<?xml version="1.0" encoding="UTF-8"?><rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/">
  <channel>
    <title>spain &amp;mdash; settima</title>
    <link>https://write.underworld.fr/settima/tag:spain</link>
    <description>@settima@zirk.us</description>
    <pubDate>Fri, 08 May 2026 02:17:29 +0200</pubDate>
    <item>
      <title>Goya 3 de mayo [Goya, May 3rd] (Carlos Saura, 2021)</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-74jy</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Goya 3 de mayo [Goya, May 3rd] (Carlos Saura, 2021)/div&#xA;div class=&#34;month&#34;&#xA;May/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;3/div&#xA;div class=&#34;occasion&#34;&#xA;1808/div&#xA;div class=&#34;img&#34;&#xA;Goya 3 de mayo (2021)/div&#xA;div class=&#34;caption&#34;&#xA;Saura&#39;s reconstruction of Goya&#39;s anti-war painting El tres de mayo de 1808 en Madrid (1814). DP: Sergio De Uña./div&#xA;div class=&#34;txt&#34;&#xA;&#xA;/div&#xA;div class=&#34;tags&#34;&#xA;##### #FilmDuJour #May #CarlosSaura #FranciscoGoya #ÁlvaroDePaz #AlfonsoGAguilar #SergioDeUña #art #FineArt #documentary #war #TVMovie #ShortFilm #Spain #2020s/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
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<h4 id="goya-3-de-mayo-goya-may-3rd-carlos-saura-2021-div" id="goya-3-de-mayo-goya-may-3rd-carlos-saura-2021-div">Goya 3 de mayo [Goya, May 3rd] (Carlos Saura, 2021)</div></h4>

<p><div class="month"></p>

<h2 id="may-div" id="may-div">May</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="3-div" id="3-div">3</div></h1>

<p><div class="occasion"></p>

<h2 id="1808-div" id="1808-div">1808</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/nLL2bvb4/0503-Goya3-De-Mayo.jpg" alt="Goya 3 de mayo (2021)"></div>
<div class="caption"></p>

<h6 id="saura-s-reconstruction-of-goya-s-anti-war-painting-el-tres-de-mayo-de-1808-en-madrid-1814-https-en-wikipedia-org-wiki-the-third-of-may-1808-dp-sergio-de-uña-div" id="saura-s-reconstruction-of-goya-s-anti-war-painting-el-tres-de-mayo-de-1808-en-madrid-1814-https-en-wikipedia-org-wiki-the-third-of-may-1808-dp-sergio-de-uña-div">Saura&#39;s reconstruction of Goya&#39;s anti-war painting <a href="https://en.wikipedia.org/wiki/The_Third_of_May_1808" rel="nofollow">El tres de mayo de 1808 en Madrid (1814)</a>. DP: Sergio De Uña.</div></h6>

<p><div class="txt"></p>

<h5 id="div" id="div"></div></h5>

<p><div class="tags"></p>

<h5 id="filmdujour-may-carlossaura-franciscogoya-álvarodepaz-alfonsogaguilar-sergiodeuña-art-fineart-documentary-war-tvmovie-shortfilm-spain-2020s-div" id="filmdujour-may-carlossaura-franciscogoya-álvarodepaz-alfonsogaguilar-sergiodeuña-art-fineart-documentary-war-tvmovie-shortfilm-spain-2020s-div"><a href="/settima/tag:FilmDuJour" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FilmDuJour</span></a> <a href="/settima/tag:May" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">May</span></a> <a href="/settima/tag:CarlosSaura" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">CarlosSaura</span></a> <a href="/settima/tag:FranciscoGoya" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FranciscoGoya</span></a> <a href="/settima/tag:%C3%81lvaroDePaz" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ÁlvaroDePaz</span></a> <a href="/settima/tag:AlfonsoGAguilar" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">AlfonsoGAguilar</span></a> <a href="/settima/tag:SergioDeU%C3%B1a" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">SergioDeUña</span></a> <a href="/settima/tag:art" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">art</span></a> <a href="/settima/tag:FineArt" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FineArt</span></a> <a href="/settima/tag:documentary" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">documentary</span></a> <a href="/settima/tag:war" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">war</span></a> <a href="/settima/tag:TVMovie" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">TVMovie</span></a> <a href="/settima/tag:ShortFilm" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ShortFilm</span></a> <a href="/settima/tag:Spain" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Spain</span></a> <a href="/settima/tag:2020s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">2020s</span></a></div></h5>

<p></section></p>
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      <guid>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-74jy</guid>
      <pubDate>Sun, 03 May 2026 09:00:00 +0200</pubDate>
    </item>
    <item>
      <title>Fata/Morgana [Left-Handed Fate / Panik 75] (Vicente Aranda, 1966)</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-dyd7</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Fata/Morgana [Left-Handed Fate / Panik 75] (Vicente Aranda, 1966)/div&#xA;div class=&#34;month&#34;&#xA;Mar/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;9/div&#xA;div class=&#34;X&#34;&#xA;/div&#xA;div class=&#34;img&#34;&#xA;Fata/Morgana (1966)/div&#xA;div class=&#34;caption&#34;&#xA;Gim (Teresa Gimpera) modelling in a photo studio. The photographer, another woman in silhouette, has an identical hairstyle and outfit. DP: Aurelio G. Larraya./div&#xA;div class=&#34;txt&#34;&#xA;&#xA;/div&#xA;div class=&#34;tags&#34;&#xA;##### #FilmDuJour #March #VicenteAranda #TeresaGimpera #AntonioPérezOlea #AurelioGLarraya #mystery #drama #crime #SciFi #Barcelona #Spain #WestGermany #1960s ★★★★☆/div&#xA;/section ]]&gt;</description>
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<h4 id="fata-morgana-left-handed-fate-panik-75-vicente-aranda-1966-div" id="fata-morgana-left-handed-fate-panik-75-vicente-aranda-1966-div">Fata/Morgana [Left-Handed Fate / Panik 75] (Vicente Aranda, 1966)</div></h4>

<p><div class="month"></p>

<h2 id="mar-div" id="mar-div">Mar</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="9-div" id="9-div">9</div></h1>

<p><div class="X"></p>

<h2 id="div" id="div"></div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/02DQwmhJ/0309-Fata-Morgana.png" alt="Fata/Morgana (1966)"></div>
<div class="caption"></p>

<h6 id="gim-teresa-gimpera-modelling-in-a-photo-studio-the-photographer-another-woman-in-silhouette-has-an-identical-hairstyle-and-outfit-dp-aurelio-g-larraya-div" id="gim-teresa-gimpera-modelling-in-a-photo-studio-the-photographer-another-woman-in-silhouette-has-an-identical-hairstyle-and-outfit-dp-aurelio-g-larraya-div">Gim (Teresa Gimpera) modelling in a photo studio. The photographer, another woman in silhouette, has an identical hairstyle and outfit. DP: Aurelio G. Larraya.</div></h6>

