settima

france

Orlando (Sally Potter, 1992)

Jan

24

Billy Zane's birthday

Orlando (1992)

Orlando (Tilda Swinton) and Shelmerdine (Billy Zane) in intimate embrace. DPs: Aleksey Rodionov & Andrew Speller.

A [favourite] Billy Zane film for his birthday (1966).

“This future of yours Shelmerdine, when it's gonna begin? Today? Or, is it always tomorrow?”

– Orlando

As ordered by Queen Elizabeth I (Quentin Crisp), nobleman Orlando remains young and traverses exotic scenery, civilisations, time, and gender.

La baie des anges [Bay of Angels] (Jacques Demy, 1963)

Jan

9

Wheel of Fortune

La baie des anges (1963)

Jean (Claude Mann) and Jackie (Jeanne Moreau) at a casino table. The tension is palpable. DP: Jean Rabier.

Good, or bad, fortune on the day Wheel of Fortune premiered in 1975.

– How much did you win?

– 500,000 in less than an hour. It's immoral, but no more than anything else. No more than poverty or ugliness.

Mauvais sang [Bad Blood / The Night Is Young] (Leos Carax, 1986)

Jan

8

David Bowie – 1947

Mauvais sang (1986)

(Alex) Denis Lavant in a scene set to David Bowie's Modern Love. DP: Jean-Yves Escoffier.

A [favourite] scene featuring a Bowie song for David Bowie's birthday (1947).

“They pulled in just behind the fridge He lays her down, he frowns “Gee, my life's a funny thing Am I still too young?” He kissed her then and there She took his ring, took his babies It took him minutes, took her nowhere Heaven knows, she'd have taken anything”

– David Bowie, Modern Love (from Let's Dance, 1983)

Escrime [Fencing] (Étienne-Jules Marey, 1890)

Jan

4

revolvers

Escrime (1890)
Escrime (1890)

Footage of Marey at work. Note the mobility of his invention. (via).

A revolver to commemorate Samuel Colt's sale of 1 000 revolvers to butcher Captain Samuel Walker in 1847.

“Art and science encounter each other when they seek exactitude.”

– Étienne-Jules Marey

However, where there is bloodshed, there can be art. Scientist Étienne-Jules Marey studied movement, and further adapted an existing revolver-style camera gun invented by astronomer Jules Janssen in 1874. The revolution in Marey's invention was not in the least in its mobility. Unlike Muybridge, whose locomotion experiments required a huge, cumbersome setup, Marey could strap on his “gun”, and shoot moving footage while following his target around. His chronophotograph Escrime can be considered Marey's first successfully captured moving footage.

À propos de Nice – point de vue documenté [À propos de Nice] (Boris Kaufman + Jean Vigo, 1930)

Jan

1

New Year's Day

À propos de Nice - point de vue documenté (1930)

Exuberant prostitutes, Jean Vigo (5th from the left), and some who appear to be men in drag, dance on a landing with confetti all around them. In the moving footage they can be seen high-kicking with increased vulgarity, the camera posed below them. DP: Boris Kaufman.

Confetti for New Year's Day.

“In this film, by showing certain basic aspects of a city, a way of life is put on trial… the last gasps of a society so lost in its escapism that it sickens you and makes you sympathetic to a revolutionary solution.”

– Jean Vigo in his manifesto Vers un cinéma social

X2000 (François Ozon, 1998)

Jan

1

2000

X2000 (1998)

A young, naked man holding a drink observes two men asleep in a sleeping bag on the floor. On the wall behind them the text “2000” spelled out with tinsel garlands. DP: Pierre Stoeber.

Les abysses [The Depths] (Nikos Papatakis, 1963)

Dec

2

sister's birthday

Les abysses (1963)

Michèle and Marie-Louise (real-life sisters Francine and Colette Bergé) as the real-life Papin sisters in their shared bedroom. DP: Jean-Michel Boussaguet.

Sisters for [OP's] sister's birthday.

Touche pas à la femme blanche [Don't Touch the White Woman!] (Marco Ferreri, 1974)

Nov

23

potato chips

Touche pas à la femme blanche (1974)

Two white Frenchmen – in a University of Columbia and a CIA sweatshirt respectively – comment on the “period piece” they're in. CIA man (Paolo Villaggio) stuffs his face with potato chips. DP: Étienne Becker.

“Whoever dies for the country hasn't lived in vain. I, on the contrary, will live for the country because I'm not that stupid.”

– George A. Custer

Mélodie en sous-sol [Any Number Can Win] (Henri Verneuil, 1963)

Nov

22

banquet

Mélodie en sous-sol (1963)

Backstage at the Cannes casino, stars and stagehands enjoy their well-deserved end-of-season banquet. Just walking in front of the showgirls is piano player Sam (Jimmy Davis). DP: Louis Page.

Compartiment tueurs [The Sleeping Car Murder] (Costa-Gavras, 1965)

Nov

8

Compartiment tueurs (1965)

Eliane Darrès (Simone Signoret) – comédienne, by herself – takes a long hard look at her table-set-for-two. DP: Jean Tournier.