A natural phenomenon for this year's March equinox, three supermoons, and the March 25 solar eclipse.

“There was a silence different from all other silences, an ashen light, and then darkness – total stillness. I thought that during an eclipse even our feelings stop. Out of this came part of the idea for L'eclisse.”

– Michelangelo Antonioni talking about experiencing a solar eclipse, possibly the total eclipse of 1961 which showed up in the film Barabbas (1961).

During several moments in the film, the main characters' mannerisms foreshadow the looming solar eclipse.

A favourite film, director, or producer for Luc Besson's birthday (1959).

 

Having only seen three of Delvaux's films, I feel I can safely say his work is hypnotic, but not in the common sense. We see a world through both Delvaux's and his protagonists eyes, and experience their duality as one. This displacement is a recurring theme in Delvaux's work, the work of a man raised in one world and speaking the language of another, both worlds bearing the same name, Belgium.

 

This slow tear is also the theme is his best known film, De man die zijn haar kort liet knippen [The Man Who Had His Hair Cut Short] (1965), in which a schoolteacher loses himself after a pupil graduates. When we think we are firmly seated in Delvaux's universe, we fall back, like that moment just before sleep sets in. And again, in his tragically under-seen Belle from 1973. Now it's a poet who finds a woman living in a ramshackle hut in Belgium's peatland, her language an unknown. With only one main speaker, the duality forms in the poet's words, in his attempts to give her root.

 

And so do we, the viewers. We hang on to that root, Delvaux's, only to sink back into our own loss of words.

A favourite non-Hitchcock mystery for National Hitchcock Day (USA)

“You're a foreigner and you're lost.”

Strategy for Bobby Fischer's birthday (1943).

 

People meticulously plan, move, and countermove in response to an invasion.

Imaginary animals or food for Theodor “Dr.” Seuss Geisel's birthday (1904).

“I like the settings where the lights and desire cross path. The desire to communicate with the invisibles in the darkness, or in memory, or in the future. It's always related to cinema and we as insects that are drawn to lights.”

– Apichatpong Weerasethakul, via

Villagers in the north of Thailand reported a rare sighting of a male and female Nok Phii, an elusive species of bird that feeds on animals' blood. It is unknown if the sighting was reliable, and if this vampire does, or ever did, exist.

A wedding on the day of Dorothea of Caesarea, patron saint of horticulture, brewers, brides, florists, gardeners, midwives, newlyweds, and love.

A gateway or door for Janus, god of beginnings, gates, transitions, time, duality, doorways, passages, frames, and ending

 

A man named Gulliver (Lubomír Kostelka) accidentally runs over a rabbit, who is dressed to the nines and carries a pocket watch. Slowly, the man finds himself in a sort of Wonderland.

Lights on the date in 1883 that #ThomasEdison first switched on overhead electric lighting.

“A candy-colored clown they call the sandman Tiptoes to my room every night Just to sprinkle stardust and to whisper 'Go to sleep, everything is alright'”

– Roy Orbison, In Dreams (1963)

David Lynch at his finest Anger, and Stockwell at his peak. The work light was improvised when Lynch noticed Stockwell handling it between shoots.

Someone finds their independence: Independence Day of Mongolia (Үндэсний эрх чөлөө, тусгаар тогтнолоо сэргээсний баярын өдөр).

“I no longer even recognize myself. What made me like the others has been destroyed. I was like everyone else, with many faults, perhaps, mine and those of the world around me. You made me different by taking me out of the natural order of things.”

– Pietro, the son

A favourite scene featuring light for Hanukkah and Christmas.

Alan “How long will I live?”

Cesare “Till the break of dawn.”