settima

mystery

Le passager de la pluie [Rider on the Rain] (René Clément, 1970)

Oct

10

Le passager de la pluie (1970)

Mélancolie 'Mellie' Mau (Marlène Jobert) and Col. Harry Dobbs (Charles Bronson), dancing. DP: Andréas Winding.

– You expect me to eat that?

– Americans live on ketchup and milk. I'm a whiz at geography.

Vargtimmen [Hour of the Wolf] (Ingmar Bergman, 1968)

Oct

4

aquavit

spoiler warning: click to toggle image Vargtimmen (1968)

Digestifs served with glass peepers Skål! DP: Sven Nykvist.

“This is my supper, you see. Lindhorst, who knows the world, says that old harlots have a morbid desire to satisfy their mouths and stomachs.”

– Gamla Fru von Merkens

Gothic (Ken Russel, 1986)

Oct

1

Frankenstein

Gothic (1986)

Percy Shelley (Gabriel Byrne), Mary Shelley (Natasha Richardson) and Dr Polidori (a deliriously delicious Timothy Spall). DP: Mike Southon.

A [favourite] Frankenstein film.

 

One wet, ungenial summer in 1816, lovers Mary Godwin and Percy Shelley, and Mary's stepsister Claire Clairmont, visited a dear friend at Villa Diodati. That friend was Lord Byron, exiled and residing in the Swiss villa with his physician Dr John Polidori

“There are no ghosts in daylight. You'll get used to our nights at Diodati. A little indulgence to heighten our existence on this miserable Earth. Nights of the mind, the imagination. Nothing more.”

– Lord Byron

Forced indoors, over the cause of three days they turned to the occult, to laudanum, to stories from the Fantasmagoriana, and the horrors of their own. That summer, Frankenstein saw the light of day.

Le orme [Footprints on the Moon] (Luigi Bazzoni + Mario Fanelli, 1975)

Sep

30

International Translation Day

Le orme (1975)

Alice reflected/reflecting in a glass pane (via). DP: Vittorio Storaro.

A translator for International Translation Day

“This mirror reflected a painting… with words. Chinese idiograms. 'The she-crane calls in the shadow. Her cheek answers.'”

– Alice Campos

Alice, the always fantastically brooding Florinda Bolkan, works as a translator when all of sudden she loses her job and finds herself on the small island of Garma. People tell her she has been there before, recently, but she knows this is not possible.

 

Some English-language posters try to sell Le orme as an action-ridden sci-fi giallo, but oh boy leave that perception behind and you're in for one unsettling treat! Le orme can be placed somewhere between Don't Look Now and that other Alice film, Chabrol's Alice ou la dernière fugue. Drifting and elegant, distant and claustrophobic.

La strega in amore [The Witch] (Damiano Damiani, 1966)

Sep

27

La strega in amore (1966)

We, the viewer, sit at the head of a long table. Two women at the tall ends of the table stop eating to look at us. It's ominous. DP: Leonida Barboni.

 

Les Vampires [The Vampires or, The Arch Criminals of Paris] (Louis Feuillade, 1915/1916)

Aug

24

black

Les Vampires (1915)

A signed promotional photograph of Irma Vep (Musidora) in her iconic black catsuit. DPs: Georges Guérin & Manichoux.

Black, in food or fashion*

“It is vital to be photogenic from head to foot. After that you are allowed to display some measure of talent.”

– Musidora

Possibly the first, and definitely the most, iconic catsuit in cinema is worn by Musidora as Irma Vep in Les Vampires. Skintight and scandalous, Musidora's screen presence in the serial further cemented the popularity of the vamp and set the scene for many man-eaters to come.

 

The Black Tower (John Smith, 1985—1987)

Aug

22

black

The Black Tower (1987)

The black tower, visible from behind a brick wall (via)..

Black: a building or structure*

“I first noticed it in Spring last year. […] It was from [my home] that I first saw it—its crest protruding over the roofs on the other side of the road. Surprised that I hadn’t noticed it before, I wondered what it was and then forgot about it for several weeks.”

– narrator

A man becomes aware of a formerly unnoticed black tower. Surely it's nothing, yet as the weeks pass, its looming presence takes over.

 

The black tower was a real structure, first noticed by filmmaker John Smith when he moved to East London. The building, actually the upper part of a hospital's water tower, was painted pitch black, and on sunny days appeared to be a cutout in the sky. By framing the shots in such a way that only part of the surroundings is visible, and editing them in a narrative framework, Smith creates a new context suggesting movement. This style of montage called creative geography, or artificial landscape, was developed by Lev Kuleshov and enables filmmakers to expand existing material and narrative into something that usually is only available to prose poetry.

 

Le Horla [The Horla] (Jean-Daniel Pollet, 1966)

Aug

19

violet

Le Horla (1966)

The narrator enters a violet-blue room via a lavender-purple corridor (via). DP: Jean-Jacques Rochut.

Violet: a building or structure *

“Is it the form of the clouds, or the tints of the sky, or the colours of the surrounding objects which are so changeable, which have troubled my thoughts as they passed before my eyes? Who can tell?”

– Guy de Maupassant, Le Horla, 1887 (via)

Objects and rooms have distinct colours ranging from the deepest blues and violets to a pale lavender, a muted silver and shocks of yellow. The usage of colour in Le Horla is striking throughout and reminds me of how Van Gogh's paintings became increasingly colourful as his madness enveloped him.

 

野良犬 [Nora inu / Stray Dog] (Akira Kurosawa, 1949)

Jul

14

Nora inu (1949)

A sweaty man in uniform drinks from a water fountain like a dog (via). DP: Asakazu Nakai.

Someone enjoys a drink or beverage*

“On the bus, the air was so thick, he felt woozy. A wailing infant shook with tears and the woman beside him reeked with the stink of cheap perfume.”

– narrator

On a sweltering summer day, Detective's Murakami's Colt gets stolen on a crowded bus. He must delve deep into the sticky sweaty seedy underbelly of Tokyo to retrieve it.

 

La cicatrice intérieure [The Inner Scar] (Philippe Garrel, 1972)

Jun

15

Ice Cube – 1969

La cicatrice intérieure (1972)

Nico and Ari. DP: Michel Fournier.

A musician in a film role for O'Shea Jackson Sr. aka Ice Cube's birthday (1969).

“Janitor of lunacy Paralyze my infancy Petrify the empty cradle Bring hope to them and me

Janitor of tyranny Testify my vanity Mortalize my memory Deceive the devil's deed”

– Nico, Janitor of Lunacy (Desertshore, 1970)

Accompanied and inspired by Nico's Desertshore, the musician tracks the barren landscapes of Iceland, Egypt's Sinai, and Death Valley with her son Christian (Ari) in tow.