“Love! Love!”Wholly Communion (Peter Whitehead, 1966)
Jun
11
1965

Allen Ginsberg reciting in front of an enraptured audience at the Royal Albert Hall. DP: Peter Whitehead.
– anonymous poet interrupting Harry Fainlight
“Love! Love!”Wholly Communion (Peter Whitehead, 1966)
Jun
11
1965

Allen Ginsberg reciting in front of an enraptured audience at the Royal Albert Hall. DP: Peter Whitehead.
– anonymous poet interrupting Harry Fainlight
“This nation, for all its hopes and all its boasts, will not be fully free until all its citizens are free.”Crisis: Behind a Presidential Commitment (Robert Drew, 1963)
Jun
10
1963

An energetic Bobby arrives at the White House in his limousine. DP: Gregory Shuker.
– JFK
“One thing I find appalling is when people who were [Vichy President] Pétain supporters come up to me and tell me what they did for the Resistance. Sometimes it's unreal. “Oh, Mr. Gaspard, if only you knew what we did, what I did for the Resistance.” Go ahead, pal, tell me all about it. I try to stay calm. I'm a salesman, and I want to sell my product. The company doesn't pay me to do politics and pick fights, so sometimes I find myself obliged to listen to a song and dance of some guy who shows me a drawer and gets his wife to confirm that there was indeed a revolver in that drawer during the war, a revolver which he was supposedly ready to use on the Germans. Only he never actually used it. History doesn't lie.” Le chagrin et la pitié [The Sorrow and the Pity] (Marcel Ophüls, 1969)
Jun
5
Sorry I Was on a Boat Day

Two smiling farmers. The interviewer asks “What did you think about?” One of them replies “Surviving. That's it.” Screenshot via. DPs: André Gazut & Jürgen Thieme.
Someone makes an excuse on Sorry I Was on a Boat Day (USA)
– Émile Coulaudon aka Colonel Gaspard, former head of the French Resistance in Auvergne
Marcel Ophüls documents the people of Clermont-Ferrand as the microcosm of Vichy France, part of Europe's only country that happily collaborated with its occupier, Nazi Germany. What were their justifications, their excuses, their motivations? Was it survival, habit, greed? Comfort, conformity, obedience, fear?
And what is yours?
“What year is it now? I forgot.”1999 A.D. (Lee Madden, 1967)
Jun
2
1999

Mother Karen (Marj Dusay) busy with online meal planning, her husband supervising her from the other screen. While she scheduling for Tuesday, June 2, 1999 in reality fell on a Wednesday. DP: Vilmos Zsigmond.
– Jamie
“Ich bin nicht der offizielle Kirchenjesus, ich bin nicht euer Superstar.”Jesus Christus Erlöser [Jesus Christ Saviour] (Peter Geyer, 1971/2008)
May
29
Ascension Day

Kinski speaking to (presumably) journalists as part of promoting his Jesus tour (via)
The birth, life, death or teachings of Jesus on Ascension Day
– Klaus Kinski
It is November 20. The Jesus Christus Erlöser tour brings Klaus Kinski to Berlin's Deutschlandhalle. His monologue, spoken from Jesus the revolutionary's perspective, brings out the hecklers. It's 1971, the post-68 generation is not satisfied with words. It wants to debate, dissect, and devour their Saviour.
“Everyone has the right to life, liberty, and security of person”فلسطين في العين [Filastin fi al-ayn / Palestine in the Eye] (Mustafa Abu Ali, 1977)
May
28
Amnesty International Day

Palestinian freedom fighters.
Amnesty International Day: someone who fights for human rights
– The Right to Live, the third of the Human Rights
Filmmaker #HaniJawharieh died while working for the #PLO Film Unit, an organisation fighting for the rights of the Palestinian people. His own death in 1976, which he caught on camera, is edited into this documentary.
“Ich bin meine eigene Frau” (“I am my own woman/wife”)Ich bin meine eigene Frau [I Am My Own Woman] (Rosa von Praunheim, 1992)
May
16
Honor Our LGBT Elders Day

Ichgola Androgyn, Jens Taschner, and Charlotte von Mahlsdorf as Charlotte von Mahlsdorf. DP: Lorenz Haarmann.
An LGBTQ actor, director, or character over 55 for Honor Our LGBT Elders Day (USA)
– Charlotte von Mahlsdorf, in response to her mother's request to settle and get married
The extraordinary life of Charlotte von Mahlsdorf, Berliner, gender bender, Nazi killer (her own father, with a wooden rolling pin, mind you), prisoner, custodian, museum founder, barmaid, Stasi informer (arguably), den mother to the GDR's LGBT+ youngsters, but most of all, her own woman.
“Everything comes from the Great Book of Nature. Human attainments are an already printed book.”アントニー・ガウディー [Antonio Gaudí] (Hiroshi Teshigahara, 1984)
May
12
National Anthony Day

A woman in shorts and T-shirt lounges on the serpentine mosaic bench in Parc Güell, which blues compliment her outfit. Planned as a housing development project, the park is a welcome break from the busy city for all Catalans, regardless of class. DPs: Junichi Segawa, Ryu Segawa & Yoshikazu Yanagida.
An actor, director or character named Anthony for National Anthony Day (USA).
– Antoni Gaudí
“To those who think that all this sounds like science fiction, we point out that yesterday's science fiction is today's fact. The Industrial Revolution has radically altered man's environment and way of life, and it is only to be expected that as technology is increasingly applied to the human body and mind, man himself will be altered as radically as his environment and way of life have been.” Das Netz – Unabomber / LSD / Internet [The Net] (Lutz Dammbeck, 2003)
Apr
27
personal computer mouse – 1981

A mouse in action. Note the stress ball. DPs: James Carman, István Imre & Thomas Plenert.
A computer mouse: the first personal computer mouse debuted on this day in 1981.
– Theodore J. Kaczynski
A Gedankenspiel.
Similar to the way moveable print has accelerated the spread of ideas, the personal computer mouse accelerated the speed of which individualist's ideas can spread. However, like the printing press and unlike the spoken word, the mouse can only point and enhance pre-existing notions, thus neutering any prospect of revolutionary change on an individual level.
In a grotesque snub to nature, the pointing finger has transcended the mouse, detaching our minds from our bodies in one infinite scroll.
“Parfois ils disent que nos images sont esthétiques, mais nous disons que les images esthétiques sont des images hautement étiques. Pour nous éthique et esthétique marchent ensemble. Re-filmer signifie re-signifier.”Prigionieri della guerra [Prisoners of War] (Yervant Gianikian + Angela Ricci Lucchi, 1995)
Apr
24
Armenian genocide

Horse-pulled carts arrive at a cross (via). DPs: Yervant Gianikian & Angela Ricci Lucchi.
A World War I film: a day in recognition of the forced deportations and genocide in Armenia, 1915 — 1923.
– Yervant Gianikian and Angela Ricci Lucchi in conversation with Daniele Dottorini, 2007 (via)
Re-purposed propaganda reels show citizens – displaced, dehumanised – turned into prisoners of war, and finally into corpses.