<p><div class="txt"></p>

<h5 id="div-1" id="div-1"></div></h5>

<p><div class="tags"></p>

<h5 id="filmdujour-march-vicentearanda-teresagimpera-antoniopérezolea-aurelioglarraya-mystery-drama-crime-scifi-barcelona-spain-westgermany-1960s-div" id="filmdujour-march-vicentearanda-teresagimpera-antoniopérezolea-aurelioglarraya-mystery-drama-crime-scifi-barcelona-spain-westgermany-1960s-div"><a href="/settima/tag:FilmDuJour" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FilmDuJour</span></a> <a href="/settima/tag:March" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">March</span></a> <a href="/settima/tag:VicenteAranda" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">VicenteAranda</span></a> <a href="/settima/tag:TeresaGimpera" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">TeresaGimpera</span></a> <a href="/settima/tag:AntonioP%C3%A9rezOlea" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">AntonioPérezOlea</span></a> <a href="/settima/tag:AurelioGLarraya" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">AurelioGLarraya</span></a> <a href="/settima/tag:mystery" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">mystery</span></a> <a href="/settima/tag:drama" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">drama</span></a> <a href="/settima/tag:crime" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">crime</span></a> <a href="/settima/tag:SciFi" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">SciFi</span></a> <a href="/settima/tag:Barcelona" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Barcelona</span></a> <a href="/settima/tag:Spain" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Spain</span></a> <a href="/settima/tag:WestGermany" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">WestGermany</span></a> <a href="/settima/tag:1960s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1960s</span></a> ★★★★☆</div></h5>

<p></section></p>
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      <guid>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-dyd7</guid>
      <pubDate>Mon, 09 Mar 2026 09:00:00 +0100</pubDate>
    </item>
    <item>
      <title>Paranoia [A Quiet Place to Kill] (Umberto Lenzi, 1970)</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-ky1l</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Paranoia [A Quiet Place to Kill] (Umberto Lenzi, 1970)/div&#xA;div class=&#34;month&#34;&#xA;Feb/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;13/div&#xA;div class=&#34;occasion&#34;&#xA;J&amp;B/div&#xA;div class=&#34;img&#34;&#xA;Paranoia (1970).png)/div&#xA;div class=&#34;caption&#34;&#xA;Carroll Baker as Helen pours herself a stiff drink while a guy in lettuce-coloured pants struts in. She&#39;s deserves it. Damn it, we ALL deserve it! DP: Guglielmo Mancori./div&#xA;div class=&#34;txt&#34;&#xA;&#34;You represent everything I detest in a man.&#34;&#xA;  ### – Lily Harmer&#xA;&#xA;/div&#xA;div class=&#34;tags&#34;&#xA;##### #FilmDinner #JandB #whisky #UmbertoLenzi #CarrollBaker #JeanSorel #LuisDávila #AlbertoDalbés #GregorioGarcíaSegura #NinoRota #GuglielmoMancori #giallo #crime #thriller #Italy #France #Spain #1970s ★★★½/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
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<h4 id="paranoia-a-quiet-place-to-kill-umberto-lenzi-1970-div" id="paranoia-a-quiet-place-to-kill-umberto-lenzi-1970-div">Paranoia [A Quiet Place to Kill] (Umberto Lenzi, 1970)</div></h4>

<p><div class="month"></p>

<h2 id="feb-div" id="feb-div">Feb</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="13-div" id="13-div">13</div></h1>

<p><div class="occasion"></p>

<h2 id="j-b-div" id="j-b-div">J&amp;B</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/rwj8p7mj/260213-Paranoia-(1970).png" alt="Paranoia (1970)"></div>
<div class="caption"></p>

<h6 id="carroll-baker-as-helen-pours-herself-a-stiff-drink-while-a-guy-in-lettuce-coloured-pants-struts-in-she-s-deserves-it-damn-it-we-all-deserve-it-dp-guglielmo-mancori-div" id="carroll-baker-as-helen-pours-herself-a-stiff-drink-while-a-guy-in-lettuce-coloured-pants-struts-in-she-s-deserves-it-damn-it-we-all-deserve-it-dp-guglielmo-mancori-div">Carroll Baker as Helen pours herself a stiff drink while a guy in lettuce-coloured pants struts in. She&#39;s deserves it. Damn it, we ALL deserve it! DP: Guglielmo Mancori.</div></h6>

<p><div class="txt"></p>

<blockquote><p>“You represent everything I detest in a man.”</p>

<h3 id="lily-harmer" id="lily-harmer">– Lily Harmer</h3>
</blockquote>

<p></div>
<div class="tags"></p>

<h5 id="filmdinner-jandb-whisky-umbertolenzi-carrollbaker-jeansorel-luisdávila-albertodalbés-gregoriogarcíasegura-ninorota-guglielmomancori-giallo-crime-thriller-italy-france-spain-1970s-½-div" id="filmdinner-jandb-whisky-umbertolenzi-carrollbaker-jeansorel-luisdávila-albertodalbés-gregoriogarcíasegura-ninorota-guglielmomancori-giallo-crime-thriller-italy-france-spain-1970s-½-div"><a href="/settima/tag:FilmDinner" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FilmDinner</span></a> <a href="/settima/tag:JandB" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JandB</span></a> <a href="/settima/tag:whisky" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">whisky</span></a> <a href="/settima/tag:UmbertoLenzi" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">UmbertoLenzi</span></a> <a href="/settima/tag:CarrollBaker" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">CarrollBaker</span></a> <a href="/settima/tag:JeanSorel" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JeanSorel</span></a> <a href="/settima/tag:LuisD%C3%A1vila" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">LuisDávila</span></a> <a href="/settima/tag:AlbertoDalb%C3%A9s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">AlbertoDalbés</span></a> <a href="/settima/tag:GregorioGarc%C3%ADaSegura" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">GregorioGarcíaSegura</span></a> <a href="/settima/tag:NinoRota" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">NinoRota</span></a> <a href="/settima/tag:GuglielmoMancori" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">GuglielmoMancori</span></a> <a href="/settima/tag:giallo" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">giallo</span></a> <a href="/settima/tag:crime" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">crime</span></a> <a href="/settima/tag:thriller" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">thriller</span></a> <a href="/settima/tag:Italy" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Italy</span></a> <a href="/settima/tag:France" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">France</span></a> <a href="/settima/tag:Spain" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Spain</span></a> <a href="/settima/tag:1970s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1970s</span></a> ★★★½</div></h5>

