At night, a small group of prostitutes frequent a local 面薄 / mee pok #restaurant. One of them, Bunny (Michelle Goh), caught the hawker's eye, but she's not interested in the “mee pok” (the “fish ball”, as they call the vendor) (Joe Ng) and besides she has a boyfriend. Then, a car crash. Bunny is left for dead in front of the eatery. He takes her in, preparing endless meals

– We're out of love potion. What now?

– Take this one, for colic and bunions. What matters is how the bottle looks and how the potion tastes.

Wild with today's eyes, it is not. Yet Rosemary's “very in” Vidal Sassoon #PixieCut was a shocking affair in 68. Director Roman #Polanski flew in Vidal Sassoon – the world's hottest hairdresser – all the way from London, to cut Mia Farrow's hair in a boxing-ring-turned-pressroom. All of a sudden, in her lunch break, Mia/Rosemary transformed from timid waif to women's lib.

“It's by Vidal Sassoon. It's very in.”

– Rosemary Woodhouse

Both the lady's movie husband Guy Woodhouse (John Cassavetes) and real-world husband Frank Sinatra were incensed by the bold move. Of course, in Rosemary's Baby the haircut is Rosemary's attempt to make sense of the changing world around her. Moving to a new city, an unexpected pregnancy, all those lovely new neighbours to socialise with… a girl needs to feel in control!

Two American families, adults and their children, go on a #HikingTrip somewhere in the south of France. They find themselves increasingly lost, not only in #nature but also in and among themselves.

 

Supposedly based on a real troublesome event and riddled with much filmmaking adversity, O Território nearly stranded as much as the hikers did. In support, #WimWenders used the same cast for his Der Stand der Dinge (1982), about a film crew's attempt to remake #RogerCorman's Day the World Ended (1955).

 

In a wonderful, unscripted circular way, Corman was one of the executive producers of Ruiz's film.

All you need for a movie is a gun and a girl. Or a girl with a glue gun. Or skip the girl, get yourself a piece of cardboard, some foam latex, and a six pack of beer. Frank Grow's Red & Rosy is the embodiment of a special staple of #DIY culture that appears to be long-lost. Really kids, you don't need much of a budget. Or tomorrows latest equipment. The hottest Hollywood hotshot? Forget about it, ask your drunk uncle to yell at the camera for 10 minutes. You want authenticity? Tape some random medical footage straight from your teevee. Need a shot of adrenal juice?

 

Well, just watch this.

An American tourist visiting Dorset is tricked by a prostitute, then falls victim to a youth gang controlled by volatile con King – a still very green Oliver Reed at his meanest. The trickster is King's sister, who confides in the American hoping to escape her brother's incestuous advances.

“I'm strange, all right! I'll show you just how strange I am!”

– King

The couple elopes to a nearby island, closely followed by King and his gang, where they find a group of #children, all contently living in an underground lab, with #AutomaticDoors only they can control.

 

They are the damned.

A slice of teenage bravura is just enough for a couple of kids to #dare each other to a drag race. Hours after the car of one of them had plunged from a bridge into the murky waters below, Mary Henry resurfaces.

“It's funny… the world is so different in the daylight. In the dark, your fantasies get so out of hand. But in the daylight everything falls back into place again.”

– Mary Henry

Carnival of Souls was Herk Harvey's sole feature length film. He's much better known – albeit mostly uncredited – for his short PSAs including Halloween Safety, ruining your kids' favourite holiday since 1977, and Shake Hands With Danger (1980).

 

You don't have to tell Three Finger Joe about taking no risks.

Someone's playing cards.

“Why, you might end up by gaining a fortune… or losing your precious soul.”

– bookseller