settima

documentary

Το άλλο γράμμα [To allo gramma / The Other Letter] (Lambros Liaropoulos, 1976)

Apr

6

Greece

Το άλλο γράμμα (1976)

A woman observing her own reflection (via). DP: Stavros Hassapis.

Something something Greece (or the Olympics) on the date of the 1896 Summer Olympics

 

Athens seen through words put down in letters, forming a narrative of the city, Greece, its history, and its people.

The Patriot Game (Arthur MacCaig, 1979)

Apr

4

MLK Jr. – 1968

The Patriot Game (1979)

A older lady calmly clips her hedges while a British soldier attempts to hide behind them (via). DPs: Arthur MacCaig & Théo Robichet.

The assassination of Martin Luther King Jr.: civil rights being fought for.

“All the ideas I'd previously had were shown to be completely false. This was the first time I had really seen the strength and the power of a mass struggle; ordinary people directly participating in organizing their communities, and the defense of their communities.”

– Arthur MacCaig, title card

News from Home (Chantal Akerman, 1976)

Apr

3

Pony Express Day

News from Home (1976)

New York, a street scene. Superimposed a quote from one Chantal Akerman's mother's letters. DPs: Jim Asbell & Babette Mangolte.

Mail or a mail carrier for Pony Express Day (USA).

“Dear child,   l received your letter and hope you will write often. l hope you won’t stay away too long and that you’ve found a job by now. If you’re doing well, we’re happy. Even though we do miss you. When will you be back? Everything is fine here, but Sylviane is home with the flu. My blood pressure is low. l’m on medication for it. Today is my birthday. l feel sad. lt’s quiet at the shop. Tonight we’re going out to dinner with friends. That’s all. Your birthday is coming up. l wish you all the best. Write to me soon about your work, about New York, about everything. Lots of love from the three of us.

Your loving mother” (quote via)

Chantal Akerman reads out letters that her mother wrote to the former's stay in New York City between 1971 and 1973. The words slowly blend with the city.

ドキュメント 路上 [Document Rojo / On the Road: The Document] (Noriaki Tsuchimoto, 1964)

Mar

26

Road Traffic Act 1934

ドキュメント 路上 (1964)

A look from a Tokyo cab driver's perspective. We see the dashboard, heavy trucks ahead, and behind, and the reflection of the driver in his rearview mirror. DP: Tatsuo Suzuki.

Bad drivers: the start of compulsory driving tests in the UK was established on March 26, 1934* with the Road Traffic Act.

“This film portrays the traffic war that goes on every day. — Tokyo, 1964”

– opening title

*I find no solid proof to support this statement

De nieuwe ijstijd [The New Ice Age] (Johan van der Keuken, 1974)

Mar

16

Reykjavík Food & Fun Festival

De nieuwe ijstijd (1974)

A young female factory worker listlessly fills a long plastic tube with pale ice-cream.. DP: Johan van der Keuken.

Ice or cold food to celebrate the final day of the Reykjavík Food & Fun Festival

“For me it’s important to note that the film’s information is also the only thing you know. That’s the idea of the tip of the iceberg, provided that only the portion above the water exists (in the film), because you know nothing of what’s under water and therefore it’s impossible for you to describe the entire iceberg.   For example, in De nieuwe ijstijd the characters are not described 'in their entirety'. What is shown is only what we’ve encountered when we were filming. It’s always a limited, fragmentary knowledge of everything that exists, and that’s how it’s shown.”

– Johan van der Keuken, via

Part three of Van der Keuken's Noord-Zuid trilogy. Again we are confronted with the contrast between the First and Third world, here represented by a Dutch family of monotonous ice-cream factory hands, and impoverished Peruvian workers establishing self-governance, accompanied by Willem Breuker's punching free jazz cacophony.

絵を描く子どもたち [E o kaku kodomotachi: jidōga o rikai suru tame ni / Children Who Draw] (Susumu Hani, 1956)

Mar

13

Youth Art Month

絵を描く子どもたち (1956)

A little girl painting. DP: Shizuo Komura.

An artistic child for Youth Art Month (USA)

 

Small children work with clay, paint, and other materials. Under the camera's watchful eye, we see their work come to life.

Le tombeau d'Alexandre [The Last Bolshevik] (Chris Marker, 1993)

Feb

25

Warsaw Pact

Le tombeau d'Alexandre (1993)

Still from a Medvedkin film. Silhouettes in light of Lenin and Stalin facing each other are projected above a crowd of people. DP of Le tombeau d'Alexandre: Chris Marker.

Unsere Afrikareise [Our Trip to Africa] (Peter Kubelka, 1966)

Feb

22

National Wildlife Day

Unsere Afrikareise (1966)

A frame (source) shows a freshly killed zebra on its side. The film stock's perforations and sound track are visible. DP: Peter Kubelka.

Wild animals for this year's first National Wildlife Day (USA). A second one is on September 4.

“For me, Afrikareise is, in its own genre, the most intense sound film that exists. Sound and images are in synch like in nature (even if it isn’t about the natural sound of something). The sound becomes the acoustic portrait of the visual action.”

– Peter Kubelka, via

Commissioned to film a rich Austrian couple's hunting trip, Kubelka sat on the material for several years before editing it in something more than the sum of its parts.

Der Riese [The Giant] (Michael Klier, 1983/1984)

Feb

15

freebie: a movie from 1984

Der Riese (1983/1984)

A woman, we only see her hands, waits at a counter while clutching her purse. Her handbag is next to her. The camera focusses on the small space reserved to count out money. DP: n/a.

January 21 redux: a film from 1984 on the date Orwell died (1950).

“The film is about observing, about glances that see without being seen, a dubious art of light and visibility.”

– Michael Klier, via

According to Harun Farocki, Der Riese was the first narrative film completely compiled out of surveillance footage.

Symbiopsychotaxiplasm: Take One (William Greaves, 1968)

Feb

1

Filmmaking

Symbiopsychotaxiplasm: Take One (1968)

Don Fellows – testing as “Freddy” – and Patricia Ree Gilbert – testing as “Alice” –, the director (William Greaves), and a camera assistant holding up a light meter. Everyone is eyeing everyone and it's not clear who is playing what part. DPs: Stevan Larner & Terence Macartney-Filgate.

A film about filmmaking, or Hollywood, to celebrate the opening of Edison's Black Maria in 1893.

“You and I are going to be filming the actors. The two of us, see, are going to be filming the actors – continuously – and you will be filming me and the actors. I'm going to be filming the actors and Terry is going to be in charge of filming the whole thing. You see?”

– William Greaves – Director

During a screentest for a documentary in a documentary in a film, director William Greaves attempts to cast the leads for his upcoming piece Over the Cliff, while a documentary crew records their progress.