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      <guid>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-ky1l</guid>
      <pubDate>Fri, 13 Feb 2026 16:03:47 +0100</pubDate>
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    <item>
      <title>Amore di ussaro (Luis Marquina, 1940)</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-1fmk</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Amore di ussaro (Luis Marquina, 1940)/div&#xA;div class=&#34;month&#34;&#xA;Jan/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;1/div&#xA;div class=&#34;occasion&#34;&#xA;1900/div&#xA;div class=&#34;img&#34;&#xA;Amore di ussaro (1940).jpg)/div&#xA;div class=&#34;caption&#34;&#xA;Margarita (Conchita Montenegro) and her hussar Leonardo de Vargas (Luis Sagi Vela) hold each other on New Year&#39;s Eve when the year changes from 1899 to 1900. DP: Carlo Montuori./div&#xA;div class=&#34;txt&#34;&#xA;&amp;nbsp;&#xA;/div&#xA;div class=&#34;tags&#34;&#xA;##### #FilmDuJour #January #LuisMarquina #ConchitaMontenegro #LuisSagiVela #ConchaCatalá #AlbertoRomea #AnaMariscal #JoséRuizDeAzagra #CarloMontuori #drama #Italy #Spain #1940s/div&#xA;/section ]]&gt;</description>
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<h4 id="amore-di-ussaro-luis-marquina-1940-div" id="amore-di-ussaro-luis-marquina-1940-div">Amore di ussaro (Luis Marquina, 1940)</div></h4>

<p><div class="month"></p>

<h2 id="jan-div" id="jan-div">Jan</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="1-div" id="1-div">1</div></h1>

<p><div class="occasion"></p>

<h2 id="1900-div" id="1900-div">1900</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/6q8Lqw8t/0101-Amore-di-ussaro-(1940).jpg" alt="Amore di ussaro (1940)"></div>
<div class="caption"></p>

<h6 id="margarita-conchita-montenegro-and-her-hussar-leonardo-de-vargas-luis-sagi-vela-hold-each-other-on-new-year-s-eve-when-the-year-changes-from-1899-to-1900-dp-carlo-montuori-div" id="margarita-conchita-montenegro-and-her-hussar-leonardo-de-vargas-luis-sagi-vela-hold-each-other-on-new-year-s-eve-when-the-year-changes-from-1899-to-1900-dp-carlo-montuori-div">Margarita (Conchita Montenegro) and her hussar Leonardo de Vargas (Luis Sagi Vela) hold each other on New Year&#39;s Eve when the year changes from 1899 to 1900. DP: Carlo Montuori.</div></h6>

<p><div class="txt"></p>

<p> </p>

<p></div>
<div class="tags"></p>

<h5 id="filmdujour-january-luismarquina-conchitamontenegro-luissagivela-conchacatalá-albertoromea-anamariscal-joséruizdeazagra-carlomontuori-drama-italy-spain-1940s-div" id="filmdujour-january-luismarquina-conchitamontenegro-luissagivela-conchacatalá-albertoromea-anamariscal-joséruizdeazagra-carlomontuori-drama-italy-spain-1940s-div"><a href="/settima/tag:FilmDuJour" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FilmDuJour</span></a> <a href="/settima/tag:January" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">January</span></a> <a href="/settima/tag:LuisMarquina" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">LuisMarquina</span></a> <a href="/settima/tag:ConchitaMontenegro" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ConchitaMontenegro</span></a> <a href="/settima/tag:LuisSagiVela" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">LuisSagiVela</span></a> <a href="/settima/tag:ConchaCatal%C3%A1" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ConchaCatalá</span></a> <a href="/settima/tag:AlbertoRomea" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">AlbertoRomea</span></a> <a href="/settima/tag:AnaMariscal" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">AnaMariscal</span></a> <a href="/settima/tag:Jos%C3%A9RuizDeAzagra" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JoséRuizDeAzagra</span></a> <a href="/settima/tag:CarloMontuori" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">CarloMontuori</span></a> <a href="/settima/tag:drama" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">drama</span></a> <a href="/settima/tag:Italy" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Italy</span></a> <a href="/settima/tag:Spain" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Spain</span></a> <a href="/settima/tag:1940s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1940s</span></a></div></h5>

<p></section></p>
]]></content:encoded>
      <guid>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-1fmk</guid>
      <pubDate>Thu, 01 Jan 2026 12:00:00 +0100</pubDate>
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    <item>
      <title>Accidente 703 [Los culpables] (José María Forqué, 1962)</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-lv28</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Accidente 703 [Los culpables] (José María Forqué, 1962)/div&#xA;div class=&#34;month&#34;&#xA;Dec/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;21/div&#xA;div class=&#34;X&#34;&#xA;/div&#xA;div class=&#34;img&#34;&#xA;Accidente 703 (1962)/div&#xA;div class=&#34;caption&#34;&#xA;A darkened room. People take care of a man slumped on a coach. A wall calendar tells us it&#39;s the 21supst/sup. DP: Juan Mariné./div&#xA;div class=&#34;txt&#34;&#xA;&#xA;/div&#xA;div class=&#34;tags&#34;&#xA;##### #FilmDuJour #December #JoséMaríaForqué #AdolfoWaitzman #JuanMariné #FilmNoir #drama #cars #CarCrash #Madrid #Spain #Argentina #1960s/div&#xA;/section ]]&gt;</description>
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<h4 id="accidente-703-los-culpables-josé-maría-forqué-1962-div" id="accidente-703-los-culpables-josé-maría-forqué-1962-div">Accidente 703 [Los culpables] (José María Forqué, 1962)</div></h4>

<p><div class="month"></p>

<h2 id="dec-div" id="dec-div">Dec</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="21-div" id="21-div">21</div></h1>

<p><div class="X"></p>

<h2 id="div" id="div"></div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/yxqJ3XPM/1221-Accidente-703-1962-3.png" alt="Accidente 703 (1962)"></div>
<div class="caption"></p>

<h6 id="a-darkened-room-people-take-care-of-a-man-slumped-on-a-coach-a-wall-calendar-tells-us-it-s-the-21-sup-st-sup-dp-juan-mariné-div" id="a-darkened-room-people-take-care-of-a-man-slumped-on-a-coach-a-wall-calendar-tells-us-it-s-the-21-sup-st-sup-dp-juan-mariné-div">A darkened room. People take care of a man slumped on a coach. A wall calendar tells us it&#39;s the 21<sup>st</sup>. DP: Juan Mariné.</div></h6>

<p><div class="txt"></p>

<h5 id="div-1" id="div-1"></div></h5>

<p><div class="tags"></p>

<h5 id="filmdujour-december-josémaríaforqué-adolfowaitzman-juanmariné-filmnoir-drama-cars-carcrash-madrid-spain-argentina-1960s-div" id="filmdujour-december-josémaríaforqué-adolfowaitzman-juanmariné-filmnoir-drama-cars-carcrash-madrid-spain-argentina-1960s-div"><a href="/settima/tag:FilmDuJour" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FilmDuJour</span></a> <a href="/settima/tag:December" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">December</span></a> <a href="/settima/tag:Jos%C3%A9Mar%C3%ADaForqu%C3%A9" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JoséMaríaForqué</span></a> <a href="/settima/tag:AdolfoWaitzman" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">AdolfoWaitzman</span></a> <a href="/settima/tag:JuanMarin%C3%A9" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JuanMariné</span></a> <a href="/settima/tag:FilmNoir" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FilmNoir</span></a> <a href="/settima/tag:drama" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">drama</span></a> <a href="/settima/tag:cars" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">cars</span></a> <a href="/settima/tag:CarCrash" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">CarCrash</span></a> <a href="/settima/tag:Madrid" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Madrid</span></a> <a href="/settima/tag:Spain" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Spain</span></a> <a href="/settima/tag:Argentina" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Argentina</span></a> <a href="/settima/tag:1960s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1960s</span></a></div></h5>

