settima

documentary

Muloorina (David Cobham, 1964)

Nov

17

Guinness World Records Day

Muloorina (1964)

The Bluebird parked amongst the crew's Jeeps. DPs: John Daniell, Ross King, Frank McKechnie, Ian Millar & Bob Wright.

Short in gorgeous Technicolor, Muloorina tells about a small, arid town in Australia that one day finds itself on the world's stage. Kati Thanda–Lake Eyre, a local salt lake that hasn't seen a drop of rain in nine years, is the perfect spot for a landspeed record attempt by British daredevil Donald Campbell and his Bluebird.

 

A play of contrasts. The supersonic blue machine on the ancient white riverbed and the slowness of the eternal landscape versus something faster than should be possible. And meanwhile, the locals care for their land and animals, and wait for rain.

Kick That Habit (Peter Liechti, 1989)

Nov

16

National Andy Day

Kick That Habit (1989)

Andy Guhl of experimental Swiss music/art group Voice Crack playing metal wire strung along a room. DP: Peter Liechti.

Everything is noise. Everything is light. Everything is dark. Everything is motion. Everything is static. Everything is energy. Everything is lethargy. Everything is rhythm. Everything is chaos. Everything is silent

Werner Herzog Eats His Shoe (Les Blank, 1980)

Nov

8

Cook Something Bold Day

Werner Herzog Eats His Shoe (1980)

Herzog prepares his left suede Clarks in Alice Waters' restaurant kitchen. DP: Les Blank.

After boiling for five hours in a concoction of #garlic, herbs, and stock, the shoe was ready to eat and #Herzog could keep his promise to fellow director Errol Morris.

“More shoes, more boots, more garlic.”

– Werner Herzog

Goshogaoka [御所ケ丘] (Sharon Lockhart, 1998)

Nov

6

Play Basketball Day

Goshogaoka (1998)

Girls from the Moriya City Goshogaoka junior high school girl basketball team practising their blocking technique. Cibachrome print © Sharon Lockhart, 1997 (via).

Within the boundaries of Sharon Lockhart's static camera, girls from Goshogaoka junior high school practice #basketball. In six uninterrupted 10 minute scenes, we see them warm up and train several typical moves, shots, and blocks. With the camera set in one position, some of the action happens off-screen, resulting in unrehearsed synchronised choreography.

Jaanipäev [St. John's Day] (Andres Sööt, 1978)

Nov

5

Bonfire Night

Jaanipäev (1978)

The neatly stacked pyre on jaanipäev with Tallinn's dreary socialist Plattenbau on the horizon. DP: Andres Sööt.

As long as they can remember, jaaniõhtu is when Estonians gather to celebrate midsummer. It started, they'll tell you, 4000 years ago when Kaali appeared. Ever since, come rain or shine, come socialism or capitalism, the people gather and light bonfires in its remembrance. Some sing the songs of the elders, memory willing. Others see this as their moment to shine. As a great musician perhaps. A faithful worker. Or a lover, for jaanipäev; #midsummer night.

“Come, this party is for hard-working people!”

Mondo Hollywood: Hollywood Laid Bare! [Mondo Hollywood] (Robert Carl Cohen, 1967)

Nov

1

World Vegan Day

Mondo Hollywood: Hollywood Laid Bare! (1967)

Lobby card. Proto-hippie Gypsy Boots (Robert Bootzin), here going ape over a banana, outshocks polite society with his vegan (or is this vegetarian?) mindset In the background what appears to be a bed of nails. DP: Robert Carl Cohen.

Opens with Nature Boy and #garlic propagandist Gypsy Boots.

Moi, un noir [I, a Negro] (Jean Rouch, 1958)

Oct

16

National Eddie Day

Moi, un noir (1958)

A young woman looks over her shoulder, smiling. DP: Jean Rouch.

Some of the leads play out their hopes and dreams and are named after famous actors from Western films. Petit Touré is #EddieConstantine.

The Mills of the Gods: Viet Nam (Beryl Fox, 1965)

Sep

18

Air Force Birthday

The Mills of the Gods: Viet Nam (1965)

Drafted soldiers in a military chopper. One of them is reading Richard Wormser's Operation Crosbow (Dell Comics Movie Classics #590), another has his head slumped in his hands. DP: Erik Durschmied.

“Thus, I do not see what use there is in those mills of the gods said to grind so late as to render punishment hard to be recognized, and to make wickedness fearless”

– Plutarch, Moralia (1 A.D.)

On the Bowery (Lionel Rogosin, 1956)

Sep

14

National Sober Day

On the Bowery (1956)

Finnish poster. DP: Richard Bagley.

Someone mentions getting sober.

“When I get myself – cleaned up and straightened out, I'm going down and get a ship and I'm going to wind up in South Sea islands. That's where I wanna go!”

Gimme Shelter (Albert + David Maysles, Charlotte Zwerin, 1970)

Sep

13

Uncle Sam Day

Gimme Shelter (1970)

Mick Jagger seen from the back wearing an Uncle Sam top hat, in front of an unseen crowd. DPs: Albert Maysles, David Maysles & Gary Weis.

It's December 6, 1969 and just like that, the 60s were over. It started out great, the West Coast edition of Woodstock. Santana, Jefferson Airplane, The Flying Burrito Brothers, Crosby, Stills, Nash & Young, a 300.000 strong crowd and, of course, The Rolling Stones on the final leg of their US tour. And, of course too, Hells Angels armed with motorcycle chains, sawed-off pool cues and $500 worth of beer, hired to stop fans from climbing the stage. And not in the least due to its proximity to Frisco, lots of bad drugs mixing with that crowd.

“Well, The Rolling Stones tour of the United States is over. It wounded up with a free concert at the Altamont Speedway for more than 300,000 people. There were four births, four deaths and an awful lot of scuffles reported.”

– Stefan Ponek, KSN Radio

Even before a single note had come out of Mick's mouth, someone had punched him in the head. More scuffles, Grace Slick begs the audience to keep their bodies off each other unless they intend love. The Grateful Dead, regular deployers of peaceful Angels security, wisely forfeit their performance. The Stones open their set, the final set of the day. By then, the Angels are far into their $500 beer bounty, and the audience far out of their mind. Meredith Hunter, high on drugs, had brought a gun. And the Angels did what they were ordered to: stop anyone from getting close.