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Panique [Panic] (Julien Duvivier, 1946)
Nov
7
A child probes her dinner with a fork larger than her head while another one is all neat and proper. In the midst of them, as serious table settings require, a large man. His napkin tucked in at the neck, he leans over the first child with something to say. DP: Nicolas Hayer.
“Dead meat always attracts flies.”
– Monsieur Hire
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有りがたうさん [Arigatō-san / Mr. Thank You] (Hiroshi Shimizu, 1936)
Nov
6
Arigatō-san (Ken Uehara) courteously thanks someone who shares the road for giving way. DP: Isamu Aoki.
A movie that makes you want to travel*
“Arigatō! [Thank you!]”
– Mr Thank You to everyone – poultry included – he passes on his bus
Friendly and helpful, Arigatō-san (Ken Uehara) is there for his passengers and non-bus travellers alike. A sweet roadmovie from a Japan now lost to time.
* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.
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Jules et Jim (François Truffaut, 1962)
Nov
4
sweaters
Catherine (Jeanne Moreau) in a raggedy, moth-eaten sweater and oversized newsboy cap, wears a moustache and smokes a cigar (via). DP: Raoul Coutard.
A movie with gorgeous sweater fashion*
“She's a strange breed.”
– Jim
Throwing in a little Movember for good measure.
* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.
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拳銃は俺のパスポート [Koruto wa ore no pasupōto / A Colt Is My Passport] (Takashi Nomura, 1967)
Nov
3
A blurry shot of a man with a moustache in a space with chairs and a round table. DP: Shigeyoshi Mine.
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المخدوعون [Al-makhdu'un / The Dupes] (Tawfiq Saleh, 1972)
Nov
2
النَّكْبَة
Starting over*
“A man with no country, will have no grave in the Earth, I forbid you to leave.”
A few years after the start of the Nakba, three generations hope to make a new life for themselves. In the steel belly of a water truck, the men travel Palestine into Iraq, then crossing the desert towards the promised land, Kuwait.
* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.
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Bübchen (Roland Klick, 1968)
Nov
1
autumn
Lobby card. Achim (Alexander Kekulé) at a dreary, autumn-y scrapyard surrounded by several serious looking men in trenchcoats. Bübchen is an endearing term for a little boy (via (spoilers)). DP: Robert van Ackeren.
A movie that feels like autumn*
A family of four share the same house and live their own lives. When the parents attend a company party, the neighbour's teenage daughter reluctantly babysits the children then promptly runs off with her secret boyfriend. Left to his own devices, the bored 10-year old Achim plays a game with his little sister
“Junge, du bist ja ganz woanders!”
I Initially nomintad the RAF critique Deutschland im Herbst (1978) for today's challenge, when I realised that Bübchen too is about Germany's youth's antics and the society that planted its seeds. Here again, a repressed community dutifully finds a way to bury the terror into the fabric of mundanity. You'll find it again in Michael Haneke's Das weiße Band (2009), now foretelling the German youth that came to embrace Nazism.
Eternal return, ad nauseam.
* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.
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Frank Stein (Iván Zulueta, 1972)
Oct
30
Karloff
A [favourite] Boris Karloff film*
“Well, as I said before, I say again, here's… Here's to a son… to the house of Frankenstein.”
– Baron Frankenstein
Zulueta's mycotoxic fever dream of Whale's Frankenstein.
* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.
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Outer Space (Peter Tscherkassky, 1999)
Oct
26
Barbara Hershey as Carla Moran. DP of The Entity: Stephen H. Burum.
[Favourite] psychological horror*
“A premonition of a horror film”
– tagline
* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.
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Il caso Valdemar [The Facts in the Case of M. Valdemar] (Gianni Hoepli + Ubaldo Magnaghi, 1936)
Oct
24
M. Valdemar on his deathbed.
[A] favourite horror movie overall*
”'M. Valdemar,' I said, 'are you asleep?' He made no answer, but I perceived a tremor about the lips, and was thus induced to repeat the question, again and again. At its third repetition, his whole frame was agitated by a very slight shivering; the eye-lids unclosed themselves so far as to display a white line of the{n} ball; the lips moved sluggishly, and from between them, in a barely audible whisper, issued the words:
'Yes; — asleep now. Do not wake me! — let me die so!'”
– Edgar Allan Poe, The Facts in the Case of M. Valdemar (1845) (via)
A man agrees on being hypnotised while in the state of dying. This particularly haunting and efficiently gory film – the first in the genre – is the result.
* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.
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The Mystery of the Mary Celeste [Phantom Ship] (Denison Clift, 1935)
Oct
23
Bela Lugosi
Anton Lorenzen (Lugosi) at Mary Celeste's wheel. DPs: Eric Cross & Geoffrey Faithfull.
[A favourite] Bela Lugosi film*
“No, I never left the wheel; not for a moment.”
– Anton Lorenzen
A post-Dracula Lugosi demonstrates that he's more than the cursed aristocrat. An efficient early Hammer production, made just a year after their founding.
* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.