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bales2023filmchallenge

Last Summer (Frank Perry, 1969)

Mar

25

Walk In The Sand Day

Last Summer (1969)

One of the boys striking a threatening pose with a stick aimed at Sandy (Barbara Hershey aka Barbara Seagull). In the foreground a brooding Rhoda (the fantastic Catherine Burns). DPs: Enrique Bravo & Gerald Hirschfeld.

During a #summer #vacation on #FireIsland, two young men come across Sandy, an attractive young woman with an injured #seagull. While nursing the bird back to life, the relationship between the three deepens. A second girl, the much younger Rhoda (the breathtaking Catherine Burns) is taken in by the trio.

“What are you going to do with the rest of your life? Sit on the shore and watch?”

– Sandy

Set almost entirely on a sunny #beach, Frank Perry's Last Summer may be one of the most claustrophobic films you'll ever watch.

愛情萬歲 [Ai qing wan sui / Vive L'Amour] (Tsai Ming-liang, 1994)

Mar

24

Flatmates Day

愛情萬歲 (1994)

In a black-tiled bathroom, a black dress and black shoes are fitted. DPs: Pen-Jung Liao & Ming-Kuo Lin.

May Lin is a real estate agent who meets up with a man in the bare, too sterile flat she brokers. Another man who took the key of the same dwellings for his own cause, decides to settle in.

 

Over time, the apartment serves not only as the space where events take place, but locks and guides the flatmates through their compulsions.

Steamboat Bill, Jr. (Charles Reisner + Buster Keaton, 1928)

Mar

23

National Near Miss Day

Steamboat Bill, Jr. (1928)

In Steamboat Bill, Jr., former vaudevillian Keaton narrowly escapes the façade of a house crashing down around him.

“I'm trying to teach you to run it – not wreck it!”

– William 'Steamboat Bill' Canfield

Both the man and the stunt lived on, probably most famously in Keaton aficionado #JackieChan's Project A Part II (HK, 1987).

 

Despite all the well-meant tributes, none of the later stunts are as nail biting as the pre-OSHA original.

洞 ​[Dóng / The Hole] (Tsai Ming-liang, 1998)

Mar

22

National Sing It Out Day

洞 (1998)

The man upstairs and the woman upstairs, both dressed in that perfectly cool, 1960s Chinese style, break out in song in their crumbling apartment block The woman's singing voice is legendary Grace Chang's. DP: Pen-Jung Liao.

In a #plague-ridden Taiwan, it rains relentlessly. The #rain and a #virus forces people to retreat. In Hsiao Kang's crumbling building, a plumber inadvertently punches a hole from his floor to the unnamed woman's below. While she, another victim of the #disease, holes up in her apartment they struck up a strange detached relationship.

 

Between the endless downpour and frantic #food hoarding, in her heart a #musical sings.

Peace, little girl (1964)

Peace, little girl (1964)

March 21: #countdown to #NationalCountdownDay

Peace, little girl [Daisy aka Daisy Girl] (Sidney Myers, 1964)

One… two… three… four… five… seven… six… six… eight… nine… nine…

It was the #PoliticalAd campaign to end all political ad campaigns. Peace, little girl opens innocently enough with a little blonde girl, picking the petals of an ox-eye #daisy while counting. When the final petal's gone, the tone changes completely.

This deceptively simple propaganda film was made in support of Lyndon B. Johnson's 1964 presidential campaign by ad agency #DBB and media consultant Tony Schwartz. It was so effective and bleak in is insinuations that the Johnson campaign was forced to pull it after only one screening.

What fascinates me is the similarity with one particular scene from James Whale's #Frankenstein (1931). The Monster (#Karloff) meets a little girl who sits on the shore of a lake, picking daisies. He approaches her, and the girl, knowing the creature is a good man at heart, invites him to play a game with her involving them tossing the daisies into the lake.

The Monster (Boris Karloff) and little Maria (Marilyn Harris) playing with daisies on a beautiful day at the lake. DPs: Arthur Edeson & Paul Ivano.

Frankenstein (1931)

Spoiler warning When they run out of daisies, the Monster picks up the girl who to him is as pretty and innocent as a flower, and tosses her into the water.

This scene was cut and considered lost until the 1980s. Could Tony Schwartz have been aware of that scene? He was at the right age to have seen the pre-code, pre-cut version.

#Bales2023FilmChallenge #SidneyMyers #LyndonBJohnson #ChrisSchenkel #MoniqueCorzilius #MoniqueCozy #RobertDryden #DrummondDrury #ShortFilm #war #peace #scaresploitation #flowers #propaganda #ColdWar #election #politics #USA #1960s ★★★★☆

#todo

Un soir, un train [One Night, a Train] (André Delvaux, 1968)

Mar

20

French Language Day

Un soir, un train (1968)

Mathias (Montand) and Anne (Aimée) walk through a round archway. Both have a different focus and are on opposite sides of the arch as a foreshadowing of their parting. DP: Ghislain Cloquet.

A Walloon language professor and his French set designer fiancée are at an impasse. While his Flemish students vocally protest against more Walloon influence at their uni, the couple – who superficially speak the same #language, #French – struggles to find the right words. They meet, part ways, then find each other again on a train that at morning turns out to be standing still in the middle of nowhere. The man, now without her, disembarks and with two acquaintances who also were on that train tries to find out where he and she are.

 

André Delvaux's Un soir, un train is a masterpiece about finding the right language in a fractured world.

The Damned [These Are the Damned] (Joseph Losey, 1962)

Mar

19

National Automatic Door Day

The Damned (1962)

An 11-year old boy, Henry (Kit Williams), opens a featureless door in a rock surface for a drenched King (Oliver Reed). DP: Arthur Grant.

An American tourist visiting Dorset is tricked by a prostitute, then falls victim to a youth gang controlled by volatile con King – a still very green Oliver Reed at his meanest. The trickster is King's sister, who confides in the American hoping to escape her brother's incestuous advances.

“I'm strange, all right! I'll show you just how strange I am!”

– King

The couple elopes to a nearby island, closely followed by King and his gang, where they find a group of #children, all contently living in an underground lab, with #AutomaticDoors only they can control.

 

They are the damned.

Un homme et une femme A Man and a Woman] (Claude Lelouch, 1966)

Mar

18

International Sports Car Racing Day

Un homme et une femme (1966)

Jean-Louis Trintignant driving a Matra single-seater at the Autodrome de Montlhéry [caption taken from a photo from the same session]. Behind him his uncle Maurice in a Maserati Tipo 151/1. DP: Claude Lelouch.

A man and a woman meet and fall in love. The woman – Anouk Aimée – still mourns the loss of her stuntman husband, while the man – Jean-Louis Trintignant – is alone since his partner took her life, incapable of dealing with his near-fatal #crash at #LeMans.

“It's foolish to refuse happiness.”

#Trintignant came from a family obsessed with race car driving and was an avid amateur driver himself. His uncle, the #GrandPrix racer Maurice Trintignant, can be seen driving a #Maserati Tipo 151/1 during the race scene.
A deceptively simple film by Claude Lelouch, with an equally breezy soundtrack by Francis Lai.

Полустанок [Polustanok / The Halt] (Sergey Loznitsa, 2000)

Mar

17

World Sleep Day

Полустанок (2000)

People leaning back on the train station's benches, fast asleep. DP: Pavel Kostomarov.

In a small train station's waiting room, people #sleep. #Trains in the distance rumble along. #Snow covers footprints crossing nearby tracks and the wooden shed where travellers, strangers, huddle together in their shared fate. Pavel Kostomarov's cinematography and Sergey Loznitsa's direction capture the silence.

On the Marriage Broker Joke as Cited by Sigmund Freud in “WIT AND ITS RELATION TO THE UNCONSCIOUS” or Can the Avant-Garde Artist Be Wholed (Owen Land, 1977)

Mar

16

National Panda Day

ON THE MARRIAGE BROKER JOKE AS CITED BY SIGMUND FREUD IN “WIT AND ITS RELATION TO THE UNCONSCIOUS” OR CAN THE AVANT-GARDE ARTIST BE WHOLED? (1977)

Two fake pandas in a black-and-white room, seated on zebra-striped chairs. The floor has black-and-white square tiles and the walls black-and-white polkadots. Framed behind them, two black squares with white passe-partouts.

Owen Land explores meaning, wit, and #WordPlay, and manages to unite the #marketing of #umeboshi #plums in a wide variety of vessels, the brokering of #brides, and pandas discussing #Freud in all of the above contexts.

“My film is going to be introduced by a fake panda and it’s going to be about Japanese salted plums among other things.”

– FIRST PANDA