settima

documentary

Happy Birthday to John [Happy Birthday John Lennon] (Jonas Mekas, 1995)

Oct

9

1972

Happy Birthday to John (1995)

A rectangular birthday cake with a chocolate acoustic guitar spells out Happy Birthday John From Yoko And The Whole World. Presumed DP: Jonas Mekas.

On October 9th, 1972 an exhibition of John and Yoko's art – designed by the Master of the Fluxus movement, George Maciunas and curated by David Ross – opened at the Syracuse Museum of Art in New York. On the same day, an unusual group of John and Yoko's friends, including Ringo Starr, Allen Ginsberg, and Paul Krasner, gathered to celebrate John's birthday.

 

Grey Gardens (Albert + David Maysles, Ellen Hovde + Muffie Meyer, 1975)

Oct

5

1973

Grey Gardens (1975)

Washed out felt-tip penned well-wishes read: OCTOBER 5th – 1973 “GREY GARDENS” AT 78 IT IS TRUE – YOU CAN LIVE TO BE 80 TOO. DPs: Albert & David Maysles.

“Thank you for your card and your ice-cream, I love you very much!”

– Edith 'Big Edie' Bouvier Beale, saying goodbye to her birthday party guests

Calle Santa Fe (Carmen Castillo, 2007)

Oct

5

Calle Santa Fe (2007)

Miguel Enriquez holding Carmen Castillo in a family snapshot. DPs: Ned Burgess, Sebastián Moreno, Raphaël O'Byrne & Arnaldo Rodríguez.

Charlie Is My Darling [Rolling With The Stones] (Peter Whitehead, 1966)

Sep

28

Ben E. King – 1938

Charlie Is My Darling (1966)

Charlie sheepishly smells a carnation (via), Brian can be seen in the background. DP: Peter Whitehead.

Soul or rhythm and blues for Ben E. King's birthday.

“Let's face it; the future as a Rolling Stone is very uncertain.”

– Brian Jones

While then-manager Oldham's dream of an all-Stones A Clockwork Orange never manifested, there was an attempt to counter The Beatles' A Hard Day's Night (1964). That too, failed. Instead, Charlie became a cinéma vérité roadmovie of the Stones' touring Ireland in 1965. Whitehead's camera is there for Charlie.

Snow (Geoffrey Jones, 1963)

Sep

27

Stockton and Darlington Railway – 1825

Snow (1963)

A steam locomotive ploughing through the snow using her cowcatcher. DP: Wolfgang Suschitzky.

A steam locomotive to celebrate the opening of the Stockton and Darlington Railway in 1825, the world's first public railway to use steam locomotives.

 

The Big Freeze of 1963 was one of the coldest winters recorded in British history. It was during this winter that filmmaker Geoffrey Jones was commissioned by British Transport Films to make a documentary about the British Railways Board. With the freeze setting in, Jones ran the footage in preparation of post-production, and was struck by the blackness of the locomotives against the white of the many feet of snow. This smaller experimental project became Snow. Accompanied by a stretched out version of the jazz tune Teen Beat, and BBC Radiophonic Workshop's own Daphne Oram, Snow is an improbable hypnotic trip in an impossible landscape.

Hail the New Puritan (Charles Atlas, 1987)

Sep

22

Fall

Hail the New Puritan (1987)

As it says on the tin, it's Mark E. Smith of The Fall (via). DP: John Simmons.

The Northern Hemisphere welcomes the autumn equinox

“Those flowers, take them away; they’re only funeral decorations. This is The Fall and this is a drudge nation. Your decadent sins will wreak discipline. You puritan, you shook me. I wash every day.”

– The Fall, New Puritan (1979), via

A fictional day in the life of choreographer Michael Clark, company, and friends in preparation of the dance piece New Puritans.

Bed Peace [John and Yoko: The Bed-In] (John Lennon + Yoko Ono, 1969)

Aug

27

white

Bed Peace (1969)

John and Yoko in their bed, dressed in all-white, framed by flowers. DP: Nicholas D. Knowland.

White, in food or fashion*

“Remember love, remember love Love is what it takes to dream”

– Yoko Ono, Remember Love (1969)

While the press expected the newlyweds' “bed-in” to be a scandalous nude affair, the two lovers showed up in all-white – like angels, as John put it. Surrounded by journalists and friends, John and Yoko imaged peace.

 

آداب بهاری [Adab-e Bahari / Rites of Spring] (Ali Asghar Agahbanaei, 1982)

Aug

11

spring

Adab-e Bahari (1982)

In a dewdrop hanging from a rose, the face of a smiling woman appears.

Dita e Verës, a pagan spring celebration from Albania, celebrated in March: a spring scene*

 

The restless anticipation of spring. Iran as it was before and after the 1979 toppling of the Shah. While the snow melts away, the Revolution takes place, and fresh buds appear on the rose bushes. A poem.

 

Хлебный день [Khlebnyy den / Bread Day] (Sergei Dvortsevoy, 1998)

Aug

10

green

Хлебный день (1998)

The old folks pushing the cart past the hamlet's name sign. With thick brush strokes, almost too much for the small rectangle, it reads TOWNSHIP NR. 3. DP: Alisher Khamidkhodzhaev.

Green: a building or structure*

“That's all the people we've got now. We'll get there somehow.”

Where the old folks' hands push the cart, the green's worn off. That doesn't change anything about its importance. A lifeline, bread, is delivered once a week and with delivered, it means that the carriage is left on the rails, several kilometers away from Zhikharevo, or Township Nr. 3, which in its turn is about 80 km away from Saint Petersburg. It takes the seniors about two hours to get the wagon to their hamlet. We get to witness ten minutes or so. It lasts a lifetime.

 

As of 2002, only three people lived in Zhikharevo. I wonder how the wain comes home now.

 

Du côté de la côte [Along the Coast] (Agnès Varda, 1958)

Aug

9

yellow

Du côté de la côte (1958)

Two people, one big one small, in identical canary yellow robes and straw sun hats on the beach (more here). DPs: Quinto Albicocco & Raymond Castel.

Yellow, in food or fashion*

“Tourists prefer the trendy colors, yellow and blue. Pacing fancies, hotels are painted yellow and blue. Blue wins. All women want to be fashionable. All women wear blue, except the English, those learning to swim, and the Germans, who are dedicated to green.”

– narrator