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Jesus Christus Erlöser [Jesus Christ Saviour] (Peter Geyer, 1971/2008)
May
29
Ascension Day
The birth, life, death or teachings of Jesus on Ascension Day
“Ich bin nicht der offizielle Kirchenjesus, ich bin nicht euer Superstar.”
– Klaus Kinski
It is November 20. The Jesus Christus Erlöser tour brings Klaus Kinski to Berlin's Deutschlandhalle. His monologue, spoken from Jesus the revolutionary's perspective, brings out the hecklers. It's 1971, the post-68 generation is not satisfied with words. It wants to debate, dissect, and devour their Saviour.
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Jonathan (Hans W. Geissendörfer, 1970)
May
26
World Dracula Day
Siring the mortals. DP: Robby Müller.
This deeply political, unpleasant interpretation of Stoker's Dracula can not not be seen against the backdrop of political movements like the #RAF and West-Germany's youth revolting against the failed #Denazification that the country underwent under supervision of the Allied occupying forces.
Note the usage of colour and grouping of people; Klaus Mann's Mephisto (1981) borrowed quite a few visuals from Jonathan.
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La caduta degli dei (Götterdämmerung) [The Damned] (Luchino Visconti, 1969)
May
18
Visit Your Relatives Day
Martin Von Essenbeck (Helmut Berger) entertains the family. DPs: Pasqualino De Santis & Armando Nannuzzi.
“You must realize that today in Germany anything can happen, even the improbable, and it's just the beginning, Frederick. Personal morals are dead. We are an elite society where everything is permissible. These are Hitler's words. My dear Frederick, even you should give them some thought.”
– Aschenbach
The wealthy Von Essenbecks gather for a family dinner party. There is entertainment.
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Vagabunden Karawane [Vagabond’s Band] (Werner Penzel, 1980)
Apr
16
હડતાળ
“I had appealed to the people to fast on April 6, and the whole nation followed my call. Who was I? But it was the voice of God… India was awakened that day.”
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News from Home (Chantal Akerman, 1976)
Apr
3
Pony Express Day
New York, a street scene. Superimposed a quote from one Chantal Akerman's mother's letters. DPs: Jim Asbell & Babette Mangolte.
“Dear child,
l received your letter and hope you will write often. l hope you won’t stay away too long and that you’ve found a job by now. If you’re doing well, we’re happy. Even though we do miss you. When will you be back? Everything is fine here, but Sylviane is home with the flu. My blood pressure is low. l’m on medication for it. Today is my birthday. l feel sad. lt’s quiet at the shop. Tonight we’re going out to dinner with friends. That’s all. Your birthday is coming up. l wish you all the best. Write to me soon about your work, about New York, about everything. Lots of love from the three of us.
Your loving mother” (quote via)
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Die Patriotin [The Patriotic Woman] (Alexander Kluge, 1979)
Mar
29
秦始皇兵马俑
Teacher Gabi Teichert (Hannelore Hoger), knee-deep in a puddle with a shovel, inspecting a find. DPs: Guenter Hoermann, Werner Lüring, Thomas Mauch & Jörg Schmidt-Reitwein.
A German history teacher, unhappy with the standardised history textbooks she has to work with, literally digs up her nation's past and sees how it is reflected in modern society.
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Paris, Texas (Wim Wenders, 1984)
Mar
27
94th Academy Awards
Travis (Harry Dean Stanton) wandering the desert. DP: Robby Müller.
“The Dust has come to stay. You may stay or pass on through or whatever.”
– gas station sign
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Ludwig (Luchino Visconti, 1973)
Mar
25
Elton John – 1947
Elisabeth “Sissi” of Austria (Romy Schneider) and King Ludwig II of Bavaria (Helmut Berger) in his beloved Venus Grotto below Schloss Linderhoff. Ludwig wanted blue light in reference to the Grotta Azzurra in #Capri, and had electricity installed in the grotto, which was the first usage of electricity in Austria. DP: Armando Nannuzzi.
A flamboyant character for Elton John’s birthday (1947).
“I want to remain an enigma forever. To others, and also to myself.”
– Ludwig II
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Io la conoscevo bene [I Knew Her Well] (Antonio Pietrangeli, 1965)
Mar
5
Crispus Attucks – 1770
Adriana (Stefania Sandrelli) seen through her apartment window. Rome is reflected in her face. DP: Armando Nannuzzi.
A wasteful act: Crispus Attucks, (arguably) the first American victim in the American Revolution, dies on March 5th, 1770.
“She's always happy. She desires nothing, envies no one, is curious about nothing. You can't surprise her. She doesn't notice the humiliations, though they happen to her every day. It all rolls off her back like some waterproof material. Zero ambition. No moral code. Not even a whore's love of money.”
– The Writer
An ambitious but aimless girl – she wants to be loved, and to be a model, a proto-Edie – mills about her day.
Sublimely shot, we see Adriana through glass panes, in reflections, in an off-focal plane, in other people's words.
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Der große Verhau [The Big Mess] (Alexander Kluge, 1971)
Feb
19
Copernicus born
Space ships made out of all sorts of junk pass a moon. DPs: Thomas Mauch & Alfred Tichawsky.
A film about outer space for Nicolaus Copernicus' birthday (1473).