settima

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Ascenseur pour l'échafaud [Elevator to the Gallows] (Louis Malle, 1958)

Dec

13

croissants

Ascenseur pour l'échafaud (1958)

Mr Tavernier (Maurice Ronet) taking a bite out of a croissant while dialling a number in a lively French café. A blonde behind him shows an interest. DP: Henri Decaë.

“Have you seen Mr Tavernier tonight?”

Garlic Is as Good as Ten Mothers (Les Blank, 1980)

Dec

12

National 12 Hour Fresh Breath Day

Garlic Is as Good as Ten Mothers (1980)

Three representatives of the garlic festival. Their tees read: THE GARLIC TO SHARE WITH A FRIEND, MINE DOESN'T STINK, and WE LEAVE YOU BREATHLESS. DP: Les Blank.

Someone has bad breath on National 12-hour Fresh Breath Day (USA)

 

“When he shows the 1978 film Always for Pleasure, about the food, music and indigenous culture of New Orleans, [Les Blank] has been known to whip up a pot of red beans and rice in the back of the theatre. [cont. below]

“Can you smell the garlic?”

– Alice Waters. During screenings, the audience would reply with “YES!”

“At presentations […] Blank can occasionally be spied tossing several heads of garlic into a toaster oven so that the aroma wafts over the audience at just the right mouth-watering moment.” (via)

楢山節考 [Narayama-bushi kō / The Ballad of Narayama] (Keisuke Kinoshita, 1958)

Dec

11

International Mountain Day

楢山節考 (1958)

Tatsuhei (Teiji Takahashi) with his mother Orin (Kinuyo Tanaka) in a bamboo carrier on his back. She's combing his hair. Around them the mountain range. DP: Hiroshi Kusuda.

Travel mountains on International Mountain Day

 

A starving community has come to the agreement that the elders approaching the age of seventy are to be carried up Narayama mountain to die. The day prior to the mountain's festival, sixty-nine year old Orin prepares to leave, carried by her son Tatsuhei.

“This winter… I'm going to the mountain. My mother went to the mountain, as did the mother-in-law of our home. So I have to go too.”

– Orin

In Keisuke Kinoshita's highly stylised 楢山節考, the arguably cruel (and most likely fictional) practice – of 姥捨て [ubasute, abandoning an old woman] – is superbly abstracted. Narration, dramatic lighting, colour filters and very obviously a soundstage underline that what we're watching is not a film, but a kabuki play.

Laura (Otto Preminger + Rouben Mamoulian, 1944)

Dec

11

Laura (1944)

Laura Hunt (Gene Tierney) interrupts arsine newspaper columnist Waldo Lydecker (a delicious Clifton Webb) with her designs during his lunch. DPs: Joseph LaShelle & Lucien Ballard.

“I don't use a pen. I write with a goose quill dipped in venom.”

– Waldo Lydecker

Nostalghia [Nostalgia] (Andrei Tarkovsky, 1983)

Dec

10

Worldwide Candle Lighting Day

Nostalghia (1983)
Nostalghia (1983)

Hands shield something on stone steps. In the next shot, with the hands withdrawn, we see a small, lit candle. DP: Giuseppe Lanci.

“Feelings unspoken are unforgettable.”

– Andrei Gorchakov

Holubice [The White Dove] (František Vláčil, 1960)

Dec

9

Official Lost And Found Day

Holubice (1960)

Michal (Karel Smyczek) finds the white dove perched on a sculpture. The artwork depicts a faceless boy. DP: Jan Čuřík.

Something is lost and found on Official Lost and Found Day (USA)

Fireworks (Kenneth Anger, 1947)

Dec

8

National Christmas Tree Day

Fireworks (1947)

The Dreamer (Kenneth Anger) holding a tinsel-decked Christmas tree in front of his naked upper body. The scene appears to foreshadow Yvonne Marquis getting into her silver dress in Anger's Puce Moment (1949).

A Christmas tree for National Christmas Tree Day (USA)

 

In August 1942, a Mexican-American man with a broken finger was found semiconscious near Sleepy Lagoon, Ca.. By association, a group of young Latinos was put on trial. This spark, mere months after Roosevelt sent thousands of Japanese Americans to concentration camps and fuelled by Cold War paranoia, eventually set off the Zoot Suit Riots.

 

Zoot Suiters or Pachucos and other “outsiders” like African, Italian and Filipino Americans, were viciously attacked by Anglo-American #sailors. Those suits, all that fabric, this colourful extravagance, they cried out, were hampering the war effort.

“Inflammable desires dampened by day under the cold water of consciousness are ignited that night by the libertarian matches of sleep, and burst forth in showers of shimmering incandescence.”

– The Dreamer

The Dreamer, Anger, dreams of a similar violent attack. The sadism is harrowing, filmed with such exquisite eye that it's impossible to look away. Blood finds its way out, pulsating and spurting. Ambiguous glances. A hand, no finger. A young man awakes, is born. The dreamer is still asleep.

The Savage Eye (Ben Maddow, Sidney Meyers + Joseph Strick, 1959)

Dec

7

National Judith Day

The Savage Eye (1959)

Judith X (Barbara Baxley) relaxing on a sun lounger. DPs: Jack Couffer, Helen Levitt & Haskell Wexler.

A Judith or Judy for National Judith Day (USA)

 

By times, The Savage Eye has more in common with mondo than with drama. Judith's betrayed, by her husband. She takes a plane out out out. To Los Angeles, where an angel – it's their town after all – talks to her. About her life, the old one and the new. She tries to reinvent herself with new clothes, a hairstyle, a manicure. It fills the longs days, that too. She attends bloodsports. A burlesque, with her new lover, a married man. There are bleeders and drinkers and jumpers. Sticky sheets. New eyes and fiery tongues, courtesy of Jesus. What is Judith's life if not a stranger's.

“I dream of resurrection in a party dress.”

– Judith X

Ben Maddow, Sidney Meyers, and Joseph Strick's lonely exploration of a gritty, hopeless LA was filmed over 4 years by photographers Haskell Wexler, Helen Levitt, and Jack Couffer in wonderful, merely wordless cinéma vérité. It feels naked and raw, and broke ground for the American New Wave that came crashing in almost a decade later.

剣 ​(小説) [Ken / The Sword] (Kenji Misumi, 1964)

Dec

6

rice

剣 (小説) (1964)

Young people eating. An older woman in kimono scoops rice from an electric rice cooker. When read from right to left, this scene – as are numerous others in Chikashi Makiura's photographed 剣 (小説) – are split into tradition and modernity. DP: Chikashi Makiura.

“We come to life, we die… It's a perpetual renewal. How boring.”

– Mibu

Mr. Hayashi (Bruce Baillie, 1963)

Dec

5

World Soil Day

Mr. Hayashi (1963)

Mr. Hayashi's hand digging in soil.

Someone digs in soil on World Soil Day