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Valahol Európában / It Happened in Europe] (Géza von Radványi, 1947)
May
20
National Band Directors Day
The old man (Artúr Somlay) at his grand piano. One of the children, in rags, sits on top of it. The children cast for the film were actual, aimless orphans, causing trouble on set. DP: Barnabás Hegyi.
In the children's film Valahol Európában, a gang of plundering feral orphans hiding out in a ruined castle find an old disillusioned pacifist conductor (Artúr Somlay) who's waiting out the war.
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A Canterbury Tale (Michael Powell + Emeric Pressburger, 1944)
May
7
National Paste Up Day
Thomas Colpeper, JP (Eric Portman) and Alison (Sheila Sim), her hair still wet from washing out the glue, observing her in a tall mirror. DP: Erwin Hillier.
In a strange other #England – in the village of Chillingbourne to be precise – a train pulls into the station. On board are several people on their way to #Canterbury.
“You're not dreaming.”
– Thomas Colpeper, JP
When Alison disembarks, believing she arrived at the pilgrim's town, a stranger pours #glue in her hair. She's the eleventh, the policeman said. It's the glue man, the townsfolk know. Like the pilgrims of #Chaucer's poem, Alison and her fellow stranded travellers journey towards the closure of this mystifying case.
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Mighty Joe Young (Ernest B. Schoedsack, 1949)
Apr
12
National Only Child Day
Jill playing the grand piano in a ballgown while suspended high up in the air by Joe. DP: J. Roy Hunt.
Young Jill – played by the tragically doomed Lora Lee Michel – grows up on a ranch in an undisclosed African country (aka “Africa”) with her father. One day, two porters pass her house carrying an orphaned baby #gorilla. Smitten, she wants and gets the ape, names it Joe, and raises it until the simian reaches exceptional size. That's when a couple of showman collecting exotic menagerie for a Hollywood nightclub come across the odd couple. After long consideration and desperate for money, Jill decides to take Joe to the States where the two become an overnight cabaret sensation. But like Kong before him, Joe is not made for the concrete jungle.
“Am I dreamin', or did I just see a gorilla? And a beautiful dame!”
– Max O'Hara
One decade and a Hays Code later, the people who brought the world King Kong (1933) present Mighty Joe Young: more drama, more spectacle, and superior special effects by Marcel Delgado, Ray #Harryhausen and Willis O'Brien et al. A box-office dud ánd Academy Award for Special Effects winner, Mighty Joe Young is now recognised as an #animation classic. In particular the nightclub scenes (keep your eyes peeled for Phil “The Swedish Angel” Olafsson!) are a wonderful display of the magic of #StopMotion.
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Der ewige Jude [The Eternal Jew] (Fritz Hippler, 1940)
Apr
4
World Rat Day
Nazi propaganda postcard advertising an exhibition in the library of the Deutsche Museum in Munich called Der ewige Jude: Große politische Schau (“The Eternal Jew: Great Political Exhibition”). The front of the card is a reproduction of the film poster. The card is dated 1937, which is at odds with the information in this blogpost. DPs: A. Endrejat, Anton Haffner, R. Hartmann, F.C. Heeve, Heinz Kluth, Erich Stoll & H. Winterfeld.
I took a long time considering what to nominate for today's topic. This is not an easy one. And frankly, barely qualifies as as film.
In the 1930s, three films (2 British, 1 American) portrayed Jews in a positive light, as victims of persecution through history. When in 1938 the Novemberpogrome took place in (Nazi-occupied) Germany (the term “Kristallnacht” is a horrible euphemism and I won't use it), media was not unanimously jubilant about it. Understanding that violence is not the way to popular consensus, plans were made to change people's thinking about the Jews, using widely available visual media.
In 1939, the faux #documentary Der ewige Jude, directed by the leader of Goebbels' #propaganda film department Fritz Hippler, started production. Scenes shot in Jewish ghettos in occupied Poland were intercut with real, but out-of-context documentary footage, giving it a false sense of authenticity./
“Where rats turn up, they spread diseases and carry extermination into the land. They are cunning, cowardly and cruel, they travel in large packs, exactly the way the Jews infect the races of the world.”
– narrator
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The Queen of Spades (Thorold Dickinson, 1949)
Feb
22
Play More Cards Day
Someone's playing cards.
“Why, you might end up by gaining a fortune… or losing your precious soul.”
– bookseller
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The Naked City [Homicide (Jules Dassin, 1948)
Feb
10
All The News That's Fit To Print Day
On a crowded subway train, a distraught young woman looks at the back of a newspaper. She may just have read the front, held up by someone offscreen. Headlines read YOUNG MODEL FOUND SLAIN IN BATHTUB. The prop newspaper uses too many typefaces at once. DP: William H. Daniels; still photographers: Bert Anderson & Arthur “Weegee” Fellig.
Filmed on location in New York City, with still photography by Arthur “Weegee” Fellig and others. Weegee was a press photographer known for his stark black-and-white crime scene #photography in the city's seedy underbelly.
“There are eight million stories in the naked city. This has been one of them.”
– narrator
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Germania anno zero [Germany Year Zero] (Roberto Rossellini, 1948)
Feb
6
National Sickie Day
Edmund (Edmund Köhler) walking through rubble in a post-apocalyptic Berlin. DP: Robert Juillard.
Twelve-year-old Edmund – the oldest kid to survive – works to support his whole family including his sick bedridden father while the remains of what was a thousand-year empire lies in rubbles around them.
– I don't go to school anymore.
– Why not? You don't like the new teachers?
– I have to work now.
Following Roma città aperta (1945) and Paisà (1946) of #Rossellini's unofficial war trilogy.