“You need more than luck in Shanghai.”The Lady from Shanghai (Orson Welles, 1947)
Aug
9

Elsa Bannister (Rita Hayworth) and husband Arthur Bannister (Everett Sloane) in the dizzying modernist finale. DP: Charles Lawton Jr..
– Elsa Bannister
“You need more than luck in Shanghai.”The Lady from Shanghai (Orson Welles, 1947)
Aug
9

Elsa Bannister (Rita Hayworth) and husband Arthur Bannister (Everett Sloane) in the dizzying modernist finale. DP: Charles Lawton Jr..
– Elsa Bannister
“She looked at the red shoes, for she thought there was no harm in looking. She put them on, for she thought there was no harm in that either. But then she went to the ball and began dancing. When she tried to turn to the right, the shoes turned to the left. When she wanted to dance up the ballroom, her shoes danced down. They danced down the stairs, into the street, and out through the gate of the town. Dance she did, and dance she must, straight into the dark woods.” The Red Shoes (Michael Powell + Emeric Pressburger, 1948)
Aug
3
red

A ballerina's lower body in focus. She wears a long tulle off-white dress, slightly sheer, with her white stockings showing through slightly. Part of her right lower arm is visible, the hand clutched, a turquoise bracelet on the wrist. What stands out most are her ruby red ballet shoes that appear to move away from her. The backdrop is a dull, washed out carpet. DP: Jack Cardiff.
Red: best use of red in food or fashion*
– Hans Christian Andersen, De røde Skoe (1845, tranl. Jean Hersholt, 1949), via
Another one of The Archers' #Technicolor extravaganzas. This time, not to wow the worn-down post-war black-and-white audience, but as an an active storytelling instrument.
Built around Hans Christian Andersen's haunting tale De røde Skoe (1845).
* the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow.
“I'd become a sort of a reverse zombie. I was living in a world already dead, and I alone knowing it.”Night Has a Thousand Eyes (John Farrow, 1948)
Aug
3

Mentalist John Triton (Edward G. Robinson, middle) and two of his conspirators. DP: John F. Seitz.
A continuity error later on in the movie makes it August 4.
– John Triton
“There’s something almost poetic about finding a hairpin in the bath. It’s like the sole of my foot has been pierced by poetry.” 簪 [Kanzashi / Ornamental Hairpin] (Hiroshi Shimizu, 1941)
Jul
24
relaxation

Men relaxing at a roten-buro, an outdoor onsen. DP: Suketarō Inokai.
Someone goes to a spa, beach, or retreat*
– Nanmura, via
Relaxing at an onsen, a young man steps on the titular kanzashi. Now injured with too much time on his hands, he and his fellow nosy patrons start speculating about its owner. Then a telegram announces her arrival.
* the Bales 2025 Film Challenge for July is, for unknown reasons, mostly not date-related and follows some sort of vacation narrative.
“On the bus, the air was so thick, he felt woozy. A wailing infant shook with tears and the woman beside him reeked with the stink of cheap perfume.” 野良犬 [Nora inu / Stray Dog] (Akira Kurosawa, 1949)
Jul
14

A sweaty man in uniform drinks from a water fountain like a dog (via). DP: Asakazu Nakai.
Someone enjoys a drink or beverage*
– narrator
On a sweltering summer day, Detective's Murakami's Colt gets stolen on a crowded bus. He must delve deep into the sticky sweaty seedy underbelly of Tokyo to retrieve it.
* the Bales 2025 Film Challenge for July is, for unknown reasons, mostly not date-related and follows some sort of vacation narrative.
Krakatit (Otakar Vávra, 1948)
Apr
26
International Chernobyl Disaster Remembrance Day

A man on a darkened, concrete runway, running towards a man-made structure, a mirage. DP: Václav Hanuš.
Something nuclear on International Chernobyl Disaster Remembrance Day
In a state of delirium, engineer Prokop chases his stolen chemical formula, worried it may be used for mass destruction
With the experience of yet another world war, and two devastating applications of science biggest terror, Karel Čapek's 1922 novel Krakatit [“Krakatoa”] anticipated and moulded the decades to come.
And R.U.R. is now, just around the corner.
“Do you fancy a pizza? Come on, then! Come on, let's go! What the hell. We might as well go out in style. What's the point in worrying about it all?”Ladri di biciclette [The Bicycle Thieves] (Vittorio De Sica, 1948)
Apr
11
National Cheese Fondue Day

Bruno (Enzo Staiola) eating mozzarella. DP: Carlo Montuori.
Cheese or fondue for National Cheese Fondue Day (USA)
– Antonio Ricci
父ありき [Chichi ariki / There Was a Father] (Yasujirō Ozu, 1942)
Mar
31
a father

Father and son fishing in a creek. DP: Yūharu Atsuta.
A father for OP's father's birthday.
A father, and proud teacher, raises his son alone. When the boy is an adult and a teacher himself, the elder's traditional concept of societal hierarchy affirms the balance between the generations.
“Mr. Cadell got a bad leg in the war for his courage. And you've got your sleeve in the celery, Mr. Phillip.”Rope (Alfred Hitchcock, 1948)
Jun
9

A man in a dark suit has his clenched hand on top of a stack of fancy gilded dinner plates. He's holding a piece of rope, just an ordinary household article. DPs: William V. Skall & Joseph A. Valentine.
– Mrs. Wilson
“The madwoman has received your grace.”L'amore (Roberto Rossellini, 1948)
Apr
22
alms

Nannina (Anna Magnani) in “Il miracolo”, ascending a staircase while eating her alms. DP of this segment: Aldo Tonti; DPs “Una voce umana”: Robert Juillard & Otello Martelli.
– Nannina