Freud in all of the above contexts.

“My film is going to be introduced by a fake panda and it’s going to be about Japanese salted plums among other things.”

– FIRST PANDA