Amore di ussaro (Luis Marquina, 1940)
Jan
1
1900
.jpg)
Margarita (Conchita Montenegro) and her hussar Leonardo de Vargas (Luis Sagi Vela) hold each other on New Year's Eve when the year changes from 1899 to 1900. DP: Carlo Montuori.
Amore di ussaro (Luis Marquina, 1940)
Jan
1
1900
.jpg)
Margarita (Conchita Montenegro) and her hussar Leonardo de Vargas (Luis Sagi Vela) hold each other on New Year's Eve when the year changes from 1899 to 1900. DP: Carlo Montuori.
“We're not here to play dominoes.”Canon City (Crane Wilbur, 1948)
Dec
30
1947

A calendar page. It's December 30, 1947. DP: John Alton.
“On the night of December 26, at 8:00 on Ukyō-ku.”姿三四郎 [Sugata Sanshirō / Judo Saga] (Akira Kurosawa, 1943)
Dec
26
8 p.m.

A letter beckoning to come to Ukyō-ku, on December 26, at 8 o'clock. DP: Akira Mimura.
“In Sicily, Italian is not the language of the poor.”La Terra Trema [The Earth Will Tremble] (Luchino Visconti, 1948)
Dec
8
Féte des Lumiéres
.jpg)
Night fishing (via). DP: G.R. Aldo.
Lights on water for the final day of Féte des Lumiéres, 2025
– title card
“If that's Americanism, it's very hyphenated.”December 7th (John Ford + Gregg Toland, 1943)
Dec
7
1941

A Japanese person paints over the Japanese characters on their store's sign. AZUMA PHONE and SUS[HI obscured] can stay. DP: Gregg Toland.
– narrator
Careful, Soft Shoulders [Lady in a Quandry] (Oliver H.P. Garrett, 1942)
Dec
7
1941

Thomas Aldrich (James Ellison) and Connie Mathers (Virginia Bruce). DP: Charles G. Clarke.
“Dead meat always attracts flies.”Panique [Panic] (Julien Duvivier, 1946)
Nov
7
.png)
A child probes her dinner with a fork larger than her head while another one is all neat and proper. In the midst of them, as serious table settings require, a large man. His napkin tucked in at the neck, he leans over the first child with something to say. DP: Nicolas Hayer.
– Monsieur Hire
Corridor of Mirrors (Terence Young, 1948)
Sep
3

Mifanwy (Edana Romney) anachronistically smoking a cigarette. DP: André Thomas.
颱風圏の女 [Taifuken no onna / The Woman in the Typhoon Area] (Hideo Ōba, 1948)
Aug
23

Pirate moll Kuriko Sato (Setsuko Hara) (via). DP: Hiroyuki Nagaoka.
Celebrating International Talk like a Pirate Day*: a [favourite] pirate film.
* International Talk like a Pirate Day takes place on September 19.
“She looked at the red shoes, for she thought there was no harm in looking. She put them on, for she thought there was no harm in that either. But then she went to the ball and began dancing. When she tried to turn to the right, the shoes turned to the left. When she wanted to dance up the ballroom, her shoes danced down. They danced down the stairs, into the street, and out through the gate of the town. Dance she did, and dance she must, straight into the dark woods.” The Red Shoes (Michael Powell + Emeric Pressburger, 1948)
Aug
3
red

A ballerina's lower body in focus. She wears a long tulle off-white dress, slightly sheer, with her white stockings showing through slightly. Part of her right lower arm is visible, the hand clutched, a turquoise bracelet on the wrist. What stands out most are her ruby red ballet shoes that appear to move away from her. The backdrop is a dull, washed out carpet. DP: Jack Cardiff.
Red: best use of red in food or fashion*
– Hans Christian Andersen, De røde Skoe (1845, tranl. Jean Hersholt, 1949), via
Another one of The Archers' #Technicolor extravaganzas. This time, not to wow the worn-down post-war black-and-white audience, but as an an active storytelling instrument.
Built around Hans Christian Andersen's haunting tale De røde Skoe (1845).
* the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow.