settima

mystery

The Animal (Walter Ungerer, 1976)

Sep

22

The Animal (1976)

A man (Paul Ickovic) by himself at a table. The table setting suggests another person present. DP: Walter Ungerer.

The Gruesome Twosome (Herschell Gordon Lewis, 1967)

Sep

14

chicken

The Gruesome Twosome (1967)

Teenager girls at a pajama party, dance, munch on the Colonel's chicken, and read the March 27, 1967 newspaper. DP: Roy Collodi.

De komst van Joachim Stiller [The Arrival of Joachim Stiller] (Harry Kümel, 1976)

Sep

11

1919

De komst van Joachim Stiller (1976)

The mysterious letter postmarked September 11, 1919 that one day landed on Freek Groenevelt's (Hugo Metsers) doormat. DP: Eduard van der Enden.

“Tot dusver had ik mij steeds vrij tevreden met het leven gevoeld, zonder er wonderen van te verwachten. Die morgen geloofde ik, dat het voor een mens niet onmogelijk is gelukkig te zijn, kortstondig gelukkig misschien, maar gelukkig onmiskenbaar.”

– Hubert Lampo, De komst van Joachim Stiller (1960)

Maléfices [Sorcery / Where the Truth Lies] (Henri Decoin, 1962)

Sep

10

Maléfices (1962)

Myriam Heller (Juliette Gréco) sharing a bed with Nyète, her cheetah. DP: Marcel Grignon.

Homicidal (William Castle, 1961)

Sep

6

Homicidal (1961)

Man's hands hold a picture of Emily (Joan Marshall). DP: Burnett Guffey.

“We've been to Haunted Hills, and through Tinglers, and even Ghosts... but now we're going to meet a group of people who just happen to be… Homicidal.”

– William Castle, introduction

Corridor of Mirrors (Terence Young, 1948)

Sep

3

Corridor of Mirrors (1948)

Mifanwy (Edana Romney) anachronistically smoking a cigarette. DP: André Thomas.

Les créatures [The Creatures] (Agnès Varda, 1966)

Aug

29

Les créatures (1966)

Mylène (Catherine Deneuve) and Edgar (Michel Piccoli) Piccoli playing checkers at a small table. DPs: Willy Kurant, William Lubtchansky & Jean Orjollet.

“Everything is rotten. Decadence is everywhere. Why fight it?”

A Canterbury Tale (Michael Powell + Emeric Pressburger, 1944)

Aug

27

A Canterbury Tale (1944)

Alison (Sheila Sim) looking out over the rolling hills of Kent with the Canterbury Cathedral somewhere out there. DP: Erwin Hillier.

“Well, there are more ways than one of getting close to your ancestors. Follow the old road, and as you walk, think of them and of the old England. They climbed Chillingbourne Hill, just as you. They sweated and paused for breath just as you did today. And when you see the bluebells in the spring and the wild thyme, and the broom and the heather, you're only seeing what their eyes saw. You ford the same rivers. The same birds are singing. When you lie flat on your back and rest, and watch the clouds sailing, as I often do, you're so close to those other people, that you can hear the thrumming of the hoofs of their horses, and the sound of the wheels on the road, and their laughter and talk, and the music of the instruments they carried. And when I turn the bend in the road, where they too saw the towers of Canterbury, I feel I've only to turn my head, to see them on the road behind me.”

– Thomas Colpeper, JP

The Beast with Five Fingers (Robert Florey, 1946)

Aug

15

The Beast with Five Fingers (1946)

Hilary Cummins (Peter Lorre). DP: Wesley Anderson.

“Eight bones has the carpus, five the metacarpus, fourteen the phlanges, all in all, all in all, twenty-seven all in all. Abracadabra.”

– Donald Arlington

Vergogna, schifosi!… [Dirty Angels] (Mauro Severino, 1969)

Aug

14

fruit

Vergogna, schifosi!… (1969)

A group of people in skimpy swimwear sits on space-agey white plastic seating – Archizoom's radical Superonda (1967) – while decadently eating luxurious tropical fruit from a round table that futuristically descends from the ceiling via a steel pole. DP: Angelo Lotti.

“Matto, caldo, soldi, morto… girotondo…”