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silentfilm

Cabiria (Giovanni Pastrone, 1914)

Dec

5

Cabiria (1914)

The gigantic entrance to the Temple of Moloch in Carthage. Like the entrance to Luna Park Sydney, it's appearance is based on a hellmouth. DPs: Augusto Battagliotti, Eugenio Bava, Natale Chiusano, Segundo de Chomón, Carlo Franzeri & Giovanni Tomatis.

A temple*

“Now consummate the sacrifice in your throat of flame, o father and mother, o god and goddess, o father and mother, o father and son, o god and goddess! Voracious creator! Roaring ardent hunger…”

 

* the Bales 2025 Film Challenge for December has a few dateless themes. This is one of them.

München-Berlin Wanderung [Walking from Munich to Berlin] (Oskar Fischinger, 1927)

Nov

20

München-Berlin Wanderung (1927)

A bunch of Buben take a moment to pose between troublemaking. DP: Oskar Fischinger.

A journey or road trip*

 

Four weeks in four minutes, spanning decades in its disruptive form.

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.

Il caso Valdemar [The Facts in the Case of M. Valdemar] (Gianni Hoepli + Ubaldo Magnaghi, 1936)

Oct

24

Il caso Valdemar (1936)

M. Valdemar on his deathbed.

[A] favourite horror movie overall*

”'M. Valdemar,' I said, 'are you asleep?' He made no answer, but I perceived a tremor about the lips, and was thus induced to repeat the question, again and again. At its third repetition, his whole frame was agitated by a very slight shivering; the eye-lids unclosed themselves so far as to display a white line of the{n} ball; the lips moved sluggishly, and from between them, in a barely audible whisper, issued the words:

'Yes; — asleep now. Do not wake me! — let me die so!'”

– Edgar Allan Poe, The Facts in the Case of M. Valdemar (1845) (via)

A man agrees on being hypnotised while in the state of dying. This particularly haunting and efficiently gory film – the first in the genre – is the result.

 

* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.

La chute de la maison Usher [The Fall of the House of Usher] (Jean Epstein, 1928)

Oct

21

La chute de la maison Usher (1928)

A rapid tracking shot along a dark corridor. Dead leaves follow the camera (via). DPs: Georges Lucas & Jean Lucas.

A favourite horror film adapted from a book or short story*

“Everything in this masterpiece contributes to its unity: the absolute mastery of editing and rhythm; slow motion, superimpositions, tracking shots, the mobile camera all play their roles and never gratuitously. The photographic quality, worthy of the most learned German operators, the lighting of the sets which envelops them in mystery, the sets themselves, neither realistic nor stylized, but as if sketched; the acting neither realistic nor expressionist, and yet adapted to the fantastic, to the violence; to the pauses; to the blur.”

Henri Langlois, via

 

* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.

Au secours ! [Help!] (Abel Gance, 1924)

Oct

18

Au secours !

Au secours ! (1924)

A rather tall ghost struts along a nonplussed Max. DPs: Émile Pierre, André-Wladimir Reybas & Georges Specht.

A [favourite] horror comedy*. This post goes out to Max Linder, who – together with his wife Hélène “Ninette” Peters – took his own life 100 years ago, on October 31, 1925.

 

Max (Max Linder) bets that he can spend one whole hour in a haunted castle without calling for help. In face of all the (in camera!) terrors, Max faces his fears with ease. Until, just minutes before the clock strikes midnight, the phone rings.

“Strange things are happening today.”

– title card

And there was this other bet. One between Linder and director Abel Gance. Linder bet that Gance would not be able to shoot a movie in only three days. With ghosts, skeletons, and wildlife galore, the result is a delightful Grand Guignol à la Max.

 

* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.

狂った一頁 [Kurutta ichipėji / A Page of Madness] (Teinosuke Kinugasa, 1926)

Oct

14

silent cinema

Kurutta ichipėji (1926)

A masked inmate (Eiko Minami) dances. The shot of the dancer is superimposed over a shot of her cel's bars, putting the viewer in the position of the husband witnessing – or is he hallucinating – an inescapable nightmare (via). DP: Kōhei Sugiyama.

A [favourite] silent horror film*

 

 

* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.

La plage 23 septembre 1971 + 18° (Paul-Armand Gette, 1971)

Sep

23

1971

La plage 23 septembre 1971 + 18° (1971)

A filmstrip with three stills. The first one is a shot from above. We seen a young woman's thighs in a short skirt. She's kneeling down in the sand. Someone's hand hovers above one of her knees. The both wear matching leather jackets. Still two and three are merely identical; a young blond woman looking sideways. Behing her tall dune grass. Image source

Die Republik der Backfische [The Republic of Flappers] (Constantin J. David, 1928)

Sep

20

1928

Die Republik der Backfische (1928)

The Berliner Zeitung (a rag of a paper that's still around to this day) of September 20, 1928. It blares something about America and Graf Zeppelin, the then-new airship. DP: Mutz Greenbaum.

Depending on the language version you watch, you'll see a 1928 newspaper headline dated September 20 (a Thursday), January 10 (a Tuesday), or January 9 (a Monday).

 

Un matrimonio interplanetario [A Marriage in the Moon] (Enrico Novelli, 1910)

Sep

12

Луна 2 – 1959

Un matrimonio interplanetario (1910)

Aldovin (director and author of La Colonia Lunare (1908) meets his lovely Martian fiancée halfway, on the Moon.

To commemorate the launch (not landing) of the Луна 2 aka the Second Soviet Cosmic Rocket on September 12, 1959, we present The Moon.

 

According to Wikipedia, Luna 2 was the first spacecraft to touch the surface of the Moon, and the first human-made object to make contact with another celestial body. Well, Enrico Novelli went there first…

“Mars Daughter, You are fine. I am loving you and I should like very much to marry you.”

– Aldovin, Terrestrial Astronomer (Aldovin's radiotelegraph to Mars), via

…and what an adventure he had! An Earth gentleman points his telescope at the red planet, only to spot a beautiful Martian princess. He promptly falls in love and lo and behold! it's mutual! That asks for an instantaneous wedding halfway, on the Moon, and nothing can stop them!

Les Vampires [The Vampires or, The Arch Criminals of Paris] (Louis Feuillade, 1915/1916)

Aug

24

black

Les Vampires (1915)

A signed promotional photograph of Irma Vep (Musidora) in her iconic black catsuit. DPs: Georges Guérin & Manichoux.

Black, in food or fashion*

“It is vital to be photogenic from head to foot. After that you are allowed to display some measure of talent.”

– Musidora

Possibly the first, and definitely the most, iconic catsuit in cinema is worn by Musidora as Irma Vep in Les Vampires. Skintight and scandalous, Musidora's screen presence in the serial further cemented the popularity of the vamp and set the scene for many man-eaters to come.