settima

documentary

Shoot (Barbara Burden, 1971)

Nov

19

1971

Shoot (1971)

Dunlap aiming at Burden at F Space, Santa Ana, California (via). DP: Barbara Burden.

“At 7:45 p.m. I was shot in the left arm by a friend.”

– Chris Burden

Mix-Up ou Meli-melo (Françoise Romand, 1986)

Nov

18

1936

Mix-Up ou Meli-melo (1986)

Mother and daughter in one of the surreal reenactment scenes. DP: Emile Navarro.

A bit – occasionally a lot – Greenaway without the room for interpretation. Lovely though and impossible to make in this overly self-aware selfie universe.

Wir Bergler in den Bergen sind eigentlich nicht schuld, daß wir da sind [We Who Dwell in the Mountains Cannot Be Blamed for Being There] (Fredi M. Murer, 1974)

Nov

17

Wir Bergler in den Bergen sind eigentlich nicht schuld, daß wir da sind (1974)

A mountain man smokes his pipe, accompanied by a sow and a toddler in a wooden playpen. The Alps are all around them (via). DP: Iwan P. Schumacher.

A movie set in the woods or mountains*

“Anderntags hat man sofort getauft, weil jede Mutter lieber ein «Gotteskindli» auf die Arme nahm.”

– Gisler-Arnold Babette, midwife (via)

Murer describes the people from Switzerland's gorges in three movements, along the lines of a symphony

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.

The White Rose [The White Rose: Jay DeFeo’s Painting Removed by Angelic Hosts] (Bruce Conner, 1967)

Nov

9

1965

The White Rose (1967)

we are not what we seem

– words inscribed in the bottom of DeFeo's painter's stool

Charlie Is My Darling [Rolling With The Stones] (Peter Whitehead, 1966)

Sep

28

Ben E. King – 1938

Charlie Is My Darling (1966)

Charlie sheepishly smells a carnation (via), Brian can be seen in the background. DP: Peter Whitehead.

Soul or rhythm and blues for Ben E. King's birthday.

“Let's face it; the future as a Rolling Stone is very uncertain.”

– Brian Jones

While then-manager Oldham's dream of an all-Stones A Clockwork Orange never manifested, there was an attempt to counter The Beatles' A Hard Day's Night (1964). That too, failed. Instead, Charlie became a cinéma vérité roadmovie of the Stones' touring Ireland in 1965. Whitehead's camera is there for Charlie.

Snow (Geoffrey Jones, 1963)

Sep

27

Stockton and Darlington Railway – 1825

Snow (1963)

A steam locomotive ploughing through the snow using her cowcatcher. DP: Wolfgang Suschitzky.

A steam locomotive to celebrate the opening of the Stockton and Darlington Railway in 1825, the world's first public railway to use steam locomotives.

 

The Big Freeze of 1963 was one of the coldest winters recorded in British history. It was during this winter that filmmaker Geoffrey Jones was commissioned by British Transport Films to make a documentary about the British Railways Board. With the freeze setting in, Jones ran the footage in preparation of post-production, and was struck by the blackness of the locomotives against the white of the many feet of snow. This smaller experimental project became Snow. Accompanied by a stretched out version of the jazz tune Teen Beat, and BBC Radiophonic Workshop's own Daphne Oram, Snow is an improbable hypnotic trip in an impossible landscape.

Hail the New Puritan (Charles Atlas, 1987)

Sep

22

Fall

Hail the New Puritan (1987)

As it says on the tin, it's Mark E. Smith of The Fall (via). DP: John Simmons.

The Northern Hemisphere welcomes the autumn equinox

“Those flowers, take them away; they’re only funeral decorations. This is The Fall and this is a drudge nation. Your decadent sins will wreak discipline. You puritan, you shook me. I wash every day.”

– The Fall, New Puritan (1979), via

A fictional day in the life of choreographer Michael Clark, company, and friends in preparation of the dance piece New Puritans.

Bed Peace [John and Yoko: The Bed-In] (John Lennon + Yoko Ono, 1969)

Aug

27

white

Bed Peace (1969)

John and Yoko in their bed, dressed in all-white, framed by flowers. DP: Nicholas D. Knowland.

White, in food or fashion*

“Remember love, remember love Love is what it takes to dream”

– Yoko Ono, Remember Love (1969)

While the press expected the newlyweds' “bed-in” to be a scandalous nude affair, the two lovers showed up in all-white – like angels, as John put it. Surrounded by journalists and friends, John and Yoko imaged peace.

 

آداب بهاری [Adab-e Bahari / Rites of Spring] (Ali Asghar Agahbanaei, 1982)

Aug

11

spring

Adab-e Bahari (1982)

In a dewdrop hanging from a rose, the face of a smiling woman appears.

Dita e Verës, a pagan spring celebration from Albania, celebrated in March: a spring scene*

 

The restless anticipation of spring. Iran as it was before and after the 1979 toppling of the Shah. While the snow melts away, the Revolution takes place, and fresh buds appear on the rose bushes. A poem.

 

Хлебный день [Khlebnyy den / Bread Day] (Sergei Dvortsevoy, 1998)

Aug

10

green

Хлебный день (1998)

The old folks pushing the cart past the hamlet's name sign. With thick brush strokes, almost too much for the small rectangle, it reads TOWNSHIP NR. 3. DP: Alisher Khamidkhodzhaev.

Green: a building or structure*

“That's all the people we've got now. We'll get there somehow.”

Where the old folks' hands push the cart, the green's worn off. That doesn't change anything about its importance. A lifeline, bread, is delivered once a week and with delivered, it means that the carriage is left on the rails, several kilometers away from Zhikharevo, or Township Nr. 3, which in its turn is about 80 km away from Saint Petersburg. It takes the seniors about two hours to get the wagon to their hamlet. We get to witness ten minutes or so. It lasts a lifetime.

 

As of 2002, only three people lived in Zhikharevo. I wonder how the wain comes home now.