野獣死すべし [Yajū shisubeshi / The Beast Shall Die] (Eizō Sugawa, 1959)
Feb
17
airline food
Kunihiko Date (Tatsuya Nakadai) enjoys an in-flight meal. DP: Fukuzō Koizumi.
“We're not here to play dominoes.”
Canon City (Crane Wilbur, 1948)
Dec
30
1947
A calendar page. It's December 30, 1947. DP: John Alton.
“Sloane! Be lucky!”
Nowhere to Go (Seth Holt + Basil Dearden, 1958)
Dec
22
Tue
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A man checks into a hotel. A wall calendar reads December 22, a Tuesday. DP: Paul Beeson .
– Paul Gregory
Accidente 703 [Los culpables] (José María Forqué, 1962)
Dec
21
A darkened room. People take care of a man slumped on a coach. A wall calendar tells us it's the 21st. DP: Juan Mariné.
“The way i see it, Harry, everybody lives off everybody else.”
Murder by Contract (Irving Lerner, 1958)
Nov
29
candy
In a small movie theatre, a guy in a suit (Phillip Pine) stuffs his face with something from a small brown paper bag. Behind him are the Hollywood idea of an “elderly” woman (Janet Brandt) and a man with a moustache (Albert Cavens), Right next to snack man, a fellow with his hat pulled deeply over his face (Herschel Bernardi) takes a nap.. DP: Lucien Ballard.
– Claude
“I'm trying to run an impersonal business. Killing is very personal. Once it gets started, it's hard to stop.”
The Big Combo (Joseph H. Lewis, 1955)
Nov
15
1946
A man's hand holds up a photo negative of a black-and-white picture, showing two men and a woman, and the date 11-15-46 underneath. DP: John Alton.
– Mr. Brown
La donna del lago [The Lady of the Lake / The Possessed] (Luigi Bazzoni + Franco Rossellini, 1965)
Oct
25
Tilde (Virna Lisi) caressing a man's hand, resting on her shoulder, with her cheek. DP: Leonida Barboni.
Until November 20.
“Well, there are more ways than one of getting close to your ancestors. Follow the old road, and as you walk, think of them and of the old England. They climbed Chillingbourne Hill, just as you. They sweated and paused for breath just as you did today. And when you see the bluebells in the spring and the wild thyme, and the broom and the heather, you're only seeing what their eyes saw. You ford the same rivers. The same birds are singing. When you lie flat on your back and rest, and watch the clouds sailing, as I often do, you're so close to those other people, that you can hear the thrumming of the hoofs of their horses, and the sound of the wheels on the road, and their laughter and talk, and the music of the instruments they carried. And when I turn the bend in the road, where they too saw the towers of Canterbury, I feel I've only to turn my head, to see them on the road behind me.”
A Canterbury Tale (Michael Powell + Emeric Pressburger, 1944)
Aug
27
Alison (Sheila Sim) looking out over the rolling hills of Kent with the Canterbury Cathedral somewhere out there. DP: Erwin Hillier.
– Thomas Colpeper, JP
