“I accuse you of having trampled on the cross, of having ridden to the Sabbath, of throwing the Holy Cross of our Saviour into manure so that the skies grew dark, and the rain fell upon the earth!”

– Albino

A heartfelt reunion scene*

“Oh, it's you.”

– Margaret Wheeler, welcoming the viewers to this curious retelling of her life's events

Through an unexplained muddle, the Wheeler and the Rylatt girls were mixed up at the maternity ward. One of the mothers, Mrs Wheeler, had a hunch something was off. Her girl was suspiciously long and skinny, unlike the one that was entrusted to her. Over the years and to Mrs Rylatt's increasing chagrin, Mrs Wheeler kept in touch with that woman from the maternity ward. And was proven to be correct. This film is one breezy yet tense reunion scene. Heartwarming, awkward, and – like all that's nostalgia – slightly surreal.

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.

 

A journey or road trip*

 

Four weeks in four minutes, spanning decades in its disruptive form.

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.

A memorable fire or fireplace scene*

“Oh, my God, Gerald! Shall I die?”

– Gudrun Brangwen

Oddly, one barely remembers the fireplace.

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.

A movie set in the woods or mountains*

“Anderntags hat man sofort getauft, weil jede Mutter lieber ein «Gotteskindli» auf die Arme nahm.”

– Gisler-Arnold Babette, midwife (via)

Murer describes the people from Switzerland's gorges in three movements, along the lines of a symphony

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.

“The day they put jerks into orbit, you won't stop rotating soon!”

– Comissaire Joss, le Pacha

A movie about community*

“Early one morning, just as the sun was rising, I heard a maid sing in the valley below; ‘O don’t deceive me, O never leave me! How could you use a poor maiden so?”

– Early one morning, via

A sort of Wicker Man visits Mon oncle, this painting of an old England is. Painter filmmaker David Gladwell's impressionist work takes us to a small Suffolk community that, like all other communities, is both frozen in time and unable to escape its progression. The churchyard's caretaker, amongst the living and the dead, watches, works, and knows.

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.

A memorable kitchen or cooking scene*

“Look at us. We're almost totally dependent on our maid. She cooks and washes for us, and is the first person to greet me when I come home from work. She is entirely at our service.”

– Dong-sik Kim

A housemaid works her way into a middle-class household and takes over the wife's tasks – cleaning, cooking, child rearing.

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.

A dysfunctional family*

 

On a wedding day, and night, a family's dirty secrets are laid bare.

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.