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Symbiopsychotaxiplasm: Take One (William Greaves, 1968)
Feb
1
Filmmaking
Don Fellows – testing as “Freddy” – and Patricia Ree Gilbert – testing as “Alice” –, the director (William Greaves), and a camera assistant holding up a light meter. Everyone is eyeing everyone and it's not clear who is playing what part. DPs: Stevan Larner & Terence Macartney-Filgate.
A film about filmmaking, or Hollywood, to celebrate the opening of Edison's Black Maria in 1893.
“You and I are going to be filming the actors. The two of us, see, are going to be filming the actors – continuously – and you will be filming me and the actors. I'm going to be filming the actors and Terry is going to be in charge of filming the whole thing. You see?”
– William Greaves – Director
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Die große Ekstase des Bildschnitzers Steiner [The Great Ecstasy of Woodcarver Steiner] (Werner Herzog, 1974)
Jan
25
Chamonix 1924 Winter Olympics
Winter sports in celebration of the Chamonix 1924 Winter Olympics.
“Ich sollte eigentlich ganz allein auf der Welt sein, ich, Steiner, und sonst kein anderes lebendes Wesen. Keine Sonne, keine Kultur, ich nackt auf einem hohen Fels, kein Sturm, kein Schnee, keine Straßen, keine Banken, kein Geld, keine Zeit und kein Atem. Ich würde dann jedenfalls keine Angst mehr haben.”
– Walter Steiner
In a film that is as much about Herzog as it is about Steiner, we follow the soft-spoken woodcarver in preparation of his definitive ski flight in Planica, Yugoslavia.
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Escrime [Fencing] (Étienne-Jules Marey, 1890)
Jan
4
revolvers
A revolver to commemorate Samuel Colt's sale of 1 000 revolvers to butcher Captain Samuel Walker in 1847.
“Art and science encounter each other when they seek exactitude.”
– Étienne-Jules Marey
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À propos de Nice – point de vue documenté [À propos de Nice] (Boris Kaufman + Jean Vigo, 1930)
Jan
1
New Year's Day
Exuberant prostitutes, Jean Vigo (5th from the left), and some who appear to be men in drag, dance on a landing with confetti all around them. In the moving footage they can be seen high-kicking with increased vulgarity, the camera posed below them. DP: Boris Kaufman.
Confetti for New Year's Day.
“In this film, by showing certain basic aspects of a city, a way of life is put on trial… the last gasps of a society so lost in its escapism that it sickens you and makes you sympathetic to a revolutionary solution.”
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Couro de Gato [Cat Skin] (Joaquim Pedro de Andrade, 1962)
Dec
27
Junkanoo
A man plays a small hand drum, the tamborim, with a cat skin head. DP: Mário Carneiro.
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Cali: de película (Luis Ospina, 1973)
Dec
26
Feria de Cali
A child hands a man in indigenous garb a small liquor bottle during the cabalgata, the parade of horseback riders. The man's horse is painted to resemble a zebra. DP: Carlos Mayolo.
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Black Sabbath – Live in Paris (Jacques Bourton, 1970)
Dec
6
Tony Iommi.
“Heavy boots of lead
Fills his victims full of dread
Running as fast as they can
Iron Man lives again”
– Black Sabbath, Iron Man (1970)
Despite its title, Live in Paris was filmed in Théâtre 140 in Brussels by Yorkshire Television and is Sabbath's first recorded live concert.
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Sioux Ghost Dance (William K.L. Dickson + William Heise 1894)
Dec
1
Hornbill Festival
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Salesman (Albert + David Maysles, Charlotte Zwerin, 1969)
Mar
29
breakfast
Bible salesmen enjoying breakfast at a soulless motel. DP: Albert Maysles.
Watched on Good Friday.
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Weegee’s Coney Island [Coney Island] (Arthur “Weegee” Fellig, 1954)
Feb
10
Good Humor
Two chubby ladies on Coney Island's beach eating chocolate-coated ice cream bars on a stick, I guess Good Humor bars. The women both wear black shapeless bathing suits. One of them has a pink towel over her shoulders and her hair in rollers. The framing shows only part of the couple, but tells you all you need to know. DP: Weegee.