settima

1940s

Amore di ussaro (Luis Marquina, 1940)

Jan

1

1900

Amore di ussaro (1940)

Margarita (Conchita Montenegro) and her hussar Leonardo de Vargas (Luis Sagi Vela) hold each other on New Year's Eve when the year changes from 1899 to 1900. DP: Carlo Montuori.

 

Canon City (Crane Wilbur, 1948)

Dec

30

1947

Canon City (1948)

A calendar page. It's December 30, 1947. DP: John Alton.

“We're not here to play dominoes.”

姿三四郎 [Sugata Sanshirō / Judo Saga] (Akira Kurosawa, 1943)

Dec

26

8 p.m.

姿三四郎 (1943)

A letter beckoning to come to Ukyō-ku, on December 26, at 8 o'clock. DP: Akira Mimura.

“On the night of December 26, at 8:00 on Ukyō-ku.”

La Terra Trema [The Earth Will Tremble] (Luchino Visconti, 1948)

Dec

8

Féte des Lumiéres

La Terra Trema (1948)

Night fishing (via). DP: G.R. Aldo.

Lights on water for the final day of Féte des Lumiéres, 2025

“In Sicily, Italian is not the language of the poor.”

– title card

December 7th (John Ford + Gregg Toland, 1943)

Dec

7

1941

December 7th (1943)

A Japanese person paints over the Japanese characters on their store's sign. AZUMA PHONE and SUS[HI obscured] can stay. DP: Gregg Toland.

“If that's Americanism, it's very hyphenated.”

– narrator

Careful, Soft Shoulders [Lady in a Quandry] (Oliver H.P. Garrett, 1942)

Dec

7

1941

Careful, Soft Shoulders (1942)

Thomas Aldrich (James Ellison) and Connie Mathers (Virginia Bruce). DP: Charles G. Clarke.

Panique [Panic] (Julien Duvivier, 1946)

Nov

7

Panique (1946)

A child probes her dinner with a fork larger than her head while another one is all neat and proper. In the midst of them, as serious table settings require, a large man. His napkin tucked in at the neck, he leans over the first child with something to say. DP: Nicolas Hayer.

“Dead meat always attracts flies.”

– Monsieur Hire

Corridor of Mirrors (Terence Young, 1948)

Sep

3

Corridor of Mirrors (1948)

Mifanwy (Edana Romney) anachronistically smoking a cigarette. DP: André Thomas.

颱風圏の女 [Taifuken no onna / The Woman in the Typhoon Area] (Hideo Ōba, 1948)

Aug

23

Taifuken no onna (1948)

Pirate moll Kuriko Sato (Setsuko Hara) (via). DP: Hiroyuki Nagaoka.

Celebrating International Talk like a Pirate Day*: a [favourite] pirate film.

 

* International Talk like a Pirate Day takes place on September 19.

The Red Shoes (Michael Powell + Emeric Pressburger, 1948)

Aug

3

red

The Red Shoes (1948)

A ballerina's lower body in focus. She wears a long tulle off-white dress, slightly sheer, with her white stockings showing through slightly. Part of her right lower arm is visible, the hand clutched, a turquoise bracelet on the wrist. What stands out most are her ruby red ballet shoes that appear to move away from her. The backdrop is a dull, washed out carpet. DP: Jack Cardiff.

Red: best use of red in food or fashion*

“She looked at the red shoes, for she thought there was no harm in looking. She put them on, for she thought there was no harm in that either. But then she went to the ball and began dancing. When she tried to turn to the right, the shoes turned to the left. When she wanted to dance up the ballroom, her shoes danced down. They danced down the stairs, into the street, and out through the gate of the town. Dance she did, and dance she must, straight into the dark woods.”

– Hans Christian Andersen, De røde Skoe (1845, tranl. Jean Hersholt, 1949), via

Another one of The Archers' #Technicolor extravaganzas. This time, not to wow the worn-down post-war black-and-white audience, but as an an active storytelling instrument.

 

Built around Hans Christian Andersen's haunting tale De røde Skoe (1845).