filmdinner &mdash; settima https://write.underworld.fr/settima/tag:filmdinner @settima@mograph.social Sun, 30 Aug 2026 16:31:42 +0200 The Outfit (John Flynn, 1973) https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-zmrz <![CDATA[section class="boxinfo" markdown="1" div class="title" The Outfit (John Flynn, 1973)/div div class="month" Jul/div div class="dont-fill" /div div class="daynr" 31/div div class="occasion" bread/div div class="img" The Outfit (1973).png)/div div class="caption" A white man in a dark coat in an undefined room. A concrete wall, a metal pipe, a loaf of white bread on a walnut counter. DP: Bruce Surtees./div div class="txt" "I don't talk to guys wearing aprons." ### – Earl Macklin /div div class="tags" ##### #FilmDinner #bread #JohnFlynn #DonaldEWestlake #RobertDuvall #KarenBlack #JoeDonBaker #RobertRyan #TimothyCarey #JerryFielding #BruceSurtees #BookAdaptation #thriller #crime #USA #1970s ★★★★☆/div /section ]]>

The Outfit (John Flynn, 1973)

Jul

31

bread

The Outfit (1973)

A white man in a dark coat in an undefined room. A concrete wall, a metal pipe, a loaf of white bread on a walnut counter. DP: Bruce Surtees.

“I don't talk to guys wearing aprons.”

– Earl Macklin

#FilmDinner #bread #JohnFlynn #DonaldEWestlake #RobertDuvall #KarenBlack #JoeDonBaker #RobertRyan #TimothyCarey #JerryFielding #BruceSurtees #BookAdaptation #thriller #crime #USA #1970s ★★★★☆

]]> https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-zmrz Fri, 31 Jul 2026 17:03:49 +0200 Goodbye & Amen (Damiano Damiani, 1977) https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-yn63 <![CDATA[section class="boxinfo" markdown="1" div class="title" Goodbye & Amen (Damiano Damiani, 1977)/div div class="month" Jul/div div class="dont-fill" /div div class="daynr" 25/div div class="occasion" cereal/div div class="img" Goodbye & Amen (1977).png)/div div class="caption" Mrs. De Mauro (Claudia Cardinale) peeks around her hotelroom door. Waiting for her is a room service cart with coffee, coffee cups, and numerous boxes of Post Toasties. DP: Luigi Kuveiller./div div class="txt" "Twelve boxes of cornflakes - all for himself?" ### – Jack /div div class="tags" ##### #FilmDinner #cereal #cornflakes #DamianoDamiani #FrancisClifford #TonyMusante #ClaudiaCardinale #JohnSteiner #RenzoPalmer #FabrizioJovine #JohnForsythe #GuidoDeAngelis #MaurizioDeAngelis #LuigiKuveiller #drama #crime #thriller #BookAdaptation #Italy #1970s ★★★★☆ ♥︎/div /section ]]>

Goodbye & Amen (Damiano Damiani, 1977)

Jul

25

cereal

Goodbye & Amen (1977)

Mrs. De Mauro (Claudia Cardinale) peeks around her hotelroom door. Waiting for her is a room service cart with coffee, coffee cups, and numerous boxes of Post Toasties. DP: Luigi Kuveiller.

“Twelve boxes of cornflakes – all for himself?”

– Jack

#FilmDinner #cereal #cornflakes #DamianoDamiani #FrancisClifford #TonyMusante #ClaudiaCardinale #JohnSteiner #RenzoPalmer #FabrizioJovine #JohnForsythe #GuidoDeAngelis #MaurizioDeAngelis #LuigiKuveiller #drama #crime #thriller #BookAdaptation #Italy #1970s ★★★★☆ ♥︎

]]> https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-yn63 Sat, 25 Jul 2026 17:22:51 +0200 Le combat dans l'île (Alain Cavalier, 1962) https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-w5vp <![CDATA[section class="boxinfo" markdown="1" div class="title" Le combat dans l'île (Alain Cavalier, 1962)/div div class="month" Jul/div div class="dont-fill" /div div class="daynr" 8/div div class="occasion" lait/div div class="img" Le combat dans l'île (1962).png)/div div class="caption" Clément (Jean-Louis Trintignant) – well-suited in a wood-panelled elevator – opening a milk bottle. DP: Pierre Lhomme./div div class="txt" &nbsp; /div div class="tags" ##### #FilmDinner #milk #AlainCavalier #RomySchneider #JeanLouisTrintignant #HenriSerre #DianeLepvrier #JeanPierreMelville #SergeNigg #PierreLhomme #revenge #drama #romance #crime #thriller #France #1960s ★★★★☆/div /section ]]>

Le combat dans l'île (Alain Cavalier, 1962)

Jul

8

lait

Le combat dans l'île (1962)

Clément (Jean-Louis Trintignant) – well-suited in a wood-panelled elevator – opening a milk bottle. DP: Pierre Lhomme.

 

#FilmDinner #milk #AlainCavalier #RomySchneider #JeanLouisTrintignant #HenriSerre #DianeLepvrier #JeanPierreMelville #SergeNigg #PierreLhomme #revenge #drama #romance #crime #thriller #France #1960s ★★★★☆

]]> https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-w5vp Wed, 08 Jul 2026 16:50:30 +0200 Un posto ideale per uccidere [An Ideal Place to Kill / Oasis of Fear] (Umberto... https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-v8mz <![CDATA[section class="boxinfo" markdown="1" div class="title" Un posto ideale per uccidere [An Ideal Place to Kill / Oasis of Fear] (Umberto Lenzi, 1971)/div div class="month" Jun/div div class="dont-fill" /div div class="daynr" 19/div div class="occasion" champagne/div div class="img" Un posto ideale per uccidere (1971).png)/div div class="caption" A white hand places a champagne filled coupe on a tiled floor, right in front of a tabby cat. Said Highness is also enjoying a full plate of carefully prepared seafood. DP: Alfio Contini./div div class="txt" &nbsp; /div div class="tags" ##### #FilmDinner #champagne #seafood #UmbertoLenzi #IrenePapas #RayLovelock #OrnellaMuti #MichelBardinet #SalBorgese #CarlaMancini #UmbertoRaho #FrancoRessel #BrunoLauzi #AlfioContini #cats #hippies #Mansonsploitation #crime #thriller #drama #mystery #Italy #France #1970s ★★★½/div /section ]]>

Un posto ideale per uccidere [An Ideal Place to Kill / Oasis of Fear] (Umberto Lenzi, 1971)

Jun

19

champagne

Un posto ideale per uccidere (1971)

A white hand places a champagne filled coupe on a tiled floor, right in front of a tabby cat. Said Highness is also enjoying a full plate of carefully prepared seafood. DP: Alfio Contini.

 

#FilmDinner #champagne #seafood #UmbertoLenzi #IrenePapas #RayLovelock #OrnellaMuti #MichelBardinet #SalBorgese #CarlaMancini #UmbertoRaho #FrancoRessel #BrunoLauzi #AlfioContini #cats #hippies #Mansonsploitation #crime #thriller #drama #mystery #Italy #France #1970s ★★★½

]]> https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-v8mz Fri, 19 Jun 2026 16:47:47 +0200 La diosa arrodillada [The Kneeling Goddess] (Roberto Gavaldón, 1947) https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-k1ft <![CDATA[section class="boxinfo" markdown="1" div class="title" La diosa arrodillada [The Kneeling Goddess] (Roberto Gavaldón, 1947)/div div class="month" Jun/div div class="dont-fill" /div div class="daynr" 13/div div class="occasion" cake/div div class="img" La diosa arrodillada (1947).png)/div div class="caption" A woman's manicured hand holds up a glass of champagne next to what appears to be an opulent wedding cake. DP: Alex Phillips./div div class="txt" &nbsp; /div div class="tags" ##### #FilmDinner #cake #champagne #RobertoGavaldón #MaríaFélix #ArturoDeCórdova #RosarioGranados #FortunioBonanova #RodolfoHalffter #AlexPhillips #melodrama #drama #romance #crime #thriller #Mexico #1940s ★★★½/div /section ]]>

La diosa arrodillada [The Kneeling Goddess] (Roberto Gavaldón, 1947)

Jun

13

cake

La diosa arrodillada (1947)

A woman's manicured hand holds up a glass of champagne next to what appears to be an opulent wedding cake. DP: Alex Phillips.

 

#FilmDinner #cake #champagne #RobertoGavaldón #MaríaFélix #ArturoDeCórdova #RosarioGranados #FortunioBonanova #RodolfoHalffter #AlexPhillips #melodrama #drama #romance #crime #thriller #Mexico #1940s ★★★½

]]> https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-k1ft Sat, 13 Jun 2026 18:29:47 +0200 Le doulos [The Informer] (Jean-Pierre Melville, 1962) https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-m3jf <![CDATA[section class="boxinfo" markdown="1" div class="title" Le doulos [The Informer] (Jean-Pierre Melville, 1962)/div div class="month" Jun/div div class="dont-fill" /div div class="daynr" 12/div div class="X" /div div class="img" Le doulos (1962).png)/div div class="caption" Belmondo and a white woman in a Cheongsam – both looking straight at us – awkwardly sit at a small round table in some sort of nightclub-ish establishment. There are cigarettes, an empty glass, and an ice bucket in front of her. DP: Nicolas Hayer./div div class="txt" "I don't give a damn. But I have the jewels and I need the money." ### – Silien /div div class="tags" ##### #FilmDinner #JeanPierreMelville #PierreLesou #JeanPaulBelmondo #SergeReggiani #JeanDesailly #RenéLefèvre #PhilippeMarch #FabienneDali #MoniqueHennessy #CarlStuder #MichelPiccoli #VolkerSchlöndorff #DominiqueZardi #PaulMisraki #NicolasHayer #BookAdaptation #crime #thriller #Paris #France #Italy #1960s/div /section ]]>

Le doulos [The Informer] (Jean-Pierre Melville, 1962)

Jun

12

Le doulos (1962)

Belmondo and a white woman in a Cheongsam – both looking straight at us – awkwardly sit at a small round table in some sort of nightclub-ish establishment. There are cigarettes, an empty glass, and an ice bucket in front of her. DP: Nicolas Hayer.

“I don't give a damn. But I have the jewels and I need the money.”

– Silien

#FilmDinner #JeanPierreMelville #PierreLesou #JeanPaulBelmondo #SergeReggiani #JeanDesailly #RenéLefèvre #PhilippeMarch #FabienneDali #MoniqueHennessy #CarlStuder #MichelPiccoli #VolkerSchlöndorff #DominiqueZardi #PaulMisraki #NicolasHayer #BookAdaptation #crime #thriller #Paris #France #Italy #1960s

]]> https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-m3jf Fri, 12 Jun 2026 17:40:53 +0200 Les yeux cernés [Marked Eyes] (Robert Hossein, 1964) https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-3c32 <![CDATA[section class="boxinfo" markdown="1" div class="title" Les yeux cernés [Marked Eyes] (Robert Hossein, 1964)/div div class="month" May/div div class="dont-fill" /div div class="daynr" 22/div div class="occasion" dishes/div div class="img" Les yeux cernés (1964).png)/div div class="caption" Dirty plates on what looks like a professional kitchen's counter. A bobbed woman in black moves cutlery out of the frame. DP: Jean Boffety./div div class="txt" /div div class="tags" ##### #FilmDinner #RobertHossein #MichèleMorgan #MarieFrancePisier #AndréHossein #JeanBoffety #mystery #drama #crime #romance #France #Italy #Austria #1960s ★★★★☆/div /section ]]>

Les yeux cernés [Marked Eyes] (Robert Hossein, 1964)

May

22

dishes

Les yeux cernés (1964)

Dirty plates on what looks like a professional kitchen's counter. A bobbed woman in black moves cutlery out of the frame. DP: Jean Boffety.

#FilmDinner #RobertHossein #MichèleMorgan #MarieFrancePisier #AndréHossein #JeanBoffety #mystery #drama #crime #romance #France #Italy #Austria #1960s ★★★★☆

]]> https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-3c32 Fri, 22 May 2026 19:02:10 +0200 簪​ [Kanzashi / Ornamental Hairpin] (Hiroshi Shimizu, 1941) https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-6tgz <![CDATA[section class="boxinfo" markdown="1" div class="title" 簪​ [Kanzashi / Ornamental Hairpin] (Hiroshi Shimizu, 1941)/div div class="month" Mar/div div class="dont-fill" /div div class="daynr" 3/div div class="occasion" melon/div div class="img" Kanzashi (1941).png)/div div class="caption" A traditional Japanese room with tatami mats. Boys at a table eat melon slices. A woman makes a phone call. The view through the window reveals a gnarly tree and a mountain in the background. DP: Suketarō Inokai./div div class="txt" &nbsp; /div div class="tags" ##### #FilmDinner #melons #fruit #HiroshiShimizu #MasujiIbuse #KinuyoTanaka #HirokoKawasaki #TatsuoSaitō #ChishūRyū #ShinIchiHimori #TakeshiSakamoto #TakaakiAsai #SuketarōInokai #comedy #drama #BookAdaptation #Japan #1940s ★★★½/div /section ]]>

簪​ [Kanzashi / Ornamental Hairpin] (Hiroshi Shimizu, 1941)

Mar

3

melon

Kanzashi (1941)

A traditional Japanese room with tatami mats. Boys at a table eat melon slices. A woman makes a phone call. The view through the window reveals a gnarly tree and a mountain in the background. DP: Suketarō Inokai.

 

#FilmDinner #melons #fruit #HiroshiShimizu #MasujiIbuse #KinuyoTanaka #HirokoKawasaki #TatsuoSaitō #ChishūRyū #ShinIchiHimori #TakeshiSakamoto #TakaakiAsai #SuketarōInokai #comedy #drama #BookAdaptation #Japan #1940s ★★★½

]]> https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-6tgz Tue, 03 Mar 2026 18:41:04 +0100 Paranoia [A Quiet Place to Kill] (Umberto Lenzi, 1970) https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-ky1l <![CDATA[section class="boxinfo" markdown="1" div class="title" Paranoia [A Quiet Place to Kill] (Umberto Lenzi, 1970)/div div class="month" Feb/div div class="dont-fill" /div div class="daynr" 13/div div class="occasion" J&B/div div class="img" Paranoia (1970).png)/div div class="caption" Carroll Baker as Helen pours herself a stiff drink while a guy in lettuce-coloured pants struts in. She's deserves it. Damn it, we ALL deserve it! DP: Guglielmo Mancori./div div class="txt" "You represent everything I detest in a man." ### – Lily Harmer /div div class="tags" ##### #FilmDinner #JandB #whisky #UmbertoLenzi #CarrollBaker #JeanSorel #LuisDávila #AlbertoDalbés #GregorioGarcíaSegura #NinoRota #GuglielmoMancori #giallo #crime #thriller #Italy #France #Spain #1970s ★★★½/div /section ]]>

Paranoia [A Quiet Place to Kill] (Umberto Lenzi, 1970)

Feb

13

J&B

Paranoia (1970)

Carroll Baker as Helen pours herself a stiff drink while a guy in lettuce-coloured pants struts in. She's deserves it. Damn it, we ALL deserve it! DP: Guglielmo Mancori.

“You represent everything I detest in a man.”

– Lily Harmer

#FilmDinner #JandB #whisky #UmbertoLenzi #CarrollBaker #JeanSorel #LuisDávila #AlbertoDalbés #GregorioGarcíaSegura #NinoRota #GuglielmoMancori #giallo #crime #thriller #Italy #France #Spain #1970s ★★★½

]]> https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-ky1l Fri, 13 Feb 2026 16:03:47 +0100 Night Must Fall (Karel Reisz, 1964) https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-n6qg <![CDATA[section class="boxinfo" markdown="1" div class="title" Night Must Fall (Karel Reisz, 1964)/div div class="month" Feb/div div class="dont-fill" /div div class="daynr" 2/div div class="occasion" roast/div div class="img" Night Must Fall (1964).png)/div div class="caption" A man mostly off screen carves meat of some sort. Surely it's symbolic. DP: Freddie Francis./div div class="txt" &nbsp; /div div class="tags" ##### #FilmDinner #roast #meat #KarelReisz #EmlynWilliams #AlbertFinney #MonaWashbourne #SusanHampshire #SheilaHancock #RonGrainer #FreddieFrancis #theatre #drama #crime #thriller #UK #1960s ★★★½/div /section ]]>

Night Must Fall (Karel Reisz, 1964)

Feb

2

roast

Night Must Fall (1964)

A man mostly off screen carves meat of some sort. Surely it's symbolic. DP: Freddie Francis.

 

#FilmDinner #roast #meat #KarelReisz #EmlynWilliams #AlbertFinney #MonaWashbourne #SusanHampshire #SheilaHancock #RonGrainer #FreddieFrancis #theatre #drama #crime #thriller #UK #1960s ★★★½

]]> https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-n6qg Mon, 02 Feb 2026 16:11:49 +0100