Estate violenta [Violent Summer] (Valerio Zurlini, 1959)
Jul
25
1943

A large radio on a small pedestal. A perpetual wall calendar next to it reads DOMENICA 25 LUGLIO. DP: Tino Santoni.
Estate violenta [Violent Summer] (Valerio Zurlini, 1959)
Jul
25
1943

A large radio on a small pedestal. A perpetual wall calendar next to it reads DOMENICA 25 LUGLIO. DP: Tino Santoni.
“The most revolting film I have ever seen” La grande bouffe (Marco Ferreri, 1973)
Jul
21

Andréa Ferréol in a promotional photo. Food styling by actor/food writer Giuseppe Maffioli, DP: Mario Vulpiani.
A character pigging out*
– Mary Whitehouse, via
Four hedonistic gourmands throw a party of the flesh, of meat, of lust, and death.
* the Bales 2025 Film Challenge for July is, for unknown reasons, mostly not date-related and follows some sort of vacation narrative.
“I thought you'd be hungry, maybe.” La piscine [The Swimming Pool] (Jacques Deray, 1969)
Jul
20

Marianne (Romy Schneider) and Harry (Maurice Ronet) shopping. Note the plethora of atypical-for-France ingredients, and how the packaging hasn't changed up to today. DP: Jean-Jacques Tarbès.
Shopping for food*
Schneider and Ronet's characters go get their groceries in a tiny, surprisingly well-stocked-with-Asian-food-items French corner shop, ánd manage to find all the ingredients needed. One rookie mistake: Uncle Ben's. Of all the rice in the world…
* the Bales 2025 Film Challenge for July is, for unknown reasons, mostly not date-related and follows some sort of vacation narrative.
“It would be thrilling if you were willing,
and if it can never be, pity me,
for you were born to be kissed,
I can’t resist, you are temptation,
and I am yours!” Estate violenta [Violent Summer] (Valerio Zurlini, 1959)
Jul
19

Roberta (Eleonora Rossi Drago) and Carlo (Jean-Louis Trintignant). DP: Tino Santoni.
Characters go on a date, or fall in love*
– Nacio Herb Brown & Arthur Freed, Temptation (1933)
On a beautiful summer day in Rimini, Carlo, the handsome son from a bourgeois home, saves a little girl and becomes infatuated with the girl's mother, a young widow years his senior. Set in July 1943, the events in the outer world (poss. spoilers) and the fate of the two uneven lovers slowly come to their logical conclusion.
* the Bales 2025 Film Challenge for July is, for unknown reasons, mostly not date-related and follows some sort of vacation narrative.
“Everything's crashing here.”L'eclisse [The Eclipse] (Michelangelo Antonioni, 1962)
Jul
10
Mon

Vittoria (Monica Vitti, bottom left) at the Borsa – the Rome Stock Exchange. A clock top-right indicates it's Monday, July 10, 12:31 pm.. DP: Gianni Di Venanzo.
– Vittoria's mother
Divorzio all'italiana [Divorce Italian Style] (Pietro Germi, 1961)
Jul
3

A closeup of a man's hand holding up a diary. It's the third of July. DPs: Leonida Barboni & Carlo Di Palma.
Additionally, IMDb writes that “director Pietro Germi filmed a close-up of the front page of a newspaper announcing Yuri Gagarin's flight around the earth on April 12th 1961.”
Il mare [The Sea] (Giuseppe Patroni Griffi, 1962)
Jul
1

The actor (Umberto Orsini) looking out over the island. The claustrophobic framing of the hotel windows contrasts sharply with the openness of the sea. DP: Ennio Guarnieri.
My ideal vacation spot, country, city, town, or resort*
An island, in this case Capri (granted I've never been there), off-season, in a space and time lost in the mists. It'll occasionally rain and it's cold enough to dress up.
* the Bales 2025 Film Challenge for July is, for unknown reasons, mostly not date-related and follows some sort of vacation narrative.
“The house takes care of itself.”Burnt Offerings (Dan Curtis, 1976)
Jul
1

The chauffeur (Anthony James). DP: Jacques R. Marquette.
– Roz Allardyce
“You're a foreigner and you're lost.”L'immortelle (Alain Robbe-Grillet, 1963)
Jun
23
Sat

A man's hand holds a crumbled up diary page for Saturday June 23. There are no calendar entries. DP: Maurice Barry.
“I don’t have the inhibitions that a practicing Catholic would in that I’m not paralysed by the sacredness of the text, nor do I have the inhibitions of a lapsed Catholic who would view approaching the story of Jesus as compromising his Marxist beliefs, of sinking back into conformity.” Il vangelo secondo Matteo [The Gospel According to Matthew] (Pier Paolo Pasolini, 1964)
Jun
22
National Kissing Day

Judas (Otello Sestili) kisses Jesus (Enrique Irazoqui) in intimate closeup. DP: Tonino Delli Colli.
A [favourite] movie kiss for National Kissing Day (USA*), not to be confused with International Kissing Day aka World Kiss Day which falls on July 6.
– PPP, via
An neorealist, straightforward adaptation of the Gospel of Matthew, populated by non-actors (“Jesus” is a 19-year Catalan trade unionist picked for his resemblance to El Greco's Christ), intellectuals, and anachronistic characters based on biblical art through the ages.
According to said Gospel, apostle Judas kissed prophet Jesus to signal to the police who of the 13 men present was the one to arrest.
Interestingly, the word Matthew chose to describe the kiss is καταφιλέω, the same word used by philosopher Plutarch to describe the kiss between Alexander the Great and his eunuch Bagoas
* no one wants to kiss you anymore, America