<p></section></p>
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      <pubDate>Sun, 21 Dec 2025 09:00:00 +0100</pubDate>
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      <title>20 de noviembre de 1936 ¿Te acuerdas de esta fecha, compañero?</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-l4ny</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;20 de noviembre de 1936 ¿Te acuerdas de esta fecha, compañero? [20th of November] (1937)/div&#xA;div class=&#34;month&#34;&#xA;Nov/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;20/div&#xA;div class=&#34;occasion&#34;&#xA;1936/div&#xA;div class=&#34;img&#34;&#xA;20 de noviembre de 1936 ¿Te acuerdas de esta fecha, compañero? (1937)/div&#xA;div class=&#34;caption&#34;&#xA;Soldiers in silhouette. Disclaimer: I am not 100% sure this still is from the correct film. DP: anonymous./div&#xA;div class=&#34;txt&#34;&#xA;A documentary made by the Confederación Nacional del Trabajo in honour of anarchist Buenaventura Durruti, who was murdered on November 20, 1936.\&#xA;&#xA;  &#34;Fascism is not to be debated, it is to be destroyed.&#34;&#xA;  ### – Buenaventura Durruti\&#xA;&#xA;/div&#xA;div class=&#34;tags&#34;&#xA;##### #FilmDuJour #November #ConfederaciónNacionalDelTrabajo #BuenaventuraDurruti #anarchy #documentary #biography #Barcelona #Madrid #Spain #1930s/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
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<h4 id="20-de-noviembre-de-1936-te-acuerdas-de-esta-fecha-compañero-20th-of-november-1937-div" id="20-de-noviembre-de-1936-te-acuerdas-de-esta-fecha-compañero-20th-of-november-1937-div">20 de noviembre de 1936 ¿Te acuerdas de esta fecha, compañero? [20th of November] (1937)</div></h4>

<p><div class="month"></p>

<h2 id="nov-div" id="nov-div">Nov</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="20-div" id="20-div">20</div></h1>

<p><div class="occasion"></p>

<h2 id="1936-div" id="1936-div">1936</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/nrGRjMXq/1120-20-de-noviembre-de-1936-te-acuerdas-de-esta-fecha-compa-ero-1937.png" alt="20 de noviembre de 1936 ¿Te acuerdas de esta fecha, compañero? (1937)"></div>
<div class="caption"></p>

<h6 id="soldiers-in-silhouette-disclaimer-i-am-not-100-sure-this-still-is-from-the-correct-film-https-archive-org-details-lacolonnedurruti1936ccennlacntfaipresentation1-dp-anonymous-div" id="soldiers-in-silhouette-disclaimer-i-am-not-100-sure-this-still-is-from-the-correct-film-https-archive-org-details-lacolonnedurruti1936ccennlacntfaipresentation1-dp-anonymous-div">Soldiers in silhouette. Disclaimer: I am not 100% sure this still is from the correct <a href="https://archive.org/details/lacolonnedurruti1936ccennlacntfaipresentation1" rel="nofollow">film</a>. DP: anonymous.</div></h6>

<p><div class="txt"></p>

<h5 id="a-documentary-made-by-the-confederación-nacional-del-trabajo-https-en-wikipedia-org-wiki-confederaci-c3-b3n-nacional-del-trabajo-in-honour-of-anarchist-buenaventura-durruti-who-was-murdered-on-november-20-1936" id="a-documentary-made-by-the-confederación-nacional-del-trabajo-https-en-wikipedia-org-wiki-confederaci-c3-b3n-nacional-del-trabajo-in-honour-of-anarchist-buenaventura-durruti-who-was-murdered-on-november-20-1936">A documentary made by the <a href="https://en.wikipedia.org/wiki/Confederaci%C3%B3n_Nacional_del_Trabajo" rel="nofollow">Confederación Nacional del Trabajo</a> in honour of anarchist Buenaventura Durruti, who was murdered on November 20, 1936.</h5>

<blockquote><p>“Fascism is not to be debated, it is to be destroyed.”</p>

<h3 id="buenaventura-durruti" id="buenaventura-durruti">– Buenaventura Durruti</h3>
</blockquote>

<h5 id="div" id="div"></div></h5>

<p><div class="tags"></p>

<h5 id="filmdujour-november-confederaciónnacionaldeltrabajo-buenaventuradurruti-anarchy-documentary-biography-barcelona-madrid-spain-1930s-div" id="filmdujour-november-confederaciónnacionaldeltrabajo-buenaventuradurruti-anarchy-documentary-biography-barcelona-madrid-spain-1930s-div"><a href="/settima/tag:FilmDuJour" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FilmDuJour</span></a> <a href="/settima/tag:November" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">November</span></a> <a href="/settima/tag:Confederaci%C3%B3nNacionalDelTrabajo" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ConfederaciónNacionalDelTrabajo</span></a> <a href="/settima/tag:BuenaventuraDurruti" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">BuenaventuraDurruti</span></a> <a href="/settima/tag:anarchy" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">anarchy</span></a> <a href="/settima/tag:documentary" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">documentary</span></a> <a href="/settima/tag:biography" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">biography</span></a> <a href="/settima/tag:Barcelona" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Barcelona</span></a> <a href="/settima/tag:Madrid" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Madrid</span></a> <a href="/settima/tag:Spain" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Spain</span></a> <a href="/settima/tag:1930s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1930s</span></a></div></h5>

<p></section></p>
]]></content:encoded>
      <guid>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-l4ny</guid>
      <pubDate>Thu, 20 Nov 2025 10:00:00 +0100</pubDate>
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    <item>
      <title>Frank Stein (Iván Zulueta, 1972)</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-whlp</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Frank Stein (Iván Zulueta, 1972)/div&#xA;div class=&#34;month&#34;&#xA;Oct/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;30/div&#xA;div class=&#34;occasion&#34;&#xA;Karloff/div&#xA;div class=&#34;img&#34;&#xA;Frank Stein (1972)/div&#xA;div class=&#34;caption&#34;&#xA;The Monster (Karloff) in Zulueta&#39;s recut (via). DP: Iván Zulueta / Arthur Edeson + Paul Ivano./div&#xA;div class=&#34;txt&#34;&#xA;A [favourite] Boris Karloff film&#xA;&#xA;  &#34;Well, as I said before, I say again, here&#39;s… Here&#39;s to a son… to the house of Frankenstein.&#34;&#xA;  ### – Baron Frankenstein&#xA;&#xA;Zulueta&#39;s mycotoxic fever dream of Whale&#39;s Frankenstein.&#xA;&amp;nbsp;&#xA;the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.&#xA;/div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2025FilmChallenge #BorisKarloff #IvánZulueta #JamesWhale #ArthurEdeson #PaulIvano #Frankenstein #ShortFilm #FoundFootage #ExperimentalFilm #horror #Spain #1970s ★★★★½ ♥︎/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
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<h4 id="frank-stein-iván-zulueta-1972-div" id="frank-stein-iván-zulueta-1972-div">Frank Stein (Iván Zulueta, 1972)</div></h4>

<p><div class="month"></p>

<h2 id="oct-div" id="oct-div">Oct</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="30-div" id="30-div">30</div></h1>

<p><div class="occasion"></p>

<h2 id="karloff-div" id="karloff-div">Karloff</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/QNwmvxJ9/1030-Frank-Stein-1972.gif" alt="Frank Stein (1972)"></div>
<div class="caption"></p>

<h6 id="the-monster-karloff-in-zulueta-s-recut-via-https-rrrauschen-tumblr-com-tagged-frank-20stein-dp-iván-zulueta-arthur-edeson-paul-ivano-div" id="the-monster-karloff-in-zulueta-s-recut-via-https-rrrauschen-tumblr-com-tagged-frank-20stein-dp-iván-zulueta-arthur-edeson-paul-ivano-div">The Monster (Karloff) in Zulueta&#39;s recut (<a href="https://rrrauschen.tumblr.com/tagged/frank%20stein" rel="nofollow">via</a>). DP: Iván Zulueta / Arthur Edeson + Paul Ivano.</div></h6>

<p><div class="txt"></p>

<h5 id="a-favourite-boris-karloff-film" id="a-favourite-boris-karloff-film">A [favourite] Boris Karloff film*</h5>

<blockquote><p>“Well, as I said before, I say again, here&#39;s… Here&#39;s to a son… to the house of Frankenstein.”</p>

<h3 id="baron-frankenstein" id="baron-frankenstein">– Baron Frankenstein</h3>
</blockquote>

<h5 id="zulueta-s-mycotoxic-https-write-underworld-fr-settima-el-espiritu-de-la-colmena-1973-fever-dream-of-whale-s-frankenstein" id="zulueta-s-mycotoxic-https-write-underworld-fr-settima-el-espiritu-de-la-colmena-1973-fever-dream-of-whale-s-frankenstein">Zulueta&#39;s <a href="https://write.underworld.fr/settima/el-espiritu-de-la-colmena-1973" rel="nofollow">mycotoxic</a> fever dream of Whale&#39;s <em>Frankenstein</em>.</h5>

<p> </p>

<h6 id="the-bales-2025-film-challenge-for-october-is-horror-themed-as-opposed-to-date-based-and-is-all-about-favourites-expect-non-horror-and-films-i-believe-to-be-relevant-instead" id="the-bales-2025-film-challenge-for-october-is-horror-themed-as-opposed-to-date-based-and-is-all-about-favourites-expect-non-horror-and-films-i-believe-to-be-relevant-instead">* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.</h6>

<p></div>
<div class="tags"></p>

<h5 id="bales2025filmchallenge-boriskarloff-ivánzulueta-jameswhale-arthuredeson-paulivano-frankenstein-shortfilm-foundfootage-experimentalfilm-horror-spain-1970s-½-div" id="bales2025filmchallenge-boriskarloff-ivánzulueta-jameswhale-arthuredeson-paulivano-frankenstein-shortfilm-foundfootage-experimentalfilm-horror-spain-1970s-½-div"><a href="/settima/tag:Bales2025FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2025FilmChallenge</span></a> <a href="/settima/tag:BorisKarloff" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">BorisKarloff</span></a> <a href="/settima/tag:Iv%C3%A1nZulueta" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">IvánZulueta</span></a> <a href="/settima/tag:JamesWhale" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JamesWhale</span></a> <a href="/settima/tag:ArthurEdeson" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ArthurEdeson</span></a> <a href="/settima/tag:PaulIvano" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">PaulIvano</span></a> <a href="/settima/tag:Frankenstein" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Frankenstein</span></a> <a href="/settima/tag:ShortFilm" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ShortFilm</span></a> <a href="/settima/tag:FoundFootage" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FoundFootage</span></a> <a href="/settima/tag:ExperimentalFilm" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ExperimentalFilm</span></a> <a href="/settima/tag:horror" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">horror</span></a> <a href="/settima/tag:Spain" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Spain</span></a> <a href="/settima/tag:1970s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1970s</span></a> ★★★★½ ♥︎</div></h5>

<p></section></p>
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      <guid>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-whlp</guid>
      <pubDate>Thu, 30 Oct 2025 16:00:00 +0100</pubDate>
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    <item>
      <title>Soy leyenda (Mario Gómez Martín, 1967)</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-w6m8</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Soy leyenda (Mario Gómez Martín, 1967)/div&#xA;div class=&#34;month&#34;&#xA;Oct/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;3/div&#xA;div class=&#34;occasion&#34;&#xA;zombies/div&#xA;div class=&#34;img&#34;&#xA;Soy leyenda (1967)/div&#xA;div class=&#34;caption&#34;&#xA;Robert Neville (Moisés Menéndez) looking out over an empty rooftop. DP: Jesús Ocaña./div&#xA;div class=&#34;txt&#34;&#xA;(A favourite) zombie movie&#xA;&amp;nbsp;&#xA;Now, settima. Of all the zombie movies in the world you had to pick a vampire story? Why yes. Yes I did.&#xA;&#xA;  &#34;Again he shook his head. The world&#39;s gone mad, he thought. The dead walk about and I think nothing of it. The return of corpses has become trivial in import. How quickly one accepts the incredible if only one sees it enough!&#34;&#xA;  ### – Richard Matheson, I Am Legend (1954)&#xA;&#xA;Just like my actual favourite zombie film, that one from 1968, Soy leyenda is based on Richard Matheson&#39;s post-apocalyptic horror novel I Am Legend (1954). The story describes a world where the living have become undead vampire-like creatures. A lone man tries to rationalise that new world through reason and science, and legend. &#xA;&amp;nbsp;&#xA;In the man&#39;s mind, the undead become the familiar, the vampire. In our mind, watching this, we believe to see the foreshadowing of the popculture zombie. The abandoned well-known landscapes, the ceaseless repetition of what the old life had instilled, the normalcy of the grotesque. Oh how familiar they have become.&#xA;&amp;nbsp;&#xA;the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.&#xA;/div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2025FilmChallenge #zombies #MarioGómezMartín #RichardMatheson #MoisésMenéndez #ElisaRamírez #JoséMaríaResel #RicardoPalacios #AnaCastor #PierreHenry #FrançoisBernardMâche #JesúsOcaña #ShortFilm #SciFi #horror #vampires #drama #outbreak #StudentFilm #dystopia #BookAdaptation #Madrid #Spain #1960s ★★★★☆/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
<div class="title"></p>

<h4 id="soy-leyenda-mario-gómez-martín-1967-div" id="soy-leyenda-mario-gómez-martín-1967-div">Soy leyenda (Mario Gómez Martín, 1967)</div></h4>

<p><div class="month"></p>

<h2 id="oct-div" id="oct-div">Oct</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="3-div" id="3-div">3</div></h1>

