settima

documentary

Среда [Sreda / Wednesday / Wednesday 19.7.1961] (Viktor Kosakovskiy, 1979)

Jul

19

Wed

Среда (1979)

Adult twins who, like director Kosakovskiy, were born on Wednesday 19, 1961. DP: Victor Kossakovsky.

La Soufrière – Warten auf eine unausweichliche Katastrophe [La Soufrière: Waiting for an Inevitable Catastrophe] (Werner Herzog, 1977)

Jul

13

La Soufrière - Warten auf eine unausweichliche Katastrophe (1977)

Herzog and crew make their way up the volcano (via). DPs: Edward Lachman & Jörg Schmidt-Reitwein.

Someone at a theme park or national park*

“Telephones were still working, we are told, and the air-conditioning and refrigerators in many houses were still on.”

– narrator

The highest peak in the Parc national de la Guadeloupe is called La Grande Soufrière. The volcano had erupted before and was bound to do soon again. Hastily, the 76,000 islanders were evacuated with one farmer staying put. For Herzog reason to halt the editing of Herz aus Glas and make his way to the island.

 

The Governor (Stan Brakhage, 1977)

Jul

4

1976

And July 20

“On July 4, 1976 I and my camera toured the state of Colorado with governor Richard D. Lamm, as he traveled in parades with his children, appeared at dinners, lectured, etc. On July 20, I spent the morning in his office in the state capitol and the afternoon with himself and his wife in a television studio, then with Mrs. Lamm greeting guests to the governor’s mansion and finally with Governor Lamm in his office again. These two days of photography took me exactly one year to edit into a film which wove itself thru multiple superimpositions into a study of light and power.”

– Stan Brakhage

Farewell, Etaoin Shrdlu (David Loeb Weiss, 1980)

Jul

1

1978

Farewell, Etaoin Shrdlu (1980)

All set for the July 2, 1978 edition of The New York Times, hot off the press.

Production of the last hot type copy of The New York Times on the nigh of July 1, 1978. The ETAOIN SHRDLU in the title refers to the accidental string of letters that sometimes would end up in print when using the hot type method.

 

That Linotype setting, and narration, was provided by Carl Schlesinger. That same old, but now digitally set New York Times, provided a lovely farewell when the man passed. Read it here

Le chagrin et la pitié [The Sorrow and the Pity] (Marcel Ophüls, 1969)

Jun

5

Sorry I Was on a Boat Day

Le chagrin et la pitié (1969)

Two smiling farmers. The interviewer asks “What did you think about?” One of them replies “Surviving. That's it.” Screenshot via. DPs: André Gazut & Jürgen Thieme.

Someone makes an excuse on Sorry I Was on a Boat Day (USA)

“One thing I find appalling is when people who were [Vichy President] Pétain supporters come up to me and tell me what they did for the Resistance. Sometimes it's unreal. “Oh, Mr. Gaspard, if only you knew what we did, what I did for the Resistance.” Go ahead, pal, tell me all about it. I try to stay calm. I'm a salesman, and I want to sell my product. The company doesn't pay me to do politics and pick fights, so sometimes I find myself obliged to listen to a song and dance of some guy who shows me a drawer and gets his wife to confirm that there was indeed a revolver in that drawer during the war, a revolver which he was supposedly ready to use on the Germans. Only he never actually used it. History doesn't lie.”

Émile Coulaudon aka Colonel Gaspard, former head of the French Resistance in Auvergne

Marcel Ophüls documents the people of Clermont-Ferrand as the microcosm of Vichy France, part of Europe's only country that happily collaborated with its occupier, Nazi Germany. What were their justifications, their excuses, their motivations? Was it survival, habit, greed? Comfort, conformity, obedience, fear?

 

And what is yours?

Jesus Christus Erlöser [Jesus Christ Saviour] (Peter Geyer, 1971/2008)

May

29

Ascension Day

Jesus Christus Erlöser (1971/2008)

Kinski speaking to (presumably) journalists as part of promoting his Jesus tour (via)

The birth, life, death or teachings of Jesus on Ascension Day

“Ich bin nicht der offizielle Kirchenjesus, ich bin nicht euer Superstar.”

– Klaus Kinski

It is November 20. The Jesus Christus Erlöser tour brings Klaus Kinski to Berlin's Deutschlandhalle. His monologue, spoken from Jesus the revolutionary's perspective, brings out the hecklers. It's 1971, the post-68 generation is not satisfied with words. It wants to debate, dissect, and devour their Saviour.

فلسطين في العين [Filastin fi al-ayn / Palestine in the Eye] (Mustafa Abu Ali, 1977)

May

28

Amnesty International Day

Filastin fi al-ayn (1977)

Palestinian freedom fighters.

Amnesty International Day: someone who fights for human rights

“Everyone has the right to life, liberty, and security of person”

– The Right to Live, the third of the Human Rights

Filmmaker #HaniJawharieh died while working for the #PLO Film Unit, an organisation fighting for the rights of the Palestinian people. His own death in 1976, which he caught on camera, is edited into this documentary.

Ich bin meine eigene Frau [I Am My Own Woman] (Rosa von Praunheim, 1992)

May

16

Honor Our LGBT Elders Day

Ich bin meine eigene Frau (1992)

Ichgola Androgyn, Jens Taschner, and Charlotte von Mahlsdorf as Charlotte von Mahlsdorf. DP: Lorenz Haarmann.

An LGBTQ actor, director, or character over 55 for Honor Our LGBT Elders Day (USA)

“Ich bin meine eigene Frau” (“I am my own woman/wife”)

– Charlotte von Mahlsdorf, in response to her mother's request to settle and get married

The extraordinary life of Charlotte von Mahlsdorf, Berliner, gender bender, Nazi killer (her own father, with a wooden rolling pin, mind you), prisoner, custodian, museum founder, barmaid, Stasi informer (arguably), den mother to the GDR's LGBT+ youngsters, but most of all, her own woman.

アントニー・ガウディー [Antonio Gaudí] (Hiroshi Teshigahara, 1984)

May

12

National Anthony Day

アントニー・ガウディー (1984)

A woman in shorts and T-shirt lounges on the serpentine mosaic bench in Parc Güell, which blues compliment her outfit. Planned as a housing development project, the park is a welcome break from the busy city for all Catalans, regardless of class. DPs: Junichi Segawa, Ryu Segawa & Yoshikazu Yanagida.

An actor, director or character named Anthony for National Anthony Day (USA).

“Everything comes from the Great Book of Nature. Human attainments are an already printed book.”

– Antoni Gaudí

Das Netz – Unabomber / LSD / Internet [The Net] (Lutz Dammbeck, 2003)

Apr

27

personal computer mouse – 1981

Das Netz (2003)

A mouse in action. Note the stress ball. DPs: James Carman, István Imre & Thomas Plenert.

A computer mouse: the first personal computer mouse debuted on this day in 1981.

“To those who think that all this sounds like science fiction, we point out that yesterday's science fiction is today's fact. The Industrial Revolution has radically altered man's environment and way of life, and it is only to be expected that as technology is increasingly applied to the human body and mind, man himself will be altered as radically as his environment and way of life have been.”

– Theodore J. Kaczynski

A Gedankenspiel.

 

Similar to the way moveable print has accelerated the spread of ideas, the personal computer mouse accelerated the speed of which individualist's ideas can spread. However, like the printing press and unlike the spoken word, the mouse can only point and enhance pre-existing notions, thus neutering any prospect of revolutionary change on an individual level.

 

In a grotesque snub to nature, the pointing finger has transcended the mouse, detaching our minds from our bodies in one infinite scroll.