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El verdugo [The Executioner] (Luis García Berlanga, 1963)
Jan
31
stale bread
A closeup of man's hands crumbling bread over a small bowl placed next to a newspaper with keys on top of it. The man has a wool blanket over his shoulders. DP: Tonino Delli Colli.
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Ucho [The Ear] (Karel Kachyňa, 1970)
Jan
8
cake
A gold-rimmed plate with a messy piece of cake on its side. Near it two glasses and a bottle of alcohol. DP: Josef Illík.
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Ο Δράκος [O Drakos / The Ogre of Athens / The Ogre / The Vampire] (Nikos Koundouros, 1956)
Jan
2
Martini
The boss, Hondros (Giannis Argyris), pours out a stiff drink on the floor of his cabaret with Mr Tomas (Dinos Iliopoulos) in the background. DP: Kostas Theodoridis.
The first film dinner of 2024.
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Ο Δράκος [O Drakos / The Ogre of Athens / The Ogre / The Vampire] (Nikos Koundouros, 1956)
Dec
31
New Year's Eve
Men in identical white shirts and dark slacks dancing in the club during after hours. Their upper bodies seem top-heavy, tending to lunge towards the ground. DP: Kostas Theodoridis.
New Year's Eve celebrations.
A mousy bank clerk (Dinos Iliopoulos), who bears an uncanny resemblance to a criminal on the run, finds himself hiding in a shady cabaret on New Year's Eve instead of spending a quiet evening alone. During his forced stay at the nightclub, he comes to enjoy and identify more and more with his newfound persona and assumes the role of the notorious “Drago”.
An initial box office dud, it is now considered one of the top ten all-time best Greek films.
Happy new year, everyone! On to many more cinematic discoveries!
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Празник [Praznik / The Feast] (Đorđe Kadijević, 1967)
Dec
25
Christmas dinner
Soldiers eating bread at a set table. DP: Aleksandar Petković.
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Angel, Angel, Down We Go [Cult of the Damned (Robert Thom, 1969)
Dec
22
A chubby, piggy pink-dressed debutante (Joan Calhoun) flanked by her uppity-class parents (Charles Aidman and Jennifer Jones) in a fancy restaurant. The kid gives her mother the side eye. Other eaters look on in shock. DP: John F. Warren.
“We say hip, hooray,
Hip, hip hooray,
For fat!”
– Barry Mann & Cynthia Weil, The Fat Song
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O slavnosti a hostech [A Report on the Party and Guests] (Jan Němec, 1966)
Nov
22
grapes
A man in tuxedo removes a grape seed from his mouth. He's seated at a wonderfully opulently set table in a birch forest. DP: Jaromír Šofr.
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O slavnosti a hostech [A Report on the Party and Guests] (Jan Němec, 1966)
Nov
22
Bales' Birthday
The birthday party mingled in with the others in the woods, all dressed immaculately and seated at elaborately decked tables. The guests and their host raise their glasses towards the camera. DP: Jaromír Šofr.
“So will someone tell me what happened or not? A brother shouldn't turn against his brother. And a guest shouldn't turn against a guest.”
– the host
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儀式 [Gishiki / The Ceremony] (Nagisa Ōshima, 1971)
Nov
11
World Origami Day
A man kneeled in front of a Shintō altar. Ceremonial origami, known as origata or girei origami can be seen hanging from the altar. This is 幣帛 [heihaku], an offering made of cloth or paper. DP: Tōichirō Narushima.
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Ciao Manhattan (John Palmer + David Weisman, 1972)
Aug
31
International Overdose Awareness Day
A hollow-eyed Susan Superstar (or Edie Sedgwick, it doesn't matter) getting ready in the morning in one of the 1960s scenes. The cameraman is visible in the many bathroom mirrors. DPs: John Palmer & Kjell Rostad.
28 is no age to die, regardless if your name is Susan Superstar or Edie Sedgwick. But it happened, right during the wrap-up of Ciao Manhattan. Edie was gone, just like that, snuffed like so many of the other #Warhol Superstars. What did remain was footage, so much abandoned footage shot in the 60s when those stars were shining at their brightest. That footage, set in glitzy black-and-white Manhattan, is where Edie and Paul America race around town on amphetamine. Or see a doctor to get shots of some sorts.
“Speed is the ultimate, all-time high. That first rush. Wow! Just that burning, searing, soaring sense of perfection.”
– Susan
They snuff so fast, these bright Superstars.