<p><div class="occasion"></p>

<h2 id="zombies-div" id="zombies-div">zombies</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/CxLFwPzS/1003-Soy-leyenda-1967.jpg" alt="Soy leyenda (1967)"></div>
<div class="caption"></p>

<h6 id="robert-neville-moisés-menéndez-looking-out-over-an-empty-rooftop-dp-jesús-ocaña-div" id="robert-neville-moisés-menéndez-looking-out-over-an-empty-rooftop-dp-jesús-ocaña-div">Robert Neville (Moisés Menéndez) looking out over an empty rooftop. DP: Jesús Ocaña.</div></h6>

<p><div class="txt"></p>

<h5 id="a-favourite-zombie-movie" id="a-favourite-zombie-movie">(A favourite) zombie movie*</h5>

<p> </p>

<h5 id="now-settima-of-all-the-zombie-movies-in-the-world-you-had-to-pick-a-vampire-story-why-yes-yes-i-did" id="now-settima-of-all-the-zombie-movies-in-the-world-you-had-to-pick-a-vampire-story-why-yes-yes-i-did">Now, settima. Of all the zombie movies in the world you <em>had</em> to pick a vampire story? Why yes. Yes I did.</h5>

<blockquote><p>“Again he shook his head. The world&#39;s gone mad, he thought. The dead walk about and I think nothing of it. The return of corpses has become trivial in import. How quickly one accepts the incredible if only one sees it enough!”</p>

<h3 id="richard-matheson-i-am-legend-1954" id="richard-matheson-i-am-legend-1954">– Richard Matheson, <em>I Am Legend</em> (1954)</h3>
</blockquote>

<h5 id="just-like-my-actual-favourite-zombie-film-that-one-from-1968-soy-leyenda-is-based-on-richard-matheson-s-post-apocalyptic-horror-novel-i-am-legend-1954-the-story-describes-a-world-where-the-living-have-become-undead-vampire-like-creatures-a-lone-man-tries-to-rationalise-that-new-world-through-reason-and-science-and-legend" id="just-like-my-actual-favourite-zombie-film-that-one-from-1968-soy-leyenda-is-based-on-richard-matheson-s-post-apocalyptic-horror-novel-i-am-legend-1954-the-story-describes-a-world-where-the-living-have-become-undead-vampire-like-creatures-a-lone-man-tries-to-rationalise-that-new-world-through-reason-and-science-and-legend">Just like my actual favourite zombie film, that one from 1968, <em>Soy leyenda</em> is based on Richard Matheson&#39;s post-apocalyptic horror novel <em>I Am Legend</em> (1954). The story describes a world where the living have become undead vampire-like creatures. A lone man tries to rationalise that new world through reason and science, and legend.</h5>

<p> </p>

<h5 id="in-the-man-s-mind-the-undead-become-the-familiar-the-vampire-in-our-mind-watching-this-we-believe-to-see-the-foreshadowing-of-the-popculture-zombie-the-abandoned-well-known-landscapes-the-ceaseless-repetition-of-what-the-old-life-had-instilled-the-normalcy-of-the-grotesque-oh-how-familiar-they-have-become" id="in-the-man-s-mind-the-undead-become-the-familiar-the-vampire-in-our-mind-watching-this-we-believe-to-see-the-foreshadowing-of-the-popculture-zombie-the-abandoned-well-known-landscapes-the-ceaseless-repetition-of-what-the-old-life-had-instilled-the-normalcy-of-the-grotesque-oh-how-familiar-they-have-become">In the man&#39;s mind, the undead become the familiar, the vampire. In our mind, watching this, we believe to see the foreshadowing of the popculture zombie. The abandoned well-known landscapes, the ceaseless repetition of what the old life had instilled, the normalcy of the grotesque. Oh how familiar they have become.</h5>

<p> </p>

<h6 id="the-bales-2025-film-challenge-for-october-is-horror-themed-as-opposed-to-date-based-and-is-all-about-favourites-expect-non-horror-and-films-i-believe-to-be-relevant-instead" id="the-bales-2025-film-challenge-for-october-is-horror-themed-as-opposed-to-date-based-and-is-all-about-favourites-expect-non-horror-and-films-i-believe-to-be-relevant-instead">* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.</h6>

<p></div>
<div class="tags"></p>

<h5 id="bales2025filmchallenge-zombies-mariogómezmartín-richardmatheson-moisésmenéndez-elisaramírez-josémaríaresel-ricardopalacios-anacastor-pierrehenry-françoisbernardmâche-jesúsocaña-shortfilm-scifi-horror-vampires-drama-outbreak-studentfilm-dystopia-bookadaptation-madrid-spain-1960s-div" id="bales2025filmchallenge-zombies-mariogómezmartín-richardmatheson-moisésmenéndez-elisaramírez-josémaríaresel-ricardopalacios-anacastor-pierrehenry-françoisbernardmâche-jesúsocaña-shortfilm-scifi-horror-vampires-drama-outbreak-studentfilm-dystopia-bookadaptation-madrid-spain-1960s-div"><a href="/settima/tag:Bales2025FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2025FilmChallenge</span></a> <a href="/settima/tag:zombies" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">zombies</span></a> <a href="/settima/tag:MarioG%C3%B3mezMart%C3%ADn" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">MarioGómezMartín</span></a> <a href="/settima/tag:RichardMatheson" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">RichardMatheson</span></a> <a href="/settima/tag:Mois%C3%A9sMen%C3%A9ndez" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">MoisésMenéndez</span></a> <a href="/settima/tag:ElisaRam%C3%ADrez" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ElisaRamírez</span></a> <a href="/settima/tag:Jos%C3%A9Mar%C3%ADaResel" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JoséMaríaResel</span></a> <a href="/settima/tag:RicardoPalacios" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">RicardoPalacios</span></a> <a href="/settima/tag:AnaCastor" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">AnaCastor</span></a> <a href="/settima/tag:PierreHenry" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">PierreHenry</span></a> <a href="/settima/tag:Fran%C3%A7oisBernardM%C3%A2che" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FrançoisBernardMâche</span></a> <a href="/settima/tag:Jes%C3%BAsOca%C3%B1a" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JesúsOcaña</span></a> <a href="/settima/tag:ShortFilm" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ShortFilm</span></a> <a href="/settima/tag:SciFi" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">SciFi</span></a> <a href="/settima/tag:horror" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">horror</span></a> <a href="/settima/tag:vampires" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">vampires</span></a> <a href="/settima/tag:drama" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">drama</span></a> <a href="/settima/tag:outbreak" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">outbreak</span></a> <a href="/settima/tag:StudentFilm" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">StudentFilm</span></a> <a href="/settima/tag:dystopia" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">dystopia</span></a> <a href="/settima/tag:BookAdaptation" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">BookAdaptation</span></a> <a href="/settima/tag:Madrid" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Madrid</span></a> <a href="/settima/tag:Spain" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Spain</span></a> <a href="/settima/tag:1960s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1960s</span></a> ★★★★☆</div></h5>

<p></section></p>
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      <pubDate>Fri, 03 Oct 2025 16:55:00 +0200</pubDate>
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      <title>Vampyros Lesbos (Jesús Franco, 1971)</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-rd09</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Vampyros Lesbos (Jesús Franco, 1971)/div&#xA;div class=&#34;month&#34;&#xA;Oct/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;2/div&#xA;div class=&#34;occasion&#34;&#xA;Dracula /div&#xA;div class=&#34;img&#34;&#xA;Vampyros Lesbos (1971)/div&#xA;div class=&#34;caption&#34;&#xA;The Countess (Soledad Miranda, sigh…) in a blood curling striptease (via). DP: Manuel Merino./div&#xA;div class=&#34;txt&#34;&#xA;A favourite Dracula movie. As my very most favourite Dracula movie has been claimed, I go with its nearest competitor that somehow also features my favourite Jesus&#xA;&amp;nbsp;&#xA;Linda (Ewa Strömberg) has been summoned by Countess Nadine Carody (Soledad Miranda) to handle a real estate inheritance from a certain Count Dracula. Spellbound, she finds herself on a small island, and helpless in the Countess&#39; embrace.&#xA;&#xA;  &#34;You are one of us now. The Queen of the Night will bear you up on her black wings.&#34;&#xA;  ### – Countess Nadine Carody&#xA;&#xA;A film that can easily hold up against Jean Rollins&#39; dreamy vampire erotica, this love letter to Soledad Miranda&#39;s brooding torment is a delight to watch and a pinnacle in Jess Franco&#39;s filmography. Its influence on neo-Giallo Amer and Dario Argento – particularly his Suspiria – is evident, and that in itself should give you enough clues of how much of an essential chapter Vampyros Lesbos is in adult European filmmaking.&#xA;&amp;nbsp;&#xA;the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.&#xA;/div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2025FilmChallenge #Dracula #JesúsFranco #BramStoker #SoledadMiranda #DennisPrice #PaulMuller #EwaStrömberg #HeidrunKussin #ManfredHübler #SigiSchwab #ManuelMerino #horror #erotica #vampires #BookAdaptation #Istanbul #WestGermany #Spain #1970s ★★★★☆ ♥︎/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
<div class="title"></p>

<h4 id="vampyros-lesbos-jesús-franco-1971-div" id="vampyros-lesbos-jesús-franco-1971-div">Vampyros Lesbos (Jesús Franco, 1971)</div></h4>

<p><div class="month"></p>

<h2 id="oct-div" id="oct-div">Oct</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="2-div" id="2-div">2</div></h1>

<p><div class="occasion"></p>

<h2 id="dracula-div" id="dracula-div">Dracula </div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/DZMZxnNp/1002-Vampyros-Lesbos-1971.jpg" alt="Vampyros Lesbos (1971)"></div>
<div class="caption"></p>

<h6 id="the-countess-soledad-miranda-sigh-in-a-blood-curling-striptease-via-https-www-filmaffinity-com-us-movieimage-php-imageid-843130072-dp-manuel-merino-div" id="the-countess-soledad-miranda-sigh-in-a-blood-curling-striptease-via-https-www-filmaffinity-com-us-movieimage-php-imageid-843130072-dp-manuel-merino-div">The Countess (Soledad Miranda, sigh…) in a blood curling striptease (<a href="https://www.filmaffinity.com/us/movieimage.php?imageId=843130072" rel="nofollow">via</a>). DP: Manuel Merino.</div></h6>

<p><div class="txt"></p>

<h5 id="a-favourite-dracula-movie-as-my-very-most-favourite-dracula-movie-https-write-underworld-fr-settima-cuadecuc-vampir-1971-has-been-claimed-i-go-with-its-nearest-competitor-that-somehow-also-features-my-favourite-jesus" id="a-favourite-dracula-movie-as-my-very-most-favourite-dracula-movie-https-write-underworld-fr-settima-cuadecuc-vampir-1971-has-been-claimed-i-go-with-its-nearest-competitor-that-somehow-also-features-my-favourite-jesus">A favourite Dracula movie. As <a href="https://write.underworld.fr/settima/cuadecuc-vampir-1971" rel="nofollow">my very most favourite Dracula movie</a> has been claimed, I go with its nearest competitor that somehow also features my favourite Jesus*</h5>

<p> </p>

<h5 id="linda-ewa-strömberg-has-been-summoned-by-countess-nadine-carody-soledad-miranda-to-handle-a-real-estate-inheritance-from-a-certain-count-dracula-spellbound-she-finds-herself-on-a-small-island-and-helpless-in-the-countess-embrace" id="linda-ewa-strömberg-has-been-summoned-by-countess-nadine-carody-soledad-miranda-to-handle-a-real-estate-inheritance-from-a-certain-count-dracula-spellbound-she-finds-herself-on-a-small-island-and-helpless-in-the-countess-embrace">Linda (Ewa Strömberg) has been summoned by Countess Nadine Carody (Soledad Miranda) to handle a real estate inheritance from a certain Count Dracula. Spellbound, she finds herself on a small island, and helpless in the Countess&#39; embrace.</h5>

<blockquote><p>“You are one of us now. The Queen of the Night will bear you up on her black wings.”</p>

<h3 id="countess-nadine-carody" id="countess-nadine-carody">– Countess Nadine Carody</h3>
</blockquote>

<h5 id="a-film-that-can-easily-hold-up-against-jean-rollins-dreamy-vampire-erotica-this-love-letter-to-soledad-miranda-s-brooding-torment-is-a-delight-to-watch-and-a-pinnacle-in-jess-franco-s-filmography-its-influence-on-neo-giallo-amer-and-dario-argento-particularly-his-suspiria-is-evident-and-that-in-itself-should-give-you-enough-clues-of-how-much-of-an-essential-chapter-vampyros-lesbos-is-in-adult-european-filmmaking" id="a-film-that-can-easily-hold-up-against-jean-rollins-dreamy-vampire-erotica-this-love-letter-to-soledad-miranda-s-brooding-torment-is-a-delight-to-watch-and-a-pinnacle-in-jess-franco-s-filmography-its-influence-on-neo-giallo-amer-and-dario-argento-particularly-his-suspiria-is-evident-and-that-in-itself-should-give-you-enough-clues-of-how-much-of-an-essential-chapter-vampyros-lesbos-is-in-adult-european-filmmaking">A film that can easily hold up against Jean Rollins&#39; dreamy vampire erotica, this love letter to Soledad Miranda&#39;s brooding torment is a delight to watch and a pinnacle in Jess Franco&#39;s filmography. Its influence on neo-Giallo <em>Amer</em> and Dario Argento – particularly his <em>Suspiria</em> – is evident, and that in itself should give you enough clues of how much of an essential chapter <em>Vampyros Lesbos</em> is in adult European filmmaking.</h5>

<p> </p>

<h6 id="the-bales-2025-film-challenge-for-october-is-horror-themed-as-opposed-to-date-based-and-is-all-about-favourites-expect-non-horror-and-films-i-believe-to-be-relevant-instead" id="the-bales-2025-film-challenge-for-october-is-horror-themed-as-opposed-to-date-based-and-is-all-about-favourites-expect-non-horror-and-films-i-believe-to-be-relevant-instead">* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.</h6>

<p></div>
<div class="tags"></p>

<h5 id="bales2025filmchallenge-dracula-jesúsfranco-bramstoker-soledadmiranda-dennisprice-paulmuller-ewaströmberg-heidrunkussin-manfredhübler-sigischwab-manuelmerino-horror-erotica-vampires-bookadaptation-istanbul-westgermany-spain-1970s-div" id="bales2025filmchallenge-dracula-jesúsfranco-bramstoker-soledadmiranda-dennisprice-paulmuller-ewaströmberg-heidrunkussin-manfredhübler-sigischwab-manuelmerino-horror-erotica-vampires-bookadaptation-istanbul-westgermany-spain-1970s-div"><a href="/settima/tag:Bales2025FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2025FilmChallenge</span></a> <a href="/settima/tag:Dracula" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Dracula</span></a> <a href="/settima/tag:Jes%C3%BAsFranco" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JesúsFranco</span></a> <a href="/settima/tag:BramStoker" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">BramStoker</span></a> <a href="/settima/tag:SoledadMiranda" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">SoledadMiranda</span></a> <a href="/settima/tag:DennisPrice" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">DennisPrice</span></a> <a href="/settima/tag:PaulMuller" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">PaulMuller</span></a> <a href="/settima/tag:EwaStr%C3%B6mberg" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">EwaStrömberg</span></a> <a href="/settima/tag:HeidrunKussin" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">HeidrunKussin</span></a> <a href="/settima/tag:ManfredH%C3%BCbler" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ManfredHübler</span></a> <a href="/settima/tag:SigiSchwab" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">SigiSchwab</span></a> <a href="/settima/tag:ManuelMerino" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ManuelMerino</span></a> <a href="/settima/tag:horror" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">horror</span></a> <a href="/settima/tag:erotica" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">erotica</span></a> <a href="/settima/tag:vampires" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">vampires</span></a> <a href="/settima/tag:BookAdaptation" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">BookAdaptation</span></a> <a href="/settima/tag:Istanbul" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Istanbul</span></a> <a href="/settima/tag:WestGermany" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">WestGermany</span></a> <a href="/settima/tag:Spain" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Spain</span></a> <a href="/settima/tag:1970s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1970s</span></a> ★★★★☆ ♥︎</div></h5>

<p></section></p>
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      <pubDate>Thu, 02 Oct 2025 17:25:00 +0200</pubDate>
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    <item>
      <title>More (Barbet Schroeder, 1969)</title>
      <link>https://write.underworld.fr/settima/more-1969</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;More (Barbet Schroeder, 1969)/div&#xA;div class=&#34;month&#34;&#xA;Sep/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;7/div&#xA;div class=&#34;X&#34;&#xA;/div&#xA;div class=&#34;img&#34;&#xA;More (1969)/div&#xA;div class=&#34;caption&#34;&#xA;Estelle (Mimsy Farmer) and Stefan (Klaus Grünberg) tripping in Ibiza. DP: Néstor Almendros./div&#xA;div class=&#34;txt&#34;&#xA;&#34;I had imagined this journey as a quest. I finished my studies in math. I wanted to live. I wanted to burn all the bridges, all the formulas, and if I got burned, that was okay, too. I wanted to be warm. I wanted the sun and I went after it.&#34;&#xA;  ### – Stefan&#xA;&#xA;/div&#xA;div class=&#34;tags&#34;&#xA;##### #FilmDuJour #September #BarbetSchroeder #MimsyFarmer #KlausGrünberg #HeinzEngelmann #PinkFloyd #NéstorAlmendros #drugs #addiction #drama #crime #Ibiza #France #Spain #1960s ★½/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
<div class="title"></p>

<h4 id="more-barbet-schroeder-1969-div" id="more-barbet-schroeder-1969-div">More (Barbet Schroeder, 1969)</div></h4>

<p><div class="month"></p>

<h2 id="sep-div" id="sep-div">Sep</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="7-div" id="7-div">7</div></h1>

<p><div class="X"></p>

<h2 id="div" id="div"></div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/Gptttjtm/0907-More.jpg" alt="More (1969)"></div>
<div class="caption"></p>

<h6 id="estelle-mimsy-farmer-and-stefan-klaus-grünberg-tripping-in-ibiza-dp-néstor-almendros-div" id="estelle-mimsy-farmer-and-stefan-klaus-grünberg-tripping-in-ibiza-dp-néstor-almendros-div">Estelle (Mimsy Farmer) and Stefan (Klaus Grünberg) tripping in Ibiza. DP: Néstor Almendros.</div></h6>

<p><div class="txt"></p>

<blockquote><p>“I had imagined this journey as a quest. I finished my studies in math. I wanted to live. I wanted to burn all the bridges, all the formulas, and if I got burned, that was okay, too. I wanted to be warm. I wanted the sun and I went after it.”</p>

<h3 id="stefan" id="stefan">– Stefan</h3>
</blockquote>

<h5 id="div-1" id="div-1"></div></h5>

<p><div class="tags"></p>

<h5 id="filmdujour-september-barbetschroeder-mimsyfarmer-klausgrünberg-heinzengelmann-pinkfloyd-néstoralmendros-drugs-addiction-drama-crime-ibiza-france-spain-1960s-½-div" id="filmdujour-september-barbetschroeder-mimsyfarmer-klausgrünberg-heinzengelmann-pinkfloyd-néstoralmendros-drugs-addiction-drama-crime-ibiza-france-spain-1960s-½-div"><a href="/settima/tag:FilmDuJour" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FilmDuJour</span></a> <a href="/settima/tag:September" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">September</span></a> <a href="/settima/tag:BarbetSchroeder" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">BarbetSchroeder</span></a> <a href="/settima/tag:MimsyFarmer" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">MimsyFarmer</span></a> <a href="/settima/tag:KlausGr%C3%BCnberg" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">KlausGrünberg</span></a> <a href="/settima/tag:HeinzEngelmann" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">HeinzEngelmann</span></a> <a href="/settima/tag:PinkFloyd" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">PinkFloyd</span></a> <a href="/settima/tag:N%C3%A9storAlmendros" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">NéstorAlmendros</span></a> <a href="/settima/tag:drugs" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">drugs</span></a> <a href="/settima/tag:addiction" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">addiction</span></a> <a href="/settima/tag:drama" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">drama</span></a> <a href="/settima/tag:crime" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">crime</span></a> <a href="/settima/tag:Ibiza" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Ibiza</span></a> <a href="/settima/tag:France" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">France</span></a> <a href="/settima/tag:Spain" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Spain</span></a> <a href="/settima/tag:1960s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1960s</span></a> ★½</div></h5>

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      <guid>https://write.underworld.fr/settima/more-1969</guid>
      <pubDate>Sun, 07 Sep 2025 09:00:00 +0200</pubDate>
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