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Morte a Venezia [Death in Venice] (Luchino Visconti, 1971)
Jun
11
Say HI Day
Von Aschenbach (Dirk Bogarde) and Tadzio (Björn Andrésen). DP: Pasqualino De Santis.
Characters say or wave hello on Say HI Day
A sickly composer meets and becomes infatuated with a boy during his stay in Venice.
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A cavallo della tigre [On the Tiger's Back] (Luigi Comencini, 1961)
Jun
4
Mario (Mario Adorf) rinsing his mouth while eyeing two of the wardens. DP: Aldo Scavarda.
or June 5th?
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L'uomo più velenoso del cobra [The Man More Venomous Than the Cobra / Human Cobras] (Bitto Albertini, 1971)
May
19
Leslie (Erika Blanc) and Tony Garden (George Ardisson). DP: Emilio Foriscot.
“For a handful of coins!”
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La caduta degli dei (Götterdämmerung) [The Damned] (Luchino Visconti, 1969)
May
18
Visit Your Relatives Day
Martin Von Essenbeck (Helmut Berger) entertains the family. DPs: Pasqualino De Santis & Armando Nannuzzi.
“You must realize that today in Germany anything can happen, even the improbable, and it's just the beginning, Frederick. Personal morals are dead. We are an elite society where everything is permissible. These are Hitler's words. My dear Frederick, even you should give them some thought.”
– Aschenbach
The wealthy Von Essenbecks gather for a family dinner party. There is entertainment.
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Week-end (Jean-Luc Godard, 1967)
May
9
UN Global Road Safety Week
A terrible, bloody, car crash. There's cars on fire and several injured sprawled around. A lucky survivor exclaims MY HERMÈS HANDBAG! DP: Raoul Coutard.
“My Hermès handbag!”
– Corinne
The bourgeois make their way to the countryside, and find themselves in a cacophony of car crashes, primitive urges, and political uprisings.
* In 2025, this actually takes places from May 12 – 18.
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Stromboli (Terra di Dio) [Stromboli] (Roberto Rossellini, 1950)
May
8
birthdays
Roberto Rossellini and Ingrid Bergman on set on Sardinia. In the background the house Bergman's character moves into with her husband. DP: Otello Martelli.
May 8 is both director Rossellini and Bergman's character Karen's #birthday.
“What mystery, what beauty.”
– Karen
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Le mépris [Contempt] (Jean-Luc Godard, 1963)
May
5
Europe Day
Michel Piccoli, director Fritz Lang, Jack Palance, and director Jean-Luc Godard behind the scenes. The clapperboard held by Godard is for the movie that Lang's working on in Le Mépris, an adaption of Homer's Odyssey. DP: Raoul Coutard.
A director from the EU for Europe Day
“Producers are something I can easily do without”
– Fritz Lang
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Todo modo [One Way or Another] (Elio Petri, 1976)
May
1
National Day of Prayer
M. (Gian Maria Volontè) speaks to the gathered elite while a gypsum Christ multiplies bread and fishes. DP: Luigi Kuveiller.
“Have you ever tried to dress as a priest? Try it, at least once. It's a bit like being a woman. In summer the breeze enters under the genitals. You can go without briefs. Priests are half men and half women.”
– Don Gaetano
Inspired by the Spiritual Exercises of Ignatius of Loyola, Italy's political leaders, industrialists, bankers, and business leaders gather for a retreat as an atonement for their past crimes of corruption and unethical practices, and to reinforce their power.
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Una farfalla con le ali insanguinate [The Bloodstained Butterfly] (Duccio Tessari, 1971)
Apr
26
Fri
Sarah Marchi (Wendy D'Olive) with Giorgio (Helmut Berger) in the background, just out of focus behind her. DP: Carlo Carlini.
“Because, in the way I see it, the killer could only be one of two types. Either a person who was seized by a sudden impulse and in all probability has no police record, or else, a sex maniac.”
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Prigionieri della guerra [Prisoners of War] (Yervant Gianikian + Angela Ricci Lucchi, 1995)
Apr
24
Armenian genocide
Horse-pulled carts arrive at a cross (via). DPs: Yervant Gianikian & Angela Ricci Lucchi.
“Parfois ils disent que nos images sont esthétiques, mais nous disons que les images esthétiques sont des images hautement étiques. Pour nous éthique et esthétique marchent ensemble. Re-filmer signifie re-signifier.”
– Yervant Gianikian and Angela Ricci Lucchi in conversation with Daniele Dottorini, 2007 (via)
Re-purposed propaganda reels show citizens – displaced, dehumanised – turned into prisoners of war, and finally into corpses.
