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bales2025filmchallenge

Mauvais sang [Bad Blood / The Night Is Young] (Leos Carax, 1986)

Jan

8

David Bowie's birthday

Mauvais sang (1986)

(Alex) Denis Lavant in a scene set to David Bowie's Modern Love. DP: Jean-Yves Escoffier.

A [favourite] scene featuring a Bowie song for David Bowie's birthday (1947).

“They pulled in just behind the fridge He lays her down, he frowns “Gee, my life's a funny thing Am I still too young?” He kissed her then and there She took his ring, took his babies It took him minutes, took her nowhere Heaven knows, she'd have taken anything”

– David Bowie, Modern Love (from Let's Dance, 1983)

Operation Ganymed [Helden, verloren im Staub der Sterne] (Rainer Erler, 1977)

Jan

7

moons

Operation Ganymed (1977)

Jupiter rising. DP: Wolfgang Grasshoff.

Moons for Galileo Galilei's observation of Jupiter's four largest moons in 1610: Ganymede and Callisto on January 7, and Europa and Io on January 8.

“I therefore concluded and decided unhesitatingly, that there are three stars in the heavens moving about Jupiter, as Venus and Mercury round the Sun; which at length was established as clear as daylight by numerous subsequent observations. These observations also established that there are not only three, but four, erratic sidereal bodies performing their revolutions round Jupiter… the revolutions are so swift that an observer may generally get differences of position every hour.”

– Galileo Galilei, Sidereus Nuncius (”Starry Messenger”), 1610

A spacecraft named Ganymede II returns back to Earth after its expedition to Jupiter's moons followed by 1500 days stuck in space. The Earth they find, is deserted.

Sevmek Zamanı [Time to Love] (Metin Erksan, 1965)

Jan

6

Muslim-American Heritage Month

Sevmek Zamanı (1965)

The man, the woman, and her portrait. DP: Mengü Yeğin.

“Study me as much as you like, you will not know me, for I differ in a hundred ways from what you see me to be. Put yourself behind my eyes and see me as I see myself, for I have chosen to dwell in a place you cannot see.”

Rumi

Space Is the Place (John Coney, 1974)

Jan

5

Space Shuttle

Space Is the Place (1974)

Ra's arrival. DP: Seth Hill.

A film about space travel on the day Nixon announced the Space Shuttle program in 1972.

“I came from a dream that the black man dreamed long ago. I’m actually a presence sent to you by your ancestors.”

Sun Ra

Escrime [Fencing] (Étienne-Jules Marey, 1890)

Jan

4

revolvers

Escrime (1890)
Escrime (1890)

Footage of Marey at work. Note the mobility of his invention. (via).

A revolver to commemorate Samuel Colt's sale of 1 000 revolvers to butcher Captain Samuel Walker in 1847.

“Art and science encounter each other when they seek exactitude.”

– Étienne-Jules Marey

However, where there is bloodshed, there can be art. Scientist Étienne-Jules Marey studied movement, and further adapted an existing revolver-style camera gun invented by astronomer Jules Janssen in 1874. The revolution in Marey's invention was not in the least in its mobility. Unlike Muybridge, whose locomotion experiments required a huge, cumbersome setup, Marey could strap on his “gun”, and shoot moving footage while following his target around. His chronophotograph Escrime can be considered Marey's first successfully captured moving footage.

他人の顔 [Tanin no kao / The Face of Another] (Hiroshi Teshigahara, 1966)

Jan

3

Tutankhamun's tomb

他人の顔 (1966)

Mr. Okuyama (Tatsuya Nakadai). DP: Hiroshi Segawa.

Bandages for that day in 1924 when Howard Carter came across Tutankhamun's sarcophagus.

“You'll feel better soon. Once you're used to the mask, you'll be a new man — one with no records, no past. A mind invisible to the world.”

– psychiatrist

Die Nibelungen: Siegfried (Fritz Lang, 1924)

Jan

2

dragons

Die Nibelungen: Siegfried (1924)

Siegfried (Paul Richter), seen from the back, bathing in the blood of the slain dragon. On his left shoulder blade, a linden leaf. DPs: Carl Hoffmann, Günther Rittau & Walter Ruttmann.

Dragons or lizards, January's soul symbol.

À propos de Nice – point de vue documenté [À propos de Nice] (Boris Kaufman + Jean Vigo, 1930)

Jan

1

New Year's Day

À propos de Nice - point de vue documenté (1930)

Exuberant prostitutes, Jean Vigo (5th from the left), and some who appear to be men in drag, dance on a landing with confetti all around them. In the moving footage they can be seen high-kicking with increased vulgarity, the camera posed below them. DP: Boris Kaufman.

Confetti for New Year's Day.

“In this film, by showing certain basic aspects of a city, a way of life is put on trial… the last gasps of a society so lost in its escapism that it sickens you and makes you sympathetic to a revolutionary solution.”

– Jean Vigo in his manifesto Vers un cinéma social

Who, why, and what

This film blog, which is part of the fediverse, compliments my Mastodon musings and to a degree my Letterboxd logs. It consists of three parts:

The oldest is the Bales 2023 Film Challenge. This was a 2023 fediverse (and Twitter/X) challenge where the participants had to post about a film based on the daily theme. 2023 wasn't the kindest year, and at one point I had to skip a title. And then more. And more. And in 2024 I'm still catching up. Read about it on Letterboxd. Note that blog posts are timestamped on their corresponding daily challenge; you may have to scroll all the way back a year, or follow the #Bales2023FilmChallenge, #Bales2024FilmChallenge (December only) and #Bales2025FilmChallenge tags.

Then there is the Film du jour. This too once was a Letterboxd list until a blogger, backed by LB, blatantly copied my list and ran off with my gold medal. That list is now private and the titles – auto-posted on Mastodon on the day they take place – can be found here under the tag #FilmDuJour. The titles repeat yearly, with more and more ingredients added. It's like the soup of the day, but in celluloid form. Delicious!

Talking about food. Over time I announced my film-watching-during-dinner on Mastodon with the hashtag #FilmDinner. Initially just with a nice/interesting still, but then I decided to post a screenshot of a food-related moment in said movie.

The most recent addition is #Arcs, journaling those odd moments where I watch two or more films in a row with very similar scenes or setups. That happens, more often than anticipated.