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Ascenseur pour l'échafaud [Elevator to the Gallows] (Louis Malle, 1958)
Dec
13
croissants
Mr Tavernier (Maurice Ronet) taking a bite out of a croissant while dialling a number in a lively French café. A blonde behind him shows an interest. DP: Henri Decaë.
“Have you seen Mr Tavernier tonight?”
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Garlic Is as Good as Ten Mothers (Les Blank, 1980)
Dec
12
National 12 Hour Fresh Breath Day
Three representatives of the garlic festival. Their tees read: THE GARLIC TO SHARE WITH A FRIEND, MINE DOESN'T STINK, and WE LEAVE YOU BREATHLESS. DP: Les Blank.
“When he shows the 1978 film Always for Pleasure, about the food, music and indigenous culture of New Orleans, [Les Blank] has been known to whip up a pot of red beans and rice in the back of the theatre. [cont. below]
“Can you smell the garlic?”
– Alice Waters. During screenings, the audience would reply with “YES!”
“At presentations […] Blank can occasionally be spied tossing several heads of garlic into a toaster oven so that the aroma wafts over the audience at just the right mouth-watering moment.” (via)
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楢山節考 [Narayama-bushi kō / The Ballad of Narayama] (Keisuke Kinoshita, 1958)
Dec
11
International Mountain Day
Tatsuhei (Teiji Takahashi) with his mother Orin (Kinuyo Tanaka) in a bamboo carrier on his back. She's combing his hair. Around them the mountain range. DP: Hiroshi Kusuda.
“This winter… I'm going to the mountain. My mother went to the mountain, as did the mother-in-law of our home. So I have to go too.”
– Orin
In Keisuke Kinoshita's highly stylised 楢山節考, the arguably cruel (and most likely fictional) practice – of 姥捨て [ubasute, abandoning an old woman] – is superbly abstracted. Narration, dramatic lighting, colour filters and very obviously a soundstage underline that what we're watching is not a film, but a kabuki play.
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Laura (Otto Preminger + Rouben Mamoulian, 1944)
Dec
11
Laura Hunt (Gene Tierney) interrupts arsine newspaper columnist Waldo Lydecker (a delicious Clifton Webb) with her designs during his lunch. DPs: Joseph LaShelle & Lucien Ballard.
“I don't use a pen. I write with a goose quill dipped in venom.”
– Waldo Lydecker
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Nostalghia [Nostalgia] (Andrei Tarkovsky, 1983)
Dec
10
Worldwide Candle Lighting Day
Hands shield something on stone steps. In the next shot, with the hands withdrawn, we see a small, lit candle. DP: Giuseppe Lanci.
“Feelings unspoken are unforgettable.”
– Andrei Gorchakov
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Holubice [The White Dove] (František Vláčil, 1960)
Dec
9
Official Lost And Found Day
Michal (Karel Smyczek) finds the white dove perched on a sculpture. The artwork depicts a faceless boy. DP: Jan Čuřík.
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Fireworks (Kenneth Anger, 1947)
Dec
8
National Christmas Tree Day
The Dreamer (Kenneth Anger) holding a tinsel-decked Christmas tree in front of his naked upper body. The scene appears to foreshadow Yvonne Marquis getting into her silver dress in Anger's Puce Moment (1949).
In August 1942, a Mexican-American man with a broken finger was found semiconscious near Sleepy Lagoon, Ca.. By association, a group of young Latinos was put on trial. This spark, mere months after Roosevelt sent thousands of Japanese Americans to concentration camps and fuelled by Cold War paranoia, eventually set off the Zoot Suit Riots.
Zoot Suiters or Pachucos and other “outsiders” like African, Italian and Filipino Americans, were viciously attacked by Anglo-American #sailors. Those suits, all that fabric, this colourful extravagance, they cried out, were hampering the war effort.
“Inflammable desires dampened by day under the cold water of consciousness are ignited that night by the libertarian matches of sleep, and burst forth in showers of shimmering incandescence.”
– The Dreamer
The Dreamer, Anger, dreams of a similar violent attack. The sadism is harrowing, filmed with such exquisite eye that it's impossible to look away. Blood finds its way out, pulsating and spurting. Ambiguous glances. A hand, no finger. A young man awakes, is born. The dreamer is still asleep.
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The Savage Eye (Ben Maddow, Sidney Meyers + Joseph Strick, 1959)
Dec
7
National Judith Day
Judith X (Barbara Baxley) relaxing on a sun lounger. DPs: Jack Couffer, Helen Levitt & Haskell Wexler.
By times, The Savage Eye has more in common with mondo than with drama. Judith's betrayed, by her husband. She takes a plane out out out. To Los Angeles, where an angel – it's their town after all – talks to her. About her life, the old one and the new. She tries to reinvent herself with new clothes, a hairstyle, a manicure. It fills the longs days, that too. She attends bloodsports. A burlesque, with her new lover, a married man. There are bleeders and drinkers and jumpers. Sticky sheets. New eyes and fiery tongues, courtesy of Jesus. What is Judith's life if not a stranger's.
“I dream of resurrection in a party dress.”
– Judith X
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剣 (小説) [Ken / The Sword] (Kenji Misumi, 1964)
Dec
6
rice
Young people eating. An older woman in kimono scoops rice from an electric rice cooker. When read from right to left, this scene – as are numerous others in Chikashi Makiura's photographed 剣 (小説) – are split into tradition and modernity. DP: Chikashi Makiura.
“We come to life, we die… It's a perpetual renewal. How boring.”
– Mibu
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Mr. Hayashi (Bruce Baillie, 1963)
Dec
5
World Soil Day
Mr. Hayashi's hand digging in soil.