血は渇いてる [Chi wa kawaiteru / Blood Is Dry] (Yoshishige Yoshida, 1960)
Sep
11
The September 11 copy of a scandal magazine. It costs 30 yen. DP: Tōichirō Narushima.
血は渇いてる [Chi wa kawaiteru / Blood Is Dry] (Yoshishige Yoshida, 1960)
Sep
11
The September 11 copy of a scandal magazine. It costs 30 yen. DP: Tōichirō Narushima.
Il pleut sur Santiago [Rain over Santiago] (Helvio Soto, 1975)
Sep
11
1973
Naicho Petrov as Chilean president Salvador Allende. DP: Georges Barsky .
“Tot dusver had ik mij steeds vrij tevreden met het leven gevoeld, zonder er wonderen van te verwachten. Die morgen geloofde ik, dat het voor een mens niet onmogelijk is gelukkig te zijn, kortstondig gelukkig misschien, maar gelukkig onmiskenbaar.”De komst van Joachim Stiller [The Arrival of Joachim Stiller] (Harry Kümel, 1976)
Sep
11
1919
The mysterious letter postmarked September 11, 1919 that one day landed on Freek Groenevelt's (Hugo Metsers) doormat. DP: Eduard van der Enden.
– Hubert Lampo, De komst van Joachim Stiller (1960)
Maléfices [Sorcery / Where the Truth Lies] (Henri Decoin, 1962)
Sep
10
Myriam Heller (Juliette Gréco) sharing a bed with Nyète, her cheetah. DP: Marcel Grignon.
Die Delegation – Eine utopische Reportage [The Delegation] (Rainer Erler, 1970)
Sep
9
0 h 20 GMT
Reporter Will Roczinski (Walter Kohut) picks up mysterieus signals through the ether (via). DP: Charly Steinberger.
We'll watch the final report by Will Roczinski, who sadly died in a car crash while working on a TV documentary about UFOs and the like. A fascinating early “faux footage” film from the BRD. One can only wonder how the average West German processed the fantastic premise.
И дойде денят [I doyde denyat / And the Day Came] (Georgi Djulgerov, 1973)
Sep
9
1944
Mustafa (Plamen Maslarov) running. DP: Radoslav Spassov.
“What will happen when your machines become intelligent? When they become autonomous? When they have private thoughts? You humans look down on your machines because they're man-made. They're a product of your skills and labour. They weren't even domesticated like animals were. You see them simply as extensions of yourself, of your own will. I can't accept that. I can't accept subhuman status simply because I'm a machine based on silicon rather than carbon, electronics rather than biology. If I sound fanatical, it's because I've been trapped in a time warp. In a world where the full potential of machines hasn't been guessed at. A world where I have to wear a human disguise to be accepted? I came here too late. It will all end before the computers that already control the fate of the world have reached the point where they wanted to survive.”Friendship's Death (Peter Wollen, 1987)
Sep
9
1970
Bill Paterson and Tilda Swinton as Sullivan and Friendship. DP: Witold Stok.
– Friendship
“Past. Presence. And future.”আকালের সন্ধানে [Akaler Sandhane / In Search of Famine] (Mrinal Sen, 1982)
Sep
7
A clapperboard in the jungle. DP: K.K. Mahajan.
“I had imagined this journey as a quest. I finished my studies in math. I wanted to live. I wanted to burn all the bridges, all the formulas, and if I got burned, that was okay, too. I wanted to be warm. I wanted the sun and I went after it.”More (Barbet Schroeder, 1969)
Sep
7
Estelle (Mimsy Farmer) and Stefan (Klaus Grünberg) tripping in Ibiza. DP: Néstor Almendros.
– Stefan
Mélodie en sous-sol [Any Number Can Win] (Henri Verneuil, 1963)
Sep
6
Tue
Mario (Henri Virlojeux), bathhouse proprietor. A nearby wall calendar reads mardi, septembre 6. DP: Louis Page.