settima

1940s

The Lady from Shanghai (Orson Welles, 1947)

Aug

9

The Lady from Shanghai (1947)

Elsa Bannister (Rita Hayworth) and husband Arthur Bannister (Everett Sloane) in the dizzying modernist finale. DP: Charles Lawton Jr..

“You need more than luck in Shanghai.”

– Elsa Bannister

The Red Shoes (Michael Powell + Emeric Pressburger, 1948)

Aug

3

red

The Red Shoes (1948)

A ballerina's lower body in focus. She wears a long tulle off-white dress, slightly sheer, with her white stockings showing through slightly. Part of her right lower arm is visible, the hand clutched, a turquoise bracelet on the wrist. What stands out most are her ruby red ballet shoes that appear to move away from her. The backdrop is a dull, washed out carpet. DP: Jack Cardiff.

Red: best use of red in food or fashion*

“She looked at the red shoes, for she thought there was no harm in looking. She put them on, for she thought there was no harm in that either. But then she went to the ball and began dancing. When she tried to turn to the right, the shoes turned to the left. When she wanted to dance up the ballroom, her shoes danced down. They danced down the stairs, into the street, and out through the gate of the town. Dance she did, and dance she must, straight into the dark woods.”

– Hans Christian Andersen, De røde Skoe (1845, tranl. Jean Hersholt, 1949), via

Another one of The Archers' #Technicolor extravaganzas. This time, not to wow the worn-down post-war black-and-white audience, but as an an active storytelling instrument.

 

Built around Hans Christian Andersen's haunting tale De røde Skoe (1845).

 

Night Has a Thousand Eyes (John Farrow, 1948)

Aug

3

Night Has a Thousand Eyes (1948)

Mentalist John Triton (Edward G. Robinson, middle) and two of his conspirators. DP: John F. Seitz.

A continuity error later on in the movie makes it August 4.

“I'd become a sort of a reverse zombie. I was living in a world already dead, and I alone knowing it.”

– John Triton

簪​ [Kanzashi / Ornamental Hairpin] (Hiroshi Shimizu, 1941)

Jul

24

relaxation

簪 (1941)

Men relaxing at a roten-buro, an outdoor onsen. DP: Suketarō Inokai.

Someone goes to a spa, beach, or retreat*

“There’s something almost poetic about finding a hairpin in the bath. It’s like the sole of my foot has been pierced by poetry.”

– Nanmura, via

Relaxing at an onsen, a young man steps on the titular kanzashi. Now injured with too much time on his hands, he and his fellow nosy patrons start speculating about its owner. Then a telegram announces her arrival.

 

野良犬 [Nora inu / Stray Dog] (Akira Kurosawa, 1949)

Jul

14

Nora inu (1949)

A sweaty man in uniform drinks from a water fountain like a dog (via). DP: Asakazu Nakai.

Someone enjoys a drink or beverage*

“On the bus, the air was so thick, he felt woozy. A wailing infant shook with tears and the woman beside him reeked with the stink of cheap perfume.”

– narrator

On a sweltering summer day, Detective's Murakami's Colt gets stolen on a crowded bus. He must delve deep into the sticky sweaty seedy underbelly of Tokyo to retrieve it.

 

Krakatit (Otakar Vávra, 1948)

Apr

26

International Chernobyl Disaster Remembrance Day

Krakatit (1948)

A man on a darkened, concrete runway, running towards a man-made structure, a mirage. DP: Václav Hanuš.

Something nuclear on International Chernobyl Disaster Remembrance Day

 

In a state of delirium, engineer Prokop chases his stolen chemical formula, worried it may be used for mass destruction

 

With the experience of yet another world war, and two devastating applications of science biggest terror, Karel Čapek's 1922 novel Krakatit [“Krakatoa”] anticipated and moulded the decades to come.

 

And R.U.R. is now, just around the corner.

Ladri di biciclette [The Bicycle Thieves] (Vittorio De Sica, 1948)

Apr

11

National Cheese Fondue Day

Ladri di biciclette (1948)

Bruno (Enzo Staiola) eating mozzarella. DP: Carlo Montuori.

Cheese or fondue for National Cheese Fondue Day (USA)

“Do you fancy a pizza? Come on, then! Come on, let's go! What the hell. We might as well go out in style. What's the point in worrying about it all?”

– Antonio Ricci

父ありき [Chichi ariki / There Was a Father] (Yasujirō Ozu, 1942)

Mar

31

a father

父ありき (1942)

Father and son fishing in a creek. DP: Yūharu Atsuta.

A father for OP's father's birthday.

 

A father, and proud teacher, raises his son alone. When the boy is an adult and a teacher himself, the elder's traditional concept of societal hierarchy affirms the balance between the generations.

Rope (Alfred Hitchcock, 1948)

Jun

9

Rope (1948)

A man in a dark suit has his clenched hand on top of a stack of fancy gilded dinner plates. He's holding a piece of rope, just an ordinary household article. DPs: William V. Skall & Joseph A. Valentine.

“Mr. Cadell got a bad leg in the war for his courage. And you've got your sleeve in the celery, Mr. Phillip.”

– Mrs. Wilson

L'amore (Roberto Rossellini, 1948)

Apr

22

alms

L'amore (1948)

Nannina (Anna Magnani) in “Il miracolo”, ascending a staircase while eating her alms. DP of this segment: Aldo Tonti; DPs “Una voce umana”: Robert Juillard & Otello Martelli.

“The madwoman has received your grace.”

– Nannina