settima

drama

父ありき [Chichi ariki / There Was a Father] (Yasujirō Ozu, 1942)

Mar

31

a father

父ありき (1942)

Father and son fishing in a creek. DP: Yūharu Atsuta.

A father for OP's father's birthday.

 

A father, and proud teacher, raises his son alone. When the boy is an adult and a teacher himself, the elder's traditional concept of societal hierarchy affirms the balance between the generations.

Chac: Dios de la lluvia [Chac: The Rain God] (Rolando Klein, 1975)

Mar

30

mythology

Chac: Dios de la lluvia (1975)

The villagers light torches in preparation of the ritual. Screenshot via. DP: William B. Kaplan + Álex Phillips Jr..

Mythology on the date Wrath of the Titans (2012) was released.

 

With their shaman lost to alcohol, villagers make their way to a diviner in the hope to appease Chac, the rain god.

“This is the account of when all is still silent and placid.   All is silent and calm.   Hushed and empty is the womb of the sky.”

– Popul Vuh, The Primordial World

Filmed in the forests of Tenejapa, Chiapas, Chac is probably the first film completely in Tzotzil, one of several Maya languages, and based on themes found in the Popol Vuh.

Supermarkt [Die Stadt, Jane Love / Supermarket] (Roland Klick, 1974)

Mar

30

Supermarkt (1974)

Willi Hansen (Charly Wierzejewski) in a phone booth. Filmed from the outside in, his face is partially obscured by neon lights. DP: Jost Vacano.

Die Patriotin [The Patriotic Woman] (Alexander Kluge, 1979)

Mar

29

秦始皇兵马俑

Die Patriotin (1979)

Teacher Gabi Teichert (Hannelore Hoger), knee-deep in a puddle with a shovel, inspecting a find. DPs: Guenter Hoermann, Werner Lüring, Thomas Mauch & Jörg Schmidt-Reitwein.

Something buried: discovery of the Terracotta Army on March 29, 1974

 

A German history teacher, unhappy with the standardised history textbooks she has to work with, literally digs up her nation's past and sees how it is reflected in modern society.

Paris, Texas (Wim Wenders, 1984)

Mar

27

94th Academy Awards

Paris, Texas (1984)

Travis (Harry Dean Stanton) wandering the desert. DP: Robby Müller.

A film that I wish would have won the Academy Award for Best Picture in honour of the 94th Academy Awards (2022).

“The Dust has come to stay. You may stay or pass on through or whatever.”

– gas station sign

Ludwig (Luchino Visconti, 1973)

Mar

25

Elton John – 1947

Ludwig (1973)

Elisabeth “Sissi” of Austria (Romy Schneider) and King Ludwig II of Bavaria (Helmut Berger) in his beloved Venus Grotto below Schloss Linderhoff. Ludwig wanted blue light in reference to the Grotta Azzurra in #Capri, and had electricity installed in the grotto, which was the first usage of electricity in Austria. DP: Armando Nannuzzi.

A flamboyant character for Elton John’s birthday (1947).

“I want to remain an enigma forever. To others, and also to myself.”

– Ludwig II

The Moon Over the Alley (Joseph Despins, 1976)

Mar

21

End Racism Day

The Moon Over the Alley (1976)

Ronnie Gusset (Patrick Murray), Sherry (Bill Williams), and Belinda (Sharon Forester) at a kitchen table, chatting and laughing. DP: Peter Hannan.

Diversity for the International Day for the Elimination of Racial Discrimination.

 

Today marks the anniversary of the Sharpeville massacre (1960), when police butchered dozens of people gathered to protest the pass law, one of Apartheid's many cruel segregation measurements.

“In a short while you'll see that the moon won't be so bright as it is. Clouds will cover it… it'll get broken up there. I hope it won't break us.”

– Sybil

The multicultural residents of a Notting Hill boarding house go about their day – listening to the radio, humming, singing – with the local council's imminent demolition of their home looming over them.

 

A kitchen sink drama, yes. But also a catchy musical, written by no other than Galt MacDermot, who brought the world the musical Hair (1967) and the blaxploitation neo-noir Cotton Comes to Harlem (1970).

Grauzone [Zones] (Fredi M. Murer, 1979)

Mar

21

1976

Grauzone (1979)

The anonymous, urgent newspaper announcement referencing the oath of secrecy considering a mysterious epidemic, starting March 21, 1976. It lists all the symptoms. DP: Hans Liechti.

Eine mysteriöse EPIDEMIE ist ausgebrochen.

L'eclisse [The Eclipse] (Michelangelo Antonioni, 1962)

Mar

20

natural phenomena

L'eclisse (1962)

Vitti's blond hair shifts in front of Delon's dark coupe, quietly mimicking the eclipse. DP: Gianni Di Venanzo.

A natural phenomenon for this year's March equinox, three supermoons, and the March 25 solar eclipse.

“There was a silence different from all other silences, an ashen light, and then darkness – total stillness. I thought that during an eclipse even our feelings stop. Out of this came part of the idea for L'eclisse.”

During several moments in the film, the main characters' mannerisms foreshadow the looming solar eclipse.

La Chinoise, ou plutôt à la Chinoise: un film en train de se faire [La chinoise] (Jean-Luc Godard, 1967)

Mar

19

Howard University Protest

La chinoise (1967)

Yvonne (Juliet Berto) holed up behind piles of Mao's Little Red Book, wielding a machine gun. DP: Raoul Coutard.

Student activism to commemorate the March 19 1968 Howard University Protest

“One must confront vague ideas with clear images”

– slogan on a wall

Five Maoist students theorise, then practice a radical overthrow via terrorism.

 

Loosely based on Dostoyevsky's Бѣсы [The Possessed] (1